Project name: Yuanshe · Hezhou

Developer: Dongbangtou Joint-stock Economic Cooperative

Client: Xband Club

Structural design: Huo Zhenzhong

Collaborator: Shanghai Times Architecture Design Co., Ltd.

Construction firm: Shanghai Jingyu Landscape Construction & Development Co., Ltd.

Project team: Yan Yang, Wu Kejia, Yan Yu, Hu Hongmei

Area: 1,901.68 square meters

Main materials: washed stone, exterior wall coating, laminated bamboo, cement-texture paint, mosaic tile, terrazzo tile, wood veneer

Design phase: Dec. 2019 - Oct. 2020

Construction phase: Oct. 2020 - Aug. 2021

Photographer: Peter Dixie / Lotan Architectural Photography, Yan Yang

Video: y.ad studio

Huashengbang Ideal Village is a rural revitalization project located in Dongbangtou Village, Heshan Town, with its core areas set in Huashengqiao Natural Village and Nanshengbang Natural Village. The Heshan Town government works with Xband Club to construct an ideal village that consists of waterfront B&B, artistic restaurant, Huasheng Academy, rural art gallery and waterfront tea bar, etc., by drawing on cultural elements such as Feng Zikai's cemetery and "escape wharf", and taking advantage of various resources, such as Huashengqiao Natural Village, retained industrial plants, and agricultural and industrial bases. Through integrating with surrounding water systems, farmlands and other natural elements and improving the infrastructure and surrounding environment, the goal is to create a demonstrative, influential and beautiful pastoral building complex. Taking the Huashengbang Ideal Village project as an opportunity, Heshan Town actively explores the combination of agriculture and tourism, agriculture and culture, works to upgrade villages in aspects of industry, economy and lifestyle, and aims to construct a future rural community that sets an example in Jiaxing City.

Yuanshe · Hezhou is a B&B, which is one of the first group of building complexes constructed within the Ideal Village.

Location

Dongbangtou Village is situated in Heshan Town, Tongxiang City, adjacent to Shanghai, Hangzhou, Suzhou and Ningbo. It enjoys convenient transportation, with about 2 hours' drive from Shanghai and around 40 minutes' drive from Hangzhou.

Inspiration: regional and cultural elements

The project is not far from Wuzhen and Nanxun, two well-known historical water towns in Jiangnan Region.

"Tongxiang City in my mind is always relevant to historical water towns, as Wuzhen here is so famous," y.ad studio founder and chief architect Yan Yang explained, "When it comes to Tongxiang, ancient towns, piers, small bridges, flowing rivers and narrow streets and lanes pop into head. In addition, I also immediately think of Mu Xin, a renowned Chinese painter and writer, and the comics by Feng Zikai."

Dongbangtou Village, where the project sits, has a close connection with Feng Zikai, because he was born and lived here during his later years. Besides, there is a bond among Huashengqiao Natural Village, Feng Zikai's cemetery, and the "escape wharf" where Feng Zikai fled his hometown by ship after the outbreak of the War of Resistance against Japanese Aggression in 1934.

Concept: an ideal living space

At the early design stage, the operator of the B&B put forward several requirements for the space, i.e. small area, low density, large space for use, independence and villa style. In view of this, y.ad studio conceived the design by focusing on spatial scale, density, comfort and functions, to create a villa-style living space. After careful deliberation and discussion, the team identified the following principles for creating a villa-style B&B distinct from conventional living & experiential spaces:

a. Each building is relatively independent, with a single floor area of 80m² to 100 m² and a two-storey volume.

b. Interior and outdoor spaces can be utilized alternately.

c. Poetry and nature are injected into the space, to bring enjoyable strolling, touring and living experiences.

Jiangnan water town-featured living environment that fits into contemporary lifestyle and aesthetics

Two major design strategies were adopted.

1、Create a waterfront environment

The site was re-adjusted. The north and east sides of the site are surrounded by rivers and the south side faces a pond. But the rivers were separate from the pond. The design team connected the pond and rivers, so as to form a peninsula-like landform enclosed by water on three sides, and meanwhile preserved the existing big trees on the site as well.

Moreover, the functional buildings were built at a distance from big trees and around rivers, in order to retain the existing natural vegetation and environment. Three public water platforms are set in different functional areas, so as to create a Jiangnan wharf-like public waterfront space.

A walkable circulation route links various spaces, which creates varying experiences at every step and strengthen a sense of ritual.

The zigzag bridge-like corridors and size-reduced passages produce a sense of scale and visual effect that recall traditional Jiangnan gardens, streets and lanes.

The big metasequoia trees at the original entrance of the site are retained, with a newly built suspended corridor passing in between, thus forming an entrance space that makes guests feel like they're walking into a forest. Besides, it not only brings a walkable and novel experience, but also generates a sense of ritual, acting as a prelude to another space.

2、Incorporating comic elements

Given the site's conditions, how to arrange landscape intervention posed a challenge to the design team. At the beginning, the team planned to set a garden. But due to the limited area, it was hard to do so, and it would make the space appear "heavy" and cramped. Besides, deliberate planting and landscaping would increase maintenance costs in the future or create negative spaces. In light of this, the team organized landscapes based on the principles of "leaving blank spaces, reducing cost, returning to purity and daily life, and injecting art". They adopted pure design techniques, common and natural materials and wild planting to create a large-scale landscape. Besides, front paths are also included in the landscape creation scope, which not only enhances a sense of integration, but also enable the inner and outer spaces to echo each other. With the theme of art, the design team created two artistic activity squares. In addition, the elements of paintings by Feng Zikai are extracted and incorporated into landscapes, art installations and interior spaces.