英国艺术家Stuart Haygarth是一个有故事的人。

他的实践围绕着平凡或废弃的物品展开，这些物品被收集、分类并巧妙地组装成精致的雕塑，通过将废品转化为有序和对称的艺术装置，以奇思妙想赋予平凡和被忽视的美与优雅。

对于艺术家来说，没有什么东西是不可重复再利用的的。

在Stuart Haygarth的手中，废弃的眼镜、破碎的汽车后视镜、陶瓷雕像和实验室设备，都变成了精致精致的雕塑奇迹。

British artist Stuart Haygarth is above all else a storyteller. His practice revolves around commonplace or discarded objects which are diligently collected, meticulously categorized and skillfully assembled into elaborate sculptures that whimsically imbue the banal and overlooked with beauty and grace by turning randomness and waste into order and symmetry. For the artist, no object is unredeemable. In Haygarth’s hands, salvaged prescription spectacles, exploded party poppers, smashed car wing mirrors, ceramic figurines, and laboratory equipment become sculptural marvels of exquisite refinement.

购买数以千计的廉价小饰品作为创作的启发，用过的玻璃瓶组合而成的艺术枝形吊灯，Haygarth收集英格兰南部450英里的海岸上大量塑料碎片，用于制造爆炸视觉力量的悬浮雕塑（Strand，2012）。

像这样的作品体现了Haygarth的无拘无束的创造力，同时凸显了他构建关于时间、遗弃和现代叙事的三维空间的能力,通过物件的转换和装载使其重生。

Thousands of cheap trinkets purchased at pound shops find new life as an illuminating flying saucer (UFO, 2009), used glass vials are revived as an Art Deco styled chandelier (Tools of the Trade, 2015), and heaps of plastic debris that Haygarth found washed ashore during a 450-mile coastal walk in the south of England are used to create a suspended sculpture of explosive visual power (Strand, 2012). Pieces like these exemplify Haygarth’s painstaking process and unbound creativity but also underline his ability to construct narratives about time, loss, abandonment and modernity, underpinned by themes of redemption and transformation.

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Stuart Haygarth最感兴趣的是人类与这些物品之间联系。

赋予他们一个新的生命，让观众以一种不同的方式来解读它们。

Stuart Haygarth似乎也被迫从混乱中创造秩序。

Stuart Haygarth main interest is the human association to the objects and the story they tell. His goal is to give the objects a new life and for the viewer to interpret them in a different way. Stuart Haygarth also seems compelled to create order from the chaos.

色彩对Stuart Haygarth的工作非常重要，通过分类学将色彩分离出来，是创建秩序的方法。

例如Tide chandelier (2005)是由大量不同颜色的塑料制品制作而成，收集自英国海岸线。

Colour is very important to my work and often through the process of taxonomy colours are isolated. This is another way of creating order and categorising objects by colour or function. The Tide chandelier (2005) is created from a plethora of different coloured plastic objects but the categorisation part of the piece is the fact that the objects are all plastic and collected from the UK coastline.‍

Stuart Haygarth在艺术学校学习了摄影和平面设计。

在摄影工作中，Stuart Haygarth感兴趣的是用灯光创造一种氛围，光线通过不同的材料传播。

正是这些知识在他后来的工作中得到了体现。

Stuart Haygarth studied photography and graphic design at art school and my main focus was studio photography. In the studio Stuart Haygarth was interested in creating an atmosphere using studio lighting and how light reacted or transmitted through different materials. It is this knowledge that was later reflected in his current work.

始于2000年左右，那时Stuart Haygarth从伦敦开车到肯特海岸，无意间开始收集废弃的物品，随着时间的推移，Stuart Haygarth开始对这些对象进行分类并创建类别。

最终建立了一个庞大的档案，并开始制作Stuart Haygarth的第一件作品，如潮汐标记，潮汐和灯塔。

找到它们然后花费大量的时间来清洗——在它们可以用于创作之前，Stuart Haygarth对这些对象进行了美化。

Stuart Haygarth's beach combing started around the year 2000 when he would drive from London to the Kent coast to take my dog Albert for coastal walks. he began to collect interesting objects that I found, and over time I would begin to sort through the objects and create categories. Eventually he built up a large archive of objects and started to make my first pieces, such as Tide Mark, Tide and Lighthouse. It obviously takes a lot of time to find objects of interest and then there is much time spent scraping, cutting and meticulously washing - I beautify the objects before they pass quality control and can be used in a work. 

对于许多视觉艺术家来说，在工作室里最有价值的时间是没有任何压力或截止日期的时间，一个人可以自由地玩耍和尝试各种想法，就像孩子们自由地玩耍一样。

这种自由的游戏是创造力的载体，因为没有障碍或抑制。

For many visual artists the most rewarding time in the studio is the time without any pressure or deadlines and one is left to play and try out ideas, similar to the freedom children have to play. This freedom of play is a vehicle for creativity because there are no barriers or inhibitions.‍

STUART HAYGARTH

公司介绍

Stuart Haygarth

废弃物的再利用是Haygarth作品的核心内容。

他精巧的设计和装置运用了日常生活中的废弃物——从冲上海滩的人造碎片到数千副回收的处方眼镜。

从随机性和中创造秩序和对称，他的工作更多的是关于收集和整理材料的过程，以及将这些材料创造再生价值或美丽的艺术品。

成为作品中不可或缺的驱动力。

正如他所说，“我的作品围绕着日常物品展开，赋予物品新的意义。

”它是关于可持续发展的。

Elevating the commonplace or discarded object is a central tenant of Haygarth’s work. His exquisite designs and installations have employed the flotsam and jetsam of everyday life – from man made debris washed up on the seashore to thousands of salvaged prescription spectacles. Creating order and symmetry out of randomness and waste, his work is as much about the process of collecting and collating  materials as the elevation of these materials to objects of value or beauty. By constructing narratives about time, loss, abandonment, and modernity, these human aspects attached to the chosen objects are an integral part and driving force within the work. As he has said, ‘My work revolves around everyday objects, often collected in large quantities, categorized and presented in such a way that they are given new meaning. It is about banal and overlooked objects gaining new significance’.

Gooobrand

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