安徽 蒙城

MENGCHENG ANHUI

“政和三年闰四月一日赐。希孟年十八岁，昔在画学为生徒，召入禁中文书库，数以画献，未甚工。

上知其性可教，随诲谕之，亲授其法。

不逾半岁，乃以此图进。

上嘉之，因以赐臣京，谓‘天下士在作之而已’。

—蔡京

CHAPTER1

以宋为名雅致轻盈

高山流水逍遥自得

大厅弧形的顶面猎如宋代建筑的屋檐优美而又灵动，同畤与地面的水池相衔接，水滴从高空而落,宛如高山流水遇知音，逍遥自得，从天青色汝窑的至简到山水书画的至雅,仿佛回到了宋朝,把宋代美学表现得淋漓尽致。

The curved roof of the hall is as graceful and flxible as the eaves of a Song dynaty buliting, and at the same time, it connects with the pool on the ground, and the water drop fall from the height,just like the mountains and rivers meet their bosom friendis and enjoy themselve, from the Sky Green RU kiln to the Jane to landscape painting and caligraphy of the most elegant, as if back to the Song dynasty, the Song dynasty acsthetic performance incisively and vividly.

空間整灯以原木色为主,原木色是对自然的最好诠释，原木风简单但不寡淡,宁静但不冷清，线条简单朴实自然，光影的自然贯穿，让空间变得温暖舒适、古朴纯净。木制栅栏悬于空，构造于光于影，变幻无穷。

The whole space is dominated by the color of logs, which is the best interpretation of nature. The wind of logs is simple but not faint, quiet but not cold, the lines are simple but natural, and the natural light and shadow run through, let the space become warm and comfortable, simple and pure. Wooden fence hanging in the air, structure in light and shadow, endless changes.

CHAPTER2

青山隐隐云欲归

或近或远或隐或显

空间通过廊道、叠山、理水、植树，花鸟，引景入室，营造自然山野的自由意趣，人与环境的和谐共处、相得益彰。

Space through corridors, stacked mountains, water, trees, flowers and birds, scenery into the room, to create a natural mountain free interest, harmony between people and the environment, complement each other.

洽谈区借鉴了“里坊制”的布局方式，将功能有序的分布排列，以大沙盘区到洽谈区为中轴，将其他功能左右分布于两侧，形成了中轴对称式的平面布局方案。空间起承转合，不设屏风，开放式视线，每个结构都兼具了包容性。

The discussion area borrows from the layout of“Li Fang system” and arranges the functions in an orderly manner, taking the big sand table area to the discussion area as the central axis, and distributing the other functions around the two sides, the plane layout scheme of axisymmetric type is formed. Space from the transfer, no screen, open line of sight, each structure is inclusive.

CHAPTER3

垦山陇为田层起如阶级

层层而上至顶皆禾田

“出庙三十里至仰山，缘山腹乔松之磴甚危，岭阪上皆禾田，层层而上至顶，名梯田”—北宋范成大《骖鸾录》

书吧做为整个营销中心的配套，设计中采用顶面大面积的镜面作为倒影，拉伸了整个空间高度，同时也是采用梯田的设计元素，随着经济重心南移，梯田在北宋江南得到了大规模开发。

The book bar is a complete set of the entire marketing center. In the design, a large mirror on the top surface is used as a reflection, stretching the entire height of the space. At the same time, it is also a design element using terraced fields. As the economic center of gravity moves southward, terraced fields were developed on a large scale in the southern part of the Yangtze River during the Northern Song dynasty.

CHAPTER4

朝书暮画觅知音

道以成器

器以载道

项目名称 | 城投逍遥里营销中心

项目地址 | 安徽蒙城

项目面积 | 约1500㎡

设计范围 | 室内设计 软装设计

设计单位 | 禾心设计

主创设计 | 李蛟 夏斌

软装设计 | 李蛟 夏斌 王晓宁 万厚毅

深化设计 | 何若霜 李琴朱丹丹

完工时间 | 2023.01.19

材料选择 | 木饰面、不锈钢、地毯、布艺、石材等

禾心设计（WOHEART-DESIGN）2017年创立于合肥，由几位青年设计师主导，充满无限活力与创造力，始终是对当下的社会问题作出的一种回应，是在解决过去、现在和未来的连续性问题。我们认为设计应在普遍性当中寻求与众不同，秉承用叙事性的设计语言引领用户，体验故事性的空间，倡导回归生活本质，坚守初心，传达美感的设计空间。服务领域涵盖：商业、地产、酒店、办公、教育等。禾心之禾，因禾而聚，因禾而兴，因禾而新，WOHEART一直专注于具有当代性和创新性的设计，抱有强烈的情感张力和原创精神在简单与复杂的动势中呈现空间美学，共筑精致生活。