"Road to Awe" 时尚旗舰店设计，洛杉矶建筑师 Dan Brunn 作品_办公空间_设计案例作品

发布时间：2017-06-09 00:36:00 {{ caseViews }} {{ caseCollects }}

设计亮点

丹布鲁恩建筑重新设计了这家旗舰店，打造了一个几何精确、神秘感十足的时尚空间。

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架构师提供的文本描述。“敬畏之路”(RTA)的旗舰店与这个洛杉矶时尚品牌生产的服装一样时髦。洛杉矶建筑师丹布鲁恩，友邦，创造了一个复杂的，梦幻般的空间，几何精度，冥想的感觉，和积极/消极的双重性。这家流线型精品店在两面的街道曝光下，向公众宣布了其不同角度的黑色外墙。丹布鲁恩建筑翻新了1200平方英尺，1970年代的建筑，创造了新的零售空间，保持其足迹，但完全重塑其几何学，以创造一个更有凝聚力的，雕塑的体验。在里面，10英尺高的空间以混凝土地板、黑色镜子、木材表面和变黑的钢梁为特色，创造了一种边缘时尚的极简主义背景。室内花园提供平静，并带来一种礼貌的自然感到现场。

Text description provided by the architects. The flagship store of Road to Awe (RtA) is as streetwise as the clothes produced by this Los Angeles fashion brand. Los Angeles architect Dan Brunn, AIA, created a complex, dream‐like space with geometric precision, meditative sensations, and positive/negative dualities. Graced with street exposure from two sides, the streamlined boutique proclaims its variably angled black façades to the public. Dan Brunn Architecture renovated a 1,200‐square‐foot, 1970s building to create the new retail space, maintaining its footprint, but completely reshaping its geometry to create a more cohesive, sculptural experience. Inside, the 10‐foot‐tall space features concrete floors, black mirrors, wood surfaces, and blackened steel beams, creating a minimalist backdrop to the edgy fashion. An interior garden contributes calm and brings a mannered sense of nature into the scene.

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Floor Plan

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布鲁恩没有安装典型的店面，让商品一目了然，而是减少了外部玻璃的数量，以创造一种更独特的氛围。一个大的窗口被设置成一个角度来面对向东行驶的交通，而较小的窗户则在行人的尺度上提供内部的视图。缩小窗户的尺寸会给人一种独特的感觉，提供一种有选择性的品牌体验，并鼓励好奇的人冒险到里面去发现商品。一种额外的神秘感是通过新的“浮动”天篷在建筑物前面实现的。一扇从地板到天花板的枢轴门在关闭时与黑色外观完美地融合在一起，并在打开时慷慨地欢迎购物者。在开放与封闭、光与暗、曝光与隐藏之间有一种不断的相互作用。

Instead of installing typical storefronts that allow the merchandise to be viewed at a glance, Brunn reduced the amount of exterior glass to create a more exclusive atmosphere. A large window is set at an angle to face traffic moving east, while smaller windows provide views of the interior at the pedestrian scale. Reducing the size of the windows lends an air of exclusivity, offering a selective experience of the brand and encouraging the curious to venture inside to discover the goods. An added sense of mystery is achieved by the new “floating” canopy in front of the building. A floor‐to‐ceiling pivot door seamlessly blends with the black exterior when closed, and generously welcomes shoppers when open. There is a constant interplay between open and closed, light and dark, and exposure and concealment.

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商店的内部是围绕着中央花园组织的-一个圆形的沉思区，被一棵被草包围的树和弯曲的木长凳所强调。这棵树是在一个天窗下种植的，它反映了草坪/长凳圈，并将阳光过滤到空间中。这一自然的介绍，由日本园林设计师凯泽恩的北岛日石，旨在代表洛杉矶的亚洲影响，并提供“敬畏”所代表的时尚品牌。

The interior of the store is organized around the central garden—a circular contemplative area accented by a single tree surrounded by grass and a curved wooden bench. The tree is planted under a skylight that mirrors the turf/bench circle and filters sunshine into the space. This introduction of nature, created by Japanese landscape designer Hitoshi Kitajima of Kaisei‐en, is meant to represent LA’s Asian influences and provide the “awe” represented by the fashion brand.

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