Architects:MISA ARCHITECTS

Area:6650 ft²

Year:2022

Photographs:Inclined Studio

Manufacturers:  Saint-Gobain, Green ply, Kohler, Trivedi corp. pvt. Ltd.Saint-Gobain

Conceptual Design And Client Coordination: Tarun Patel

Project Acquisition And Finance: Vipul Jiyani

Detail Design And Site Coordination: Kranti Desai

Civil Contractor: Rajiv Patel

Carpenter: Pratap Suthar

Structural Consultants: Manthan Radadia

City: Ankleshwar

Country: India

An urban house on a big, busy street generally creates the picture of a high, impermeable, and seemingly invisible fortress within. But does it have to be so dead, uninviting, and distant in its approach and appearance? With a quite tight design brief, we decided to break this, and use it to do the opposite – make a lively, inviting, and approachable home.

We started with the idea of an inside-out design that revolves around a central, open courtyard that becomes the epicenter for all communal uses, activities, and even circulation. From being the most visible and public in nature, the courtyard branches into slightly more inconspicuous spaces that are mostly part public and part private; such as the living, dining, kitchen, etc. While these spaces are functionally more defined, they’re carefully placed in the visual and physical access from and to the courtyard. Of these, the living space is thoughtfully tucked into the farther end, making it quieter and sanctuous. The floating treads of the stairways are discreetly kept breezy and light while giving it a character of its own.

Going forward, the bedrooms on the upper level now start falling into the private realm. The room placement is aligned with our ancient Vastu wisdom that respects and responds to the sun and wind movement, thereby harnessing natural light and ventilation throughout the day. The interior spaces embrace a minimal design language – employing a subtle, unpretentious material and finish pallet – rendering timelessness and eliminating the hurried need to fill the space with unnecessary pieces of furniture. On the other hand, Indian stone is used to stimulate passer-by’s visual and tactile senses through the intricately designed motifs and patterns in different materials. Floors – generally an unnoticed part of the house – suddenly double up into Rangoli-like artwork. In terms of services, grouping them at either end of the house helps define the service and serviced areas more clearly and makes long-term maintenance less troublesome.

Tall, punctured 18” thick cavity brick walls envelope the house, insulating and protecting the inside of the house from heat and noise, and allowing sight, light, and air for the house users on the other hand. The brick bonds of these cavity walls are specially designed by the architect and use minimal bricks and concrete while keeping them aesthetically appealing and functional. To help reduce the costs, conventional bricks were used on the inner surfaces which are not exposed. Building techniques and structural improvisations were also introduced, for instance, the continuously running concrete bands at sill and lintel levels stabilized the brick walls and added to the overall strength of the construction. This is how the house feels from the inside.

Now, let’s talk about the inside-out design from the outside. The compound walls, facing the streets have sit-outs and small openings for pedestrians or passers-by to take a pause and rest for a while. The walls, aligned in the South direction, even though running into the double height, are delicately designed to make them approachable and shade through the day in a hot & dry climate. This urban house manifests a conscious decision to blur the public and private realms at its threshold – a character that built our city cores for centuries and is now forgotten and abandoned. This project is an ode to the vernacular Indian architecture that invites the community with its porous yet contemporary feel instead of scaring them away with closed and brutal forms.