暮色四合，
一切笼罩在夜色之中，
宁静而又朦胧。
扑面而来的是带有泥土芬芳的夜风，
清冷而潮润。
微风吹着树叶，
似一部舒缓的轻音乐，
流淌在乌龙古渔村的每一个地方。
Twilight is all around,
It’s all shrouded in the night,
Quiet and hazy.
It is the night wind with the fragrance of soil,
Cold and moist.
The breeze is blowing on the leaves,
Like a soothing light music,
Flowing in every place of Wulong ancient fishing village.
▼项目概览，general view
历史：滇池畔·古渔村
History: ancient fishing village by Dianchi Lake
渔猎是一种非常古老的生活方式，滨水而居的人们大都精于此道，并在漫长的历史岁月中逐渐演化与发展，最终在流域周边形成了一个又一个生机勃勃的自然村落。而位于云南省昆明市滇池东岸的乌龙村便正是这种渔猎文明的结果。
“山居宛卧龙，海近乃曰浦”。“浦”字，在汉语中是水边或河流入海的地区。入夜，渔船灯火与天空星月交相辉映，是为“渔浦星灯”。
乌龙古渔村至今已有600多年历史。因毗邻滇池、背靠七星山，这里成为老昆明传统文化腹地和文化记忆的传承地，不仅有昆明传统的“一颗印”建筑，以及“三合院”“走马转角楼”等民居，还有清代、民国的古建筑等共计279栋，被摄影爱好者称为昆明的民居博物馆。
Fishing and hunting is a very old way of life. Most people who live by the waterfront are proficient in this way, and gradually evolve and develop in the long history, and finally form one vibrant natural village after another around the basin. Wulong Village, located on the East Bank of Dianchi Lake in Kunming City, Yunnan Province, is the result of this kind of fishing and hunting civilization.
“Living in the mountains is like Dragon, and near the sea is Pu.” In Chinese, the word “Pu” refers to the area near the water or where a river enters the sea. At night, the fishing boat lights and the stars and moon in the sky complement each other, which is called “Fishing under the star lights”.
Wulong ancient fishing village has a history of more than 600 years. Adjacent to Dianchi Lake and backed by Qixing mountain, it has become the hinterland of traditional culture and the heritage of cultural memory of old Kunming. There are not only traditional ” one seal ” buildings in Kunming, but also “courtyard pattern” and ” corner building” and other residential buildings in Kunming. There are 279 ancient buildings in Qing Dynasty and Republic of China, which are called Kunming residential Museum by photographers.
▼滇池周边渔村场景真实写照 水彩画 陈流 云南艺术学院
Real portrayal of fishing villages around Dianchi Lake Watercolour Chen Liu Yunnan arts university
▼乌龙村实景写生作品 水彩画 陈流 云南艺术学院
Realistic sketch works of Wulong Village Watercolour Chen Liu Yunnan arts university
没落：城市发展进程中的边缘化
Decline: marginalization in the process of urban development
以乌龙村为代表的城市边缘传统村落在历史文化价值上承载了昆明城市发展的进程，区位上占有优越的自然环境空间，但同时受到城市建设及文化的影响，乡村文化传播受阻，文化传承断代，空间格局被挤占扭曲。留存的279栋历史建筑也未整体更新利用，也未形成肌理完整的古村街巷空间。
The traditional villages on the edge of the city represented by Wulong Village carry the process of urban development of Kunming in terms of historical and cultural value, and occupy superior natural environment space in location. However, due to the influence of urban construction and culture, rural cultural transmission is hindered, cultural inheritance is broken, and space pattern is occupied and distorted. The remaining 279 historical buildings have not been completely renovated and utilized, and the streets and alleys of the ancient village with complete texture have not been formed.
▼相视而望的市区和乌龙村，Urban area and Wulong Village
振兴：原生性聚落的迭代更新
Revitalization: iterative renewal of original settlement
2020年，秉持保护性开发的原则，乡伴朱胜萱工作室携手华侨城，启动呈贡乌龙古渔村美丽乡村打造，以现存270余栋遗留老建筑老院落为载体，通过恢复性建设的方式，以现代的骨架+文化的灵魂+自然的外衣让残损的老建筑恢复当年的容光，通过对老建筑的恢复性修建再融入活化利用的经营理念，真正让古渔村的人气和烟火气得到重现。
In 2020, adhering to the principle of protective development, Zhu Shengxuan Studio, together with OCT, will start to build a beautiful village of Wulong ancient fishing village in Chenggong. With more than 270 existing old buildings and old courtyards as the carrier, the damaged old buildings will be restored to their original appearance with modern skeleton, cultural soul and natural coat through restorative construction The business philosophy of building and re integrating activation and utilization really makes the popularity and pyrotechnics of the ancient fishing village reappear.
▼探索村庄的原生性聚落肌理，Exploring the original settlement texture of villages
▼“一颗印”民居，”one seal ” residence
“一颗印”建筑的原型、衍生与生长
Prototype, derivation and growth of “one seal” Architecture
乌龙村中的原生性建筑是滇中地区最为典型的“一颗印”民居。这是一种由木构和土坯砌筑而成的老院子，因为从平面格局上来看显得非常规整，很像是一枚方形的印章，所以得名“一颗印”。
The original architecture in Wulong Village is the most typical ” one seal ” residence in Central Yunnan. This is a kind of old courtyard made of wood and adobe. It looks very regular from the plane pattern, and it looks like a square seal, so it is named ” one seal “.
▼“一颗印”的标准状态，The standard state of “one seal”
由于用地限制的影响、居住人群的变迁、不同家庭的诉求、产业结构的转换等诸多因素的介入，“一颗印”民居也发生了相应的演化，并以此来平衡环境改变所带来的影响。这是一种自然村落的生物性特质，也是本案在设计创作时极力想要模拟的一种状态。
Due to the influence of land use restrictions, the changes of residents, the demands of different families, the transformation of industrial structure and many other factors, the “one seal” dwellings have also undergone corresponding evolution to balance the impact of environmental changes. This is the biological characteristics of a natural village, and it is also a state that this case tried to simulate in the design and creation.
▼“一颗印”的自然演化：“半院”、“二进院”、“双拼院”、“多拼院”等
The natural evolution of “one seal”: half courtyard, second courtyard, double courtyard, multi courtyard, etc
▼“一颗印”在展示区的“生长”，统一规制又随形就意
The “growth” of “one seal” in the exhibition area, unified regulation and with the shape of meaning
展示区的建筑布局遵循了原生性村落中的自然属性，各个院落依据其用地的态势随形就意的生长和演化。在统一的风貌控制中，每一个部分却又别有洞天，各自展现了一种原生性民居中的类别，充满着市井活力。
The architectural layout of the exhibition area follows the natural attribute of the original village, and each courtyard grows and evolves according to its land use situation. In the unified style control, each part has its own holes, showing a kind of original residential categories, full of market vitality.
▼展示区实景鸟瞰，A bird’s-eye view of the exhibition area
织补与锚固：特定场景的还原与再营造
Patching and anchoring: restoration and reconstruction of specific scenes
本次设计采用了“织补”与“锚固”的策略对项目进行空间、文化、产业和生活场景的还原与再营造。
文化产业织补。通过引入对昆明历史文化极其敏感的当地艺术家和周边的大学研究机构，构建“新村民艺术生活空间”的“新乌龙社区”，以织补原住民外迁后形成的空心化。
空间场所织补。打造占地约10公顷的展示区，通过传统院落的修复，形成展现昆明传统文化与滇池畔典型鱼耕原乡文化的萱草书屋、大师工作室和自然教室等一系列文化空间载体。
This design adopts the strategy of “mending” and “anchoring” to restore and recreate the space, culture, industry and living scenes of the project.
The cultural industry mending. Through the introduction of local artists who are extremely sensitive to the history and culture of Kunming and the surrounding university research institutions, the “new Oolong community” of “new villagers’ art life space” is constructed to make up for the hollowing of the indigenous people after their relocation.
Space and place mending. Through the restoration of traditional courtyard, a series of cultural space carriers, such as Hemerocallis bookstore, Master Studio and nature classroom, are formed to show the traditional culture of Kunming and the typical culture of Yugeng village by Dianchi Lake.
▼展示区总平面，General layout of exhibition area
传统技艺锚固。建筑修复方面，采用“古法新作”手法，遵循老建筑自身建构逻辑和传统营造技艺，借助现代设计手段，通过“传统元素提取、传承保护优先、空间现代转译、材料新旧运用”等方式，最大可能地展现“一颗印”建筑的魅力。
Traditional skills anchoring. In the aspect of building restoration, we adopt the method of “ancient new works”, follow the old building’s own construction logic and traditional construction techniques, and use modern design means to show the charm of “one seal” architecture as much as possible by means of “traditional elements extraction, inheritance and protection priority, modern space translation, new and old materials use”.
▼尽可能地保留沧桑的夯土外墙，并以钢结构重新构造内部空间
As far as possible to retain the vicissitudes of rammed earth exterior wall, and steel structure to reconstruct the internal space
▼古法新作四部曲：传统元素提取、传承保护优先、空间现代转译、材料新旧运用
Four parts of the new works of ancient law: extraction of traditional elements, priority of inheritance and protection, modern translation of space, and application of new and old materials
生活场景锚固。软装设计方面，以“渔浦星灯”和“耕读传家”为主题贯穿始终，并从历史与人文、古与今、新与旧的碰撞与融合展开深化，以此再现滇池畔传统渔村的生活场景。
Life scene anchoring. In terms of soft decoration design, the theme of “Yupu star lamp” and “farming, reading and inheriting” runs through the whole process, and deepens the collision and integration of history and humanity, ancient and modern, new and old, so as to reproduce the life scene of traditional fishing village by Dianchi Lake.
▼船形休闲座凳，船盛万物，传承万物，Boat shaped leisure stool, boat holds everything and inherits everything
萱草书屋
Hemerocallis Library
萱草书屋原是邓姓人家住宅，为了满足公共书屋的需要，设计采取了大落架的修缮方式对其进行改造，提供阅读、观景、休憩等功能。
The Hemerocallis bookstore was originally a residence of Deng family.In order to meet the needs of the public library, it was renovated by the way of large shelf, providing reading, sightseeing, rest and other functions.
▼萱草书屋改造前后对比，Comparison of Hemerocallis library before and after reconstruction
▼在完整的“一颗印”形态下，通过加盖后院，形成了两进院的空间形态
In the complete “one seal” form, the backyard is stamped to form the space form of two entrances
这是一间属于乡村的书屋。在这里，承载着对乡村最初的期盼：用书屋搭建一座平台，人们在这里分享知识与心情、分享城市与乡村。
This is a village library. Here, bearing the initial expectation of the countryside: build a platform with the library, where people share knowledge and mood, and share the city and countryside.
▼萱草书屋平面与模型效果示意，Plan and model effect of Hemerocallis Library
为来此的朋友休憩、发呆或凝神时都能有合适的空间，设计在萱草书屋室内各分区划分和动线布局时，兼具公共性和私密性，以营造松弛有序的体验。
In order to provide suitable space for the friends who come here to rest, daze or concentrate, the indoor partition and moving line layout of Hemerocallis bookstore are designed to be both public and private, so as to create a relaxed and orderly experience.
▼开敞式阅读区，天井、阅读桌与布满书籍的书柜体现浓浓的书屋氛围
Open reading area, patio, reading table and bookcase full of books reflect the strong atmosphere of the study
▼后院的内院隔墙拆除后形成了半开敞的灰空间
After the inner partition wall of the backyard was removed, a semi open gray space was formed
软装家具选型没有采用过于厚重的中式家具，而是整体偏现代简约风格，通过韵味浓厚的饰品，如干支插花、卷轴以及字画等来烘托整体空间氛围。
书屋从建筑到室内大都保留原始形态，土砖墙、老式门板……软装则从家具到饰品，在保留古味的同时采用现代的形态，做到“古”与“今”，“新”与“旧”相融合。
Soft furniture selection does not use too heavy Chinese furniture, but the overall modern simple style, through the charm of strong accessories, such as flower arrangement, scroll, calligraphy and painting to set off the overall space atmosphere.
From architecture to interior, most of the study houses retain their original form, with earth brick walls and old-fashioned door panels Soft decoration, from furniture to ornaments, adopts modern forms while retaining the ancient flavor, so as to achieve the integration of “ancient” and “present”, “new” and “old”.
▼现代家具选型叠加中式韵味装饰
Modern furniture selection and Chinese style charm decoration
▼布满书籍的中岛书桌，Desk full of books
休闲咖啡区的休闲坐凳则是空间的亮点，以“船”的形态为原型，呼应“渔浦星灯”的主题。当地村民可以感受新鲜“血液”注入后的灵动变化，异乡读者则能在此探索乌龙文化。
萱草书屋还引入了当代年轻人喜爱的BOOK&BED的休闲方式，打造了24小时阅读室——一个不仅可以徜徉书海，还能与书共枕的休憩点。
The leisure bench in the leisure coffee area is the highlight of the space, taking the shape of “boat” as the prototype, echoing the theme of “fishing star lamp”. Local villagers can feel the smart changes after the injection of fresh “blood”, while foreign readers can explore the Oolong culture here.
Hemerocallis Bookstore also introduces the leisure mode of Book & bed, which is popular among young people today, and creates a 24-hour reading room, which is not only a place to roam the sea of books, but also a place to rest with books.
▼24h BOOK&BED，挑高的空间和满墙的书柜合二为一，柜体内的软包舒缓了砖墙带来的硬朗感，为阅读提供了更好的体验，24h Book & bed, high space and full wall bookcase are combined into one. The soft bag in the cabinet eases the strong feeling brought by the brick wall and provides a better experience for reading
夹层的借阅室则是最好的独处之处，设计之初就将此区域定义为最为私密的场所。
The borrowing room on the mezzanine is the best place to be alone. At the beginning of the design, this area was defined as the most private place.
▼夹层借阅室，包裹性的空间内，给人十足的安全感
Mezzanine reading room, wrapped space, gives a full sense of security
▼推窗而视，又能望见优美的建筑轮廓和远处亮起的微光
Push the window and see, you can see the beautiful outline of the building and the dim light in the distance
二层休闲阅览区是书屋最为宽敞也让人最为放松的区域，让进入此空间的读者放下包袱，以平和敬畏之心看待眼前的乌龙建筑，让思想在这里沉淀。
The leisure reading area on the second floor is the most spacious and relaxing area in the library, which allows readers to put down their burden and look at the Wulong building in front of them with a peaceful and awe heart, so that their thoughts can be precipitated here.
▼二层休闲阅览区，随地放置的懒人沙发和尽收眼底的蓝天白云相映成趣
In the leisure reading area on the second floor, the lazy sofa placed everywhere and the blue sky and white clouds with a panoramic view are set against each other
大师工作室
Master Studio
古有渔民、马头灯和星月辉映，今有匠人、万家灯火和谐共生。如果“渔浦星灯”象征传承，那“耕读传家”的文化与精神便是传承的“魂”。
In ancient times, fishermen, horsehead lamps, stars and the moon were shining. Today, craftsmen and thousands of lights coexist harmoniously. If “fishing star lamp” symbolizes inheritance, the culture and spirit of “farming and reading” is the “soul” of inheritance.
▼大师工作室改造前后对比
Comparison of Master Studio before and after transformation
▼大师工作室平面为保护性复建三联院，Master Studio for protective restoration of Third Affiliated Yard
▼大师工作室平面与模型效果示意
Sketch of Master Studio’s plane and model effect
▼三联院，Third Affiliated Yard
▼室内空间，Interior view
“耕读传家”的理念与精神代代相传，也培育出了一代一代的匠人。现在大师工作室已相继引入了中国水彩画领军人物陈流、云南民族服饰创新设计大师范佳、乡伴“朱胜萱工作室云南基地”，共同吸引和凝聚云南大学、云南艺术学院、昆明理工大学的民间艺术、产品设计、城乡规划、建筑环境设计、生物多样性研究的学者和师生等齐聚于此，接受乌龙古文化的滋养，也通过再创新反哺着这座古村落。
The idea and spirit of “farming, reading and inheriting” have been handed down from generation to generation, and also cultivated craftsmen from generation to generation. Now the master studio has successively introduced Chen Liu, the leader of Chinese watercolor painting, fan Jia, the master of innovative design of Yunnan ethnic costumes, and Xiang ban, the “Yunnan base of Zhu Shengxuan studio”, to attract and gather scholars and teachers from Yunnan University, Yunnan Academy of Arts, Kunming University of Technology in folk art, product design, urban and rural planning, architectural environment design, and biodiversity research They gather here to accept the nourishment of Oolong ancient culture and feed back this ancient village through re innovation.
▼范佳工作室，创新传统服饰工坊，Fanjia studio innovates traditional clothing workshop
▼朱胜萱工作室，传统匠人工坊，Zhu Shengxuan studio, traditional craftsman workshop
▼鲁班工具展示，“以匠心守初心”，通过木艺展示唤醒人们对传统技艺的重视
Luban Tool Exhibition “keeps the original intention with ingenuity”, arouses people’s attention to traditional skills through wood art exhibition
自然教室+文创商店
Nature classroom + cultural and creative store
自然教室为保护性复建二联院。前院以展示空间为主，后院则从环境保育的角度出发，通过各种生态课题将大自然引入教室，促使人们热爱自然、重视生态。
The nature classroom is the Second Affiliated Yard of conservation and reconstruction. The front yard is mainly for exhibition space, while the back yard is from the perspective of environmental protection, introducing nature into the classroom through various ecological topics, so as to encourage people to love nature and attach importance to ecology.
▼自然教室+文创商店改造前后对比
Comparison of natural classroom + cultural and creative shop before and after transformation
一个将农耕体验与儿童自然教育完美结合的教育空间。户外，你可以奔跑在田野乡间，享受亲子乐趣，感受大自然的灵气；室内，丰富的自然课程、大空间的展览空间，让人们感受自然、教育和艺术的魅力。
It is an educational space that perfectly combines farming experience with children’s natural education. Outdoor, you can run in the countryside, enjoy the fun of parents and children, feel the aura of nature; indoor, rich natural courses, large space exhibition space, let people feel the charm of nature, education and art.
▼自然教室+文创商店平面与模型效果示意
Sketch of plane and model effect of natural classroom + cultural and creative store
▼自然教室为保护性复建二联院
The nature classroom is the Second Affiliated Yard of conservation and reconstruction
暮色下的乌龙村，让人生出些时空错乱之感，有种看山非山，看水非水的浑然。岁月成就了乌龙的名字，守望是它永恒的主题。
In the twilight of Wulong Village, people feel confused in time and space. It’s like seeing mountains instead of mountains and water instead of water. Years have made the name of Wulong, and keeping watch is its eternal theme.
▼暮色下的乌龙村，Wulong Village in the twilight
朱胜萱工作室通过前期的策划到规划、建筑、室内、景观、软装、文创策展等全过程设计，让乌龙古渔村再现“渔浦星灯”里的昆明记忆，呈现田园牧歌式的美丽乡村新场景。未来，乌龙村的活化更新将继续以滇池生态保护、古建筑风貌再现、历史文化传承为核心，通过挖掘当地自然人文资源，以自然景观、乡村文化为重点打造特色农耕田园风光，在保存乌龙古渔村原乡原貌的同时赋予其新的生命力。
Through the whole process of planning, architecture, interior, landscape, soft decoration, cultural and creative exhibition, Zhu Shengxuan studio makes Wulong ancient fishing village reappear the memory of Kunming in “fishing star lamp” and present a beautiful rural new scene of pastoral style. In the future, the activation and renewal of Wulong Village will continue to focus on the ecological protection of Dianchi Lake, the reappearance of ancient architectural style, and the inheritance of historical culture. By excavating the local natural and cultural resources, focusing on the natural landscape and rural culture, it will create the characteristic farming and pastoral scenery, and give new vitality to the ancient fishing village while preserving its original appearance.
项目名称：乌龙古渔村保护与环境治理项目展示区设计及施工一体化建设工程
设计类型：乡村振兴全过程设计介入（策划、规划、建筑、景观、室内、施工）
项目地点：云南省昆明市呈贡区乌龙村
项目设计单位：上海乡伴朱胜萱工作室
设计网站：
http://xband.club/portfolio-items/design-group/
建成状态：建成
业主：昆明华侨城美丽乡村发展有限公司
设计时间：2020年4月-2020年6月
建设时间：2020年6月-2020年12月
基地展示区面积：10公顷
展示区建筑面积：约6000平方米
设计团队：
项目总负责：朱胜萱
项目主持设计师：郑光强、陈新、孙源
项目策划设计：卫宏健、饶中、郭竹林等
项目规划设计：梅杰、宋波、吴建明等
项目建筑设计：徐昊、王睿、赵海源、谭人殊、董津伦、李小妮、朱芳仪、谭爽、罗英婕等
项目景观设计：苏奇、董津伦、李小妮、朱芳仪、谭爽、罗英婕、陈国伟、陈征、韩龙等
项目硬装设计：彭杰、巩晶晶、徐丹等
项目软装设计：郑雅婧、黄小倩、方露等
项目文创设计：张晴晴、李彦婷、仝玉洋、张智垚等
项目工程单位：云南信丰建筑工程有限公司
项目工程经理：刘毅
项目现场负责：孙源、吴建明、杨浒、张正、潘极慧、王宵威、施晋远等
摄影：E.Lit.光影空间、陈新、郑雅婧
撰文：孙政
Complete project information
Project Name: exhibition area design and construction integration construction project of Wulong ancient fishing village protection and environmental governance project
Design type: design intervention in the whole process of rural revitalization (planning, plan,architecture, landscape, interior, construction)
Project location: Wulong village, Chenggong District , Kunming City , Yunnan Province
Design: Zhu Shengxuan Studio
Website:
http://xband.club/portfolio-items/design-group/
Completion status: completed
Owner: Kunming overseas Chinese town beautiful rural development Co., Ltd
Design time：April 2020 – June 2020
Construction time：June 2020 – December 2020
Exhibition area: 10 hectares
Building area: about 6000㎡
Design team
Chief Designer: Zhu Shengxuan
Project Manager: Zheng Guangqiang, Chen Xin, Sun yuan
Project planning: Wei Hongjian,Rao Zhong, Guo Zhulin , etc
Project planning and design :Mei Jie, Song Bo, Wu Jianming, etc
Project architectural design: Xu Hao, Wang Rui, Zhao Haiyuan, Tan Renshu, Dong Jinlun, Li Xiaoni, Zhu Fangyi, Tan Shuang, Luo Yingjie, etc
Project landscape design: Su Qi, Dong Jinlun, Li Xiaoni, Zhu Fangyi, Tan Shuang, Luo Yingjie, Chen Guowei, Chen Zheng, Han long, etc
Project hardware design : Peng Jie, Gong Jingjing, Xu Dan, etc
Project soft decoration design: Zheng Yajing, Huang Xiaoqian, Fang Lu, etc
Project cultural and creative design of the project: Zhang Qingqing, Li Yanting, Tong Yuyang, Zhang Zhiyao, etc
Construction: Yunnan Xinfeng Construction Engineering Co., Ltd
Project Manager: Liu Yi
Project site managers: Sun yuan， Wu Jianming, Yang Hu, Zhang Zheng, pan Jihui, Wang Xiaowei, Shi Jinyuan, etc
Photography: E.lit light and shadow space, Chen Xin, Zheng Yajing
Author: Sun Zheng
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