发布时间:2014-05-24 05:29:12 {{ caseViews }} {{ caseCollects }}
设计亮点
巧妙运用“着色浸蚀”技巧,结合黑与彩的对比,营造出充满童趣和数字化体验的空间。

Childhood memories of exhibition space design

位置:以色列

分类:商业展示类装修

内容:实景照片

室内设计:Itay Ohaly

图片来源:Itay Ohaly & Benny Gam Zo Letova

图片:17张

设计师Itay Ohaly只要一想起在以色列霍隆设计博物馆为童年记忆展览设计的空间,就会想起自己的童年时光,并且试着想起自己所画的第一幅画、所想做的第一件事、所拿的第一件物品和学会用的第一种技巧。“着色浸蚀”便是设计师所想起的技巧之一。儿童通常会在纸上随意画上一些五彩的线条,并且用黑色的材料将这些线条全部遮住,最后又在上面将其蚀刻出来成画。该空间分为两部分,利用这种技巧创造出两种不同的体验。第一个部分则是全黑,来参观的人都可以随意刻画。第二个部分就是对这个技巧的诠释,并且用CNC蚀刻。整个空间结合充满童趣的世界以及数字化的成人世界,保留了童年的价值。

译者: Jasereen

While thinking about a project for the 'childhood' exhibition at the Design Museum Holon, I went back in time to my kindergarten days and childhood memories. I tried to remember my first drawings and creations, the first material I used and the techniques I learned back then.'Colour etching' was one of the techniques I remember. As kids, we filled a piece of paper with random and colourful doodles, covered it all with black and then etched on it to make a drawing. It is a creative process which causes a sensation of surprise, discovery and magic, the same elements which characterise our experiences of childhood creations.

I decided to use this technique and explore it in two spaces, thus creating two different experiences. The first space was all black. The museums' visitors were invited to participate and etch on it freely. The second space is my interpretation of the technique. It was planned by myself and etched using CNC.This project binds together the playful, analog, childish world with the professional, digital, adult one. The project preserves the childhood values, its emotions and naivety, and stretches the boundaries of the color etching technique by using digital technologies.

童年记忆展览会的空间设计室内局部图

童年记忆展览会的空间设计

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童趣记忆 | 以色利霍隆设计博物馆童年记忆空间设计
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