Japan housing of Tokyo

设计方：norisada maeda atelier事务所

位置：日本 东京

分类：居住建筑

内容：实景照片

图片来源：norisada maeda atelier事务所

图片：18张

这栋房子是由东京norisada maeda atelier事务所设计的，孩子们在这里可以充分感受物质世界，进行探索，满足好奇心。房子的设计理念源于建筑师的个人研究，建筑师对空间本体论和现象学有着独到的见解，同时，客户也希望该设计有助于保持孩子的童真童趣和求知欲。为此，室内设计要下很多功夫，建造多重空间。比如，在楼梯下面建造斜面，而不是直接走台阶，比较有趣，室内还有玻璃地板，可清楚地看到各层的设计。

建筑师采用不规则的几何设计，很有特色，设计团队采用发泡胶切割器，构建旋转格局，丰富了视觉效果。房子拥有白色的外观，整体呈矩形，设有大型的窗户。内部有曲面设计，螺旋向上，直接通向屋顶的天窗。建筑师表示，他自己就对世界的感知、互动方式很有兴趣，每个人都会有自己的见解，长大成人之后，慢慢会有模式化的认知，随着时间变化，对人类空间的认知力也会产生变化。此外，空间设计要有自己的特色，不落窠臼，保持敏感度，不断完善设计。

译者： Odette

through the design of ‘orange,’ tokyo-based norisada maeda atelier intends to create a residence where children can engage with the physical world in a curious and exploratory way. the concept has roots in the architect’s personal interests and studies in phenomenological and ontological spatial conditions, as well as the clients’ desire for their kids to maintain ‘pure sensitivity.’ to accomplish this, various interior forms necessitate a more involved effort while passing through various spaces. for example, a sloping surface below a staircase produces the possibility for climbing up the floor, rather than taking the direct steps. furthermore, a glass floor allows for visual transparency between levels.

rather than conceiving spatial forms through calculated means, the architect clarifies that the house’s overall irregular geometry largely resulted from chance shape-finding. a design team member was merely playing with a heated foam-cutter, and produced a volume through a rotating motion. this act and method for decision making, immersed in intuition and exploration, properly represents the project’s concepts.

from the exterior, the residence is seen as a white rectangular mass, with a band of windows cutting through the center. on the interior, curving surfaces fold into one another, with circulation spiraling upward to reach a slit-shaped skylight in the roof.

architect norisada maeda describes the concept further, with translations by by shingo tsuji (chiasma factory):‘the strong interest came from my fundamental frustration and intuitive objection against the process through which a person – even though being born with limitless possibility about the ways to perceive, communicate and interact with and the world – gradually deteriorates to a stereotypical adult, or so-called “ordinary man” as he/she grows up. the answer seemed to be found in inquiry into human spatial recognition and its chronological change.’the designer continues: ‘architectural space should have such a sparkling singularity instead of mundane machine-for-living efficiency, and it shouldn’t be easily lost through its daily use. my belief is that an architectural work should always bring about a chance to activate the sensitivity to the space itself.’

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