房子的实用面积有120㎡，平时只有两个人在家， 加上房内只有三根不能拆改的承重柱，干脆就将原先的四室改为了两室，尽可能将空间打开，让给公区。

The practical area of the house has 120 square meters, usually only two people at home, plus the room only three can not be removed to change the bearing column, simply the original four rooms to two rooms, as far as possible to open the space, to the public area.

入户即见的藤编元素，铺垫出南洋风的基调。它和长虹玻璃组合出的隔断，搭配暗黑色调的工业风玄关，共同发酵出意想不到的协调感。

The elements of rattan weaving that can be seen at home pave the way for the tone of Nanyang wind. It and Changhong glass combination of partition, with dark tones of industrial wind porch, fermentation together to create an unexpected sense of coordination.

走道尽头，厨房的黑色百叶斑驳了光影，滤出一份静谧时光，正如我们对家的期望，安宁、舒适。

At the end of the corridor, the kitchen's black louvers are dwindled with light and shadow, which filters out a quiet time, just like our expectation of home, peace and comfort.

岛形的餐厨设计，环中岛和餐厅，形成公区的第一条洄游动线，让空间更加流畅、开阔。

The island-shaped kitchen design, the central island and the restaurant form the first migration line of the common area, making the space more smooth and open.

宜家的金属吊灯，用在这个从玄关延伸过来的工业风灯轨末尾，就像两只终末符，又自然形成一个空间的转折。

Ikea's metal chandelier, used at the end of the industrial wind lamp track extending from the entrance, is like two terminals, and naturally forms a spatial twist.

不靠墙的沙发在落地窗前，留白出一个走道的位置，也让阳光和空气自然流淌。

The sofa that does not rely on the wall is in the floor-to-ceiling window, leaving the position of a walkway blank, also let the sunshine and air flow naturally.

重金淘来的手工地毯，将客厅的氛围感推向一个高潮，脚感好、花色美，不仅是拍摄时绝佳的一个前景，也让空间看起来变得更高级。

The hand-made carpet with a lot of money will push the atmosphere of the living room to a climax. With a good sense of feet and beautiful colors, it is not only an excellent prospect for shooting, but also makes the space look more advanced.

公区的第二条洄游动线，便沿沙发和承重柱展开，地台沿墙一侧做整墙的收纳柜，藤编柜门在空间形成屏风般的设计感，让收纳间和客厅处在同一个空间中，但是视线上也不会相互影响。 

The second migration line of the common area is spread along the sofa and the bearing column. The platform is built as a storage cabinet for the whole wall along one side of the wall. The rattan cabinet door forms a sense of screen design in the space, so that the storage room and the living room are in the same space, but the sight will not affect each other.

两间卧室都偏安一隅，爸妈房间的黑色隐形门，以黄铜象头把手和我的房间区分开来，从他们房间看出来，可以看到嵌入中岛的壁炉。

Both bedrooms are tucked away from each other, with a black invisible door in my parents' room with a brass elephant-headed handle that separates it from mine and a fireplace that looks out onto a central island.

小阳台和卧室以千鸟格纹的遮光帘相隔，相互依存，又相对独立，黑色百叶将整个空间的光影映衬地极有质感。

The small balcony and bedroom are separated by the shading curtain of the plaid pattern, which are interdependent and relatively independent. The black louvers set off the light and shadow of the whole space with the texture of the earth.

我自己卧室的衣柜，也选了藤编元素，来凸显整套房子的主题。正对床的背景墙，则是FF的IP阿鲁卡的主题插画，飞行器摆件直接上墙，自由。

In my own bedroom wardrobe, I chose rattan elements to highlight the theme of the whole house. The background wall opposite the bed is FF's theme illustration of IP Aruka, aircraft ornaments directly on the wall, free.

项目名称：阿鲁卡之家

Project name: House of Aruka

使用面积：120㎡

Usage area: 120 square meters

设计单位：费弗空间设计

Design unit: Feiffer Space Design

空间风格：复古南洋风

Space style: Retro Nanyang style

费崎峰

FF设计总监

费弗空间设计（FF DESIGN）成立于2017年，是一家在业内享有声誉的室内设计公司。

设计团队由一批高素质国际化的资深设计师组成，为客户提供专业及优质的硬软装整体设计服务，设计范畴包括建筑设计、高端住宅、样板间及售楼中心、精装交楼标准、酒店及餐饮俱乐部、商业中心、办公空间等。

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