架构师提供的文本描述。当我们被要求为客户的家人和最亲密的朋友设计一个私人礼拜堂时,我们面临着不寻常和微妙的任务。从这个项目开始,毫无疑问,教堂设置在大橡树在客户的土地上。内院面向传统的东西方向,入口面向附近的村庄。
Text description provided by the architects. We faced both unusual and delicate task when we were asked to design a private chapel for the client's family and their closest friends. Since the beginning of this project, there was no doubt about the chapel's setting among the large aged oaks on the client's land. The nave is oriented in the traditional east-west direction with its entrance facing the nearby village
© Tomas Slavik
(托马斯·斯拉维克)
一组最初的想法帮助塑造了礼拜堂的形式。客户在希腊长大,因此他熟悉基本的原型,包括在正面上方升起一个钟楼。当地独特的建筑细节,然后补充了这一基本形式。同时,客户正在寻求传统和现代方法之间的平衡。
A set of initial ideas helped to shape the chapel's form. The client grew up in Greece hence he was familiar with the basic archetype including a belfry raising above the front facade. Locally distinctive architectural details then complemented this basic form. At the same time, the client was seeking a balance between traditional and contemporary approach.
狭长的窗户被放置在中殿的纵向墙上,在那里传统上将会有玉米面。对材料的选择采用了相同的方法。传统的石板瓦、花岗岩门衬里和木材车顶框通过手动现浇混凝土砌块和更宽的底座进行补充。巧尽心思构建的不规则形状块强调了块工作中的课程,并显著增加了设计的特性。
Narrow strips of windows were placed on top of the nave's longitudinal walls, where traditionally there would be cornices. The same approach was applied to the choice of materials. Traditional slate roof tiles, granite door lining, and a timber roof frame were complemented by manually on-site cast bespoke concrete blocks with a wider base. The so crafted irregular shaped blocks emphasize the courses within the block-work and add significantly to the character of the design.
© Tomas Slavik
(托马斯·斯拉维克)
© Tomas Slavik
(托马斯·斯拉维克)
同样,纯内部的基本纹理调色板由家庭收集的图标和当地工匠定制的礼拜堂陈设作为补充。
Similarly, the pure interior's basic palette of textures is complemented by icons collected by the family and bespoke chapel furnishings made by local craftsmen.
Architects OTA atelier
Location 264 01 Sedlčany, Czech Republic
Lead Architects Ondrej Fiala, Tomas Henel
Area 24.0 m2
Project Year 2018
Photographs Tomas Slavik
Category Chapel
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