Sauerbruch Hutton 作品展 | 绘画·热爱·建造_文化中心_设计案例作品

发布时间：2021-10-18 11:27:18 {{ caseViews }} {{ caseCollects }}

设计亮点

色彩延伸空间，大幅黑白照片扩大视觉效果。

▼“绘画·热爱·建造”Sauerbruch Hutton作品展，draw love build – l’architettura di sauerbruch hutton © Jan Bitter

• 展览将于第17届威尼斯国际建筑双年展期间举办 • “绘画·热爱·建造”展开幕式将与M9博物馆中的另一展览 —— “艰难时期的威尼斯·20世纪的城市及其建筑”，以及于公爵宫举办的“VENETIA 1600·诞生与再生”展览，同时举行。 • 在展览期间，博物馆内将举办各种相关活动，如建筑讲座、研讨会、会议等。 • “绘画·热爱·建造”展将于圣诞节期间继续开放，直至2022年1月9日闭幕。

▼展览概览，overall of the exhibition © Jan Bitter

▼展览于M9博物馆中举行，The exhibition is held in the M9 Museum © Jan Bitter

• The exhibition runs during the 17th International Architecture of La Biennale di Venezia. • The opening of draw love build exhibition took place in parallel to the exhibition “VENETIA 1600. Births and rebirths” in Palazzo Ducale and the exhibition “Venice in challenging times. A city and its architecture in the 20th century” in M9 – Museo del ’900. • There will be various collateral events hosted at the museum during the exhibition (lectures on architecture, symposiums, conferences, etc.). • draw love build will remain open over the Christmas holidays and will not close until January 9th 2022.

▼展览将涵盖Sauerbruch Hutton过去30年以来的作品，The exhibition will cover Sauerbruch Hutton’s work over the past 30 years © Jan Bitter

▼展品包括60多个建筑模型以及超过100张图纸，The exhibits include more than 60 architectural models and more than 100 drawings © Jan Bitter

Sauerbruch Hutton的装置作品“Oxymoron”也将于本次“绘画·热爱·建造”展览中与观众见面，此前该装置曾在第16届威尼斯国际建筑双年展上展出。它坐落在博物馆建于16世纪的“Convento delle Grazie”庭院内，庭院也经过Sauerbruch Hutton事务所的翻新与改造设计，增添了全新的功能，成为展区的补充与辅助空间。游客们可以进入装置内部参观，鲜艳的色彩将内部空间向上延伸，而装置下部的大幅黑白照片也同样起到了扩大空间视觉效果的作用。

Oxymoron, Sauerbruch Hutton’s installation previously displayed at the 16th International Architecture Exhibition of La Biennale di Venezia, extends the draw love build exhibition beyond M9’s upper floor. It sits in the courtyard of the 16th-century Convento delle Grazie, which was also renovated and converted by Sauerbruch Hutton for uses that complement those of the small quarter. Visitors are welcome to take a look inside the installation, where the colour treatment seems to explode the physical confines and large black and white photographs below similarly appear to expand the space.

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