Association of Japan arts and crafts design exhibition

位置：日本

分类：商业展示类装修

内容：实景照片

室内设计：ARCHIEE

图片来源：Ryo Suzuki

图片：13张

该项目是日本手工艺设计协会在巴黎的日本文化中心举办的小型日本手工艺展览会。为了给每天的生活带来一种特殊的感觉，总共展出233件展品，用不同的材料和技艺做成，这些材料包括玻璃、金属、竹子、和纸、珠宝、漆以及纺织物等。和普通的博物馆的白色展盒不一样的是，我们选择熟悉的空间作为展示手工艺品的重要位置。只看一眼很难想象要如何使用手工艺品。如果我们用一种十分正式的方式来摆放他们，许多看起来十分奇怪并且会丧失其本质。这就是我们为什么要创造一些生活情境来摆放合适的手工艺品，这样顾客就会很容易明白这些作品的用途，展会在日本文化中心大厅举办，这是一个大型的公共空间，用工业化风格布置，就不仅仅是日常的舒适空间。而我们的设计就是要把这个大厅作为一座大厦，可以将这座大厦分为几个熟悉的家庭场景，并且在大厅内部就进行分割。

我们总共设计了6个情景来放置这233件小物件，包括台阶、书房、阳台、沙龙、用餐厅和梳妆室。每个场景都由几个标志性的元素组成，令人想起熟悉的生活场景，包括台阶、书桌、窗户、沙发、桌子以及抽屉等。这个缩影中的所有标志性元素都用一种单一的颜色来和纹理呈现，创造一个意识形态下的空间。

译者： Jasereen

This project was the scenography of Japanese crafts exhibition organized by Japan craft design association (JCDA) at Maison de la culture du Japon (MCJP) in Paris. 233 created by many artists were displayed. They were made of various materials and techniques: glass, metal, bamboo, washi and jewelry, urushi, textile, etc., so as to bring a special feeling in everyday life.

We chose familiar spaces as the vital lead to display the crafts instead of setting them in formal white showcases like in a typical museum. It is not easy to imagine the way to use crafts at a glance. If we have displayed all them in a normal display case, most of them would appear as weird objects and lose their essential appeals. This is why we created daily life situations which matched up the objects and led visitors to understand easily the purpose of each object. The hall of MCJP where this exhibition was held is a huge public and industrial finished space, far from a cozy daily and familiar space. Our intervention was to regard the hall as a mansion: extracting several familiar scenes from the house and scattering them inside the hall of MCJP.

We have created 6 situations that suited 233 objects: staircase, study room, balcony, salon, dining space and dressing space. Each scene was composed by several iconic elements which reminded the visitor of familiar daily space: stairs, desk, window, couch, table, drawers, etc. All iconic elements of the scenography were covered by one homogenous color and texture, to create an ideological space. This narrative simplification had brought an apparent contrast between the scenography and the objects, to rise them to surface. The background icons and spaces were neutral and fanciful to let see the delicate treatment of materials in each exhibit.

日本手工艺设计协会展览会室内展示局部实景图

日本手工艺设计协会展览会室内展示实景图

日本手工艺设计协会展览会室内展示细节实景图