远山逶迤，雾霭漫漫。近水悠悠，光影斑斓。山水相濡，捧一杯清茶，吟游于浩渺之间。这便是湖山吟的由来。

The distant mountains are meandering and misty.  Close to the water leisurely, with colorful light and shadow. Landscape each other, holding a cup of tea, singing in the vast, which is the origin of the Hushanyin.

西湖之美，自古难言。深谙此情的苏东坡亦言：西湖天下景，游者无愚贤，深浅随所得，心知口难传。距离西湖直线距离仅400米的湖山吟，要将西湖的元素与复杂的室内功能良好结合并获得别样的体验感。因此在有关西湖的众多优美元素中如何有效感知并提取运用是我们前期一直思考的问题。

The beauty of the West Lake has been indescribable since ancient times.  Su Tungpo, who knows this well, also said: Western Lake is with world scenery, visitors have no stupid talents, the depth, heart difficult to pass. The West Lake beauty is famous in the world, for all the tourists, regardless of high and cheap and stupid, it can find endless fun here; in view of such beauty, it can only understand the heart to experience, but can not use words. Hushanyin, only 400 meters away from the West Lake will combine the elements of the West Lake with the complex indoor functions and get a different sense of experience. Therefore, how to effectively perceive and extract and use the many beautiful elements about the West Lake is a problem that we have been thinking about in the early stage.

西湖胜景引无数文人骚客为之称颂，有关于西湖的作品自古便不胜枚举，而其中更以南宋李嵩创作的《西湖山水图》为佳。《西湖山水图》将湖面留白，以群山环绕，工笔和写意兼用表现出西湖山水的逶迤和旖旎。结合项目的物理空间尺度，我们取西湖山景为题来表述整个空间。

The scenery of the West Lake has praised countless literati and poets, and works about the West Lake have been numerous since ancient times among which "West Lake landscape" written by Southern Song Dynasty Li Song is the best. The "The West Lake Landscape" leaves the lake white, surrounded by mountains. Both fine brushwork and freehand brushwork show the meandering and charming of the West Lake landscape. In combination with the physical spatial scale of the project, we take the West Lake mountain view as the title to describe the whole space.

以群山为形构建形体划分功能，以山石为样展示材质表达肌理，以雾霭为意体现氛围传达意境。

Mountains are made a shape to build the body division function, with the rock as the sample display material to express the texture, with haze as the meaning to reflect the atmosphere to convey the artistic conception.

公共区域我们以屏风隔断为体，展示山形并分隔区域与动线，不同尺度的隔断配合部分抬高的地面实现徜徉山中的情形。而材质与形体的不同，进一步展示所表现的群山远近以及空间虚实关系的变化。隔断的高低配合组合式的茶桌满足了茶室转化为教学情景时座椅与书桌的功能。

For the common areas, we take the screen partition as the body, showing the mountain shape and separating the area from the moving line. Different scales of the partition coordination part will raise the ground to wander in the mountains, on the other hand, the difference between material and body further shows the change of the mountains and the relationship between virtual and real space. The height of the partition and the combined tea table meet the function of the seat and desk when the tea-house is transformed into a teaching situation.

在空间的材质，我们选用石材配合纸张作为空间材质的主要表达，在客房的选材上，我们通过对纸张不同方式的浸染来实现云雾与山石的意境。为了体现茶室的氛围，我们采用小块纸张叠加的工艺铺贴墙面进一步表达空间的意境与元素的融合，屏风纸张与亚克力的融合，将空间的氛围意境与关系进一步延伸。

For the material used in the space, the stone material is used to be with the paper as the main expression of the space material. In the selection of guest rooms, we realize the artistic conception of clouds and rocks by means of the paper dyeing with different ways. In order to reflect the atmosphere of the tea-house, the process of small pieces of paper superposition is used to spread the wall to further express the artistic conception of the space and the elements of the fusion. The fusion of screen paper and acrylic further extends the atmosphere, artistic conception and relationship of the space.

Interiors:喜叻空间

Photos:HereSpace贺川