无界极简主义 | FDD STUDIO 的维度光影设计_办公空间_设计案例作品

发布时间：2022-04-16 03:55:11 {{ caseViews }} {{ caseCollects }}

设计亮点

通过光影传递、空间维度拓展与触感体验，打造出简洁而富有层次感的室内空间。

DIMENSION OF LIGHT

光透过空气介质的传递，从无维的存在近而展现为多维的视觉感观，在触摸之间变得神秘与现实。当固有物质本身的形态，在光的表像与分解中呈现出不同的化学反应，籍此诞生多重情绪的链接。不同维度的光在既定的时空存在差异的共性，然而它有着不断突破差异共性向统一逆变的微观矛盾，让人在周而已复始中新生。

The transmission of light through the air medium, from a dimensionless existence to a multi-dimensional visual perception, becomes mysterious and realistic between touches. When the form of the inherent matter itself presents different chemical reactions in the appearance and decomposition of light, the connection of multiple emotions is born. Lights of different dimensions have the commonalities of differences in a given time and space, but they have microscopic contradictions that constantly break through the commonalities of differences and invert to unity, which makes people reborn in the cycle of repetition.

WEIGHT OF TIME

不经意的行走中，时间已经覆着在平面之间。向左或向右，向上或向下，像风吹过树叶，气流通过时间的速度，皮肤即刻觉知重量的存在。时间在室内场所的记忆中，容易被忽略，但由于它的链接作用，成为了隐藏深处的空间质量。

In the inadvertent walk, time has been covered between the planes. Left or right, up or down, like the wind blowing through a leaf, the speed of the airflow through time, the skin is instantly aware of the presence of weight. Time is easy to be ignored in the memory of indoor places, but because of its link function, it becomes a hidden space quality.

ENDOGENOUS AND EXTENSIVE

透明玻璃阻隔了内外之间的表面物理关系，作为分界线，又兼属着二次物理的媒介。声音通过振动，由外向内传递，室内空间的五感因波动产生相对的反应，生成内空间的丰富性。当内在变化反作用于外部环境时，边缘不再受限，反应则像立体直觉一样，向着所需方向前进。室内外之间所有意识形态，在看似毫无关系的模式中，确紧密结合。

Transparent glass blocks the surface physical relationship between inside and outside, as a dividing line, and also a medium of secondary physics. The sound is transmitted from the outside to the inside through vibration, and the five senses of the interior space react relative to the fluctuations, generating the richness of the interior space. When the inner change reacts to the external environment, the edge is no longer limited, and the reaction is like a stereo intuition, moving in the desired direction. All ideologies between inside and outside, in seemingly unrelated patterns, are indeed closely intertwined.

DISTANCE IN SPACE

尺度形成缘于功能需求，90度转角处的通道，相对拥挤而产生不适的距离感。打破直角的锐力，折叠下游区域的线状，转向45度平面的斜面构造，促使两片二维平面向多维空间转换，缓解视觉与身体的压力，形成过渡空间的通过舒服性。

The scale is formed due to functional requirements. The passage at a 90-degree corner is relatively crowded and produces an uncomfortable sense of distance. Break the sharp force of right angles, fold the linear shape of the downstream area, and turn to the inclined plane structure of the 45-degree plane, which promotes the conversion of the two two-dimensional planes to the multi-dimensional space, relieves the pressure of vision and body, and forms the comfortable passage of the transition space.

TRACES OF DISAPPEARANCE

让“设计”消失，本身指向于设计的自由度，不受过度繁锁的约束，颠覆传统体系的自然生长。自在的设计方式，容易释放空间的个性和主张，从而获得精神和内在的享受。不确定性的思辨，在“设计之外”启迪“设计主体”，往往带来不可估量的价值。

The disappearance of design itself points to the freedom of design, which is not constrained by excessive burdens and subverts the natural growth of the traditional system. The free design method can easily release the personality and proposition of the space, so as to obtain spiritual and inner enjoyment. Uncertain speculation, outside the design, inspires the design subject and often brings immeasurable value.

SHIELD GOES WHITE

白色的墙体成为自然光线的载体，明暗交错清晰可见。退让使白色更轻松的将四季的色彩引入内部，更替变化，永不停歇。安静的白，不是简单而论的平乏，它是具备多元的包容性和融合力，使空间内的结构和光影从物理上对其向心聚集。

The white wall becomes the carrier of natural light, and the interlaced light and dark are clearly visible. Concession makes it easier for white to introduce the colors of the four seasons into the interior, changing and changing, never stopping. Quiet white is not just plain boring, it is multi-dimensional inclusiveness and integration, so that the structure and light and shadow in the space can be physically concentric to it.