通过对在民事中心内部的光进行自然和人工的控制重新创造了一种温暖的感觉并且使自然光发生了突然的转变，同时也使原始的墙壁和简朴的空间看起来更加柔和。建筑师的策略直到现在才由于对结构情景的干预而凸显，它向其中内置了很强烈的建筑特色，并且只要对建筑细微掌控和尊重的话就会接近它，通过内置几个努力在不改变其属性的基础上转变现有空间的标记。很明显，通过违背技术层次的趋势，Emanuele Fidone的作品很可能会与时代有一定的错位，其中作品散发出的精英式魅力并且证实了自己关于当代建筑表现的某种超脱的地位。
2008年已经完成建造方面的工作，但是仍然缺乏具体工厂的主要部分，该中心仍然没有开放使用并且会有衰败的风险，由于存在复杂和神秘的程序难点，这些都时刻让我们谨记皮兰德娄讲述的某些故事。
马尔斯 马兰多拉
The painstaking control of both natural and artificial light re-creates, in the interiors of the Civic Center, affable warmth and sudden variations of the natural lighting, softening the pristine walls and austere spaces. Fidone’s activity has stood out until now above all for refined interventions on constructed contexts, inserted in works of strong architectural character, which the architect approaches with subtle mastery and great respect, through the insertion of a few pithy signs that manage to transform existing space without altering its nature. Clearly bucking the trend of showy technological gestures, Fidone’s work is poetically out of step with the times, emitting an elite charm and justifying his detached position with respect to the noisy performances of contemporary architecture.
Completed in terms of construction in 2008, but still lacking fundamental parts of the physical plant, the Center is still not open for use and runs the risk of decay due to intricate and enigmatic procedural difficulties that remind us of certain stories told by Pirandello.
English Writer Marzia Marandola (source: Casabella, 2011, 804 (August 2011), pp. 37-46).
Progetto
Emanuele Fidone
consulenti
Francesco Cacciatore (progetto)
Angelo Barone (artista)
collaboratori
Salvo Romano (3d)
Alessandro Mauro, Davide Patanè,
Piero Cavallo, Salvatore Binanti (plastici)
committente
Comune di Modica
impresa
F.lli Sireci, Caltavuturo (PA)
localizzazione
Sacro Cuore, Modica
dati dimensionali
1200 mq superficie coperta
cronologia
2002-2005: progetto
2006 -2010: costruzione
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