乌克兰基辅 Teatr na Podoli 剧院翻新，公共空间与城市融合_文化中心_设计案例作品

发布时间：2017-12-03 00:00:00 {{ caseViews }} {{ caseCollects }}

设计亮点

翻新后的剧院以全新的公共空间形象融入城市，实现了剧院、城市与公众的互动融合。

架构师提供的文本描述。TeartNA Podole的建造始于90年代，直到最近的私人行动发挥作用为止一直被放弃。新提议的翻修工程表明，以前的建筑有了很大的变化.它的功能特征已经经历了重大的转变，因为剧院已经从一个独特的“宫殿”演变为一个包容性的公共空间。几乎整个布局方案，连同大部分的水平，大大简化了剧院本身，它的客人和城市之间的互动。苍蝇阁楼和舞台是唯一保持原封不动的卷。

Text description provided by the architects. The construction of Teart na Podole started back in the 90s and has remained abandoned ever since until recent private initiative has come into play. The newly-proposed renovation project suggests considerable changes to the previous building. Its functional character has undergone significant transformations as the theater has evolved from an exclusive “palace” into an inclusive public space. Almost the whole layout scheme has been altered, together with most of the levels, which has greatly simplified the interaction between the theatre itself, its guests and the city. The fly loft and the stage are the only volumes that have remained intact.

安德烈·阿夫德延科(Andrey Avdeenko)

由回收砖制成的新立面在街道的整体规模内恢复了丢失的部分和体积。剧院所固有的所有巨大的技术特征都被放置在缩回的体积内，包覆着泰坦-锌。这座建筑与后面那座绿色的小山融为一体。剧院两边的空隙是整个娱乐场景的一部分，可供客人使用。入口在街道和大堂之间建立物理和视觉交流，这是白天和晚上举行各种活动的场所。门户“广播”事件从一个空间到另一个空间，剧院的客人和行人变成演员和观众，反之亦然，视观点而定。

The new façade made of recycled bricks recovers the lost parceling and the volume within the overall scale of the street. All massive technical features inherent to a theatre are placed within the retracted volume clad with titan-zinc. The building merges with the green hill rising behind it. The voids on either side of the theatre are part of the entire entertainment scenario, which is at the disposal of the guests. The entry portal establishes both physical and visual communication between the street and the lobby, which is a venue for various events both during the day and in the evening. The portal “broadcasts” events from one space into the other, with theatre guests and pedestrians turning into actors and spectators, and vice versa, depending on the view point.

安德烈·阿夫德延科(Andrey Avdeenko)