imagines disaster resistant surrealist structures

设计方：dionisio gonzalez

位置：西班牙

分类：公共设施

内容：实景照片

开放时间：2014.3.20

图片：15张

摄影师：yusto / giner gallery

Yusto-Gine当代艺术博物馆近日展出了一组被命名为‘抗灾建筑’的作品，这也是西班牙艺术家Dionisio González在西班牙马拉加的第一个个展。整个展览围绕着gonzález的两组超现实主义作品展开，分别为‘dauphin island’和‘inter-actions’，旨在表现城市地景中这片充满奇幻色彩的景观。

建筑中的这份奇特贯穿在整个设计过程中，gonzález的关注点一直聚焦在这片混乱与美丽共存的物理空间中。他所选定的这两个地方都位于墨西哥湾沿岸，这里经常会遭受飓风的侵袭，这里的居民都是要面对随时而来的灾难，并不断身处于一种‘灾后重建’的状态中，gonzález用钢筋和混凝土取代了不结实的木结构房屋，并将其设计成具有超现实注意的样式。正是这一被精心布局过的房屋在向这个充满矛盾与问题的世界提出一种解决方法，用gonzález本人的解释就是：在被摧毁的空间中，用一种新的建筑形式去填补这种已处于真空中的居住结构。inter-actions系列则更多的是寻找人类与自然环境中的关系，之所以选用黑白色进行拍摄，则是为了进一步表现这些建筑本身是融入整个自然界的这一概念。

译者： 艾比

contemporary art gallery yusto / giner presents ‘architecture for resistance’, the first solo exhibition of spanish artist dionisio gonzález in malaga. the show is structured around two of gonzález’ series of surrealist photographic manipulations, ‘dauphin island’ and ‘inter-actions’, both of which express fantasy landscapes integrated within an urban fabric. a fascination with architecture — a trademark theme that runs throughout gonzález’ oeuvre — and his concern for the social sphere have led him on a lasting search for physical sites where chaos and beauty coexist. the examples he has found include dauphin island, land located in the gulf of mexico which suffers from incessant and devastating hurricanes. impressed by the vitality of its inhabitants to repeatedly recover from what nature destroys, dionisio has been motivated to design habitable and sustainable constructions, like real futuristic forts made of iron and concrete, replacing unstable wood. the meticulously manipulated dwellings intend to provide answers to the problems of the world and as the artist explains, ‘give shape to new habitable structures in the vacuums in the perception of spaces that had previously been devastated’.

a second series of fictional recreations is ‘inter-actions’, a sequence which proposes a relationship between humans and the environment, establishing a use of natural resources by the inhabitants. these black and white images describe buildings grafted to the environment, literally rooted to the earth they are situated on.onzález’s 2011 ‘favelas’ series proposes a visualization of an urban space where the decomposing homes of the inhabitants feature rendered architectural outbursts of a futuristic and abstract style.

西班牙现实主义抗灾建筑外观图

西班牙现实主义抗灾建筑外部局部图

西班牙现实主义抗灾建筑