融合景观的木兰丘游客中心_宗教空间_设计案例作品

发布时间：2018-02-02 04:48:00 {{ caseViews }} {{ caseCollects }}

设计亮点

新旧建筑与景观完美融合，模糊界限，铝制博物馆陈列柜提供多功能展示空间。

园林设计里德希尔德布兰德MEP工程AST工程师土木工程ABMB工程师迈凯轮工程集团文化规划师主文化资源总承包商Omega总承包商多规格少规格

Landscape Architecture Reed Hilderbrand MEP Engineering AST Engineers Civil Engineering ABMB Engineers Structural Engineering McLaren Engineering Group Cultural Planner Lord Cultural Resources General Contractor Omega General Contractors More Specs Less Specs

C.蒂莫西·赫斯利

架构师提供的文本描述。木兰丘位于密西西比河附近的高地上，是1791年建立的一个工作种植园。今天，Magnolia Mound的任务是通过教育项目、讲习班、讲座、节日和其他特别活动来说明和解释法国克里奥尔人的生活方式。该项目的设计意图是强调场地和地形的重要性，因为它与木兰丘有关。

Text description provided by the architects. Situated on high ground adjacent to the Mississippi River, Magnolia Mound was a working plantation established in 1791. Today, Magnolia Mound’s mission is to illustrate and interpret the French Creole lifestyle through educational programs, workshops, lectures, festivals and other special events. The design intent of the project is to emphasize the importance of site and topography as it relates to Magnolia Mound.

Section and Ground Floor Plan

剖面及底层图则

最低限度的干预旨在提高现有的历史建筑和遗址，为游客设置一个明确的门槛，让他们在土堆底部周游。当一个人通过新的游客中心并上升到山顶，建筑与景观融合，变得不引人注目和不可察觉。新结构的顶部与土墩高地的高度保持一致，建立了一个将旧有建筑和新建筑联系在一起的基准。

The minimal intervention seeks to elevate the existing historic buildings and site by establishing a clear threshold for visitors as they circulate around the base of the mound. As one transitions through the new visitor center and ascends to the top of the mound, the building merges with the landscape to become unobtrusive and imperceptible. The top of the new structure aligns with the elevation of the high ground of the mound, establishing a datum which links old and new architecture on site.

C.蒂莫西·赫斯利

半透明的通道玻璃被选中，微妙地模糊了新建筑内部和周围的居住者，就像印象派绘画一样-模糊了新旧建筑和景观之间的区别。博物馆陈列柜是作为新的建筑干预的补充元素而设计的。在唐纳德·贾德和索尔·勒维特作品的启发下，这些坚固的铝制装置试图在雕塑、家具和建筑之间架设桥梁；提供存储空间、展示机会和销售点。

Translucent channel glass was selected to subtly obscure occupants within and around the new building like an impressionist painting – blurring the distinction between new and old, building and landscape. The museum display cases were designed as a complementary element to the new architectural intervention. Inspired by the work of Donald Judd and Sol Lewitt, these solid aluminum fixtures attempt to bridge between sculpture, furniture, and architecture; providing storage space, display opportunities, and point of sale.

C.蒂莫西·赫斯利

Program Diagram

Courtesy of Trahan Architects

特拉汉建筑师