爱尔兰彩虹 SPA 度假村——自然与魔法的融合_酒店民宿_设计案例作品

发布时间：2018-05-10 07:48:00 {{ caseViews }} {{ caseCollects }}

设计亮点

立方体建筑与周围环境完美融合，内部设计充满治疗性，独特的空间组织、颜色和照明给人以诗意般的体验。

(Jo O Guimar Es)

架构师提供的文本描述。众所周知，所有的彩虹都在爱尔兰结束。我们也知道，在彩虹的尽头，有一罐金子，由一个细心的妖精看守着。用小妖精来换取度假胜地的接待，把金罐换成SPA，你就会对在芬恩岛度过几天的经历中所涉及的魔法有一个了解。

Text description provided by the architects. As everyone knows, all rainbows end in Ireland. And, as it is also known, at the end of the rainbow lies a pot of gold guarded by an attentive leprechaun. Exchange the leprechaun for the reception of the resort and the pot of gold for the SPA and you will get an idea of the magic involved in the experience of spending a few days at Finn Lough.

如果运气好的话，这一天就会迎来这位旅行者，阳光会胆怯地穿透薄雾，露出一片树木，在一段时间内，树木可能会与即将出现的巨人混淆，一动不动。当薄雾消散时，湖面浮出水面，群山耸立，勾勒出景观和SPA的体积。这些都是创造性的实验应用于这个立方体，它的臀部屋顶启发了它的不同元素的组成。

With any luck, the day will welcome the traveller with sun timidly piercing the mist, revealing trees that for a few moments could be confused with looming giants, standing still. As the mist clears, the lake emerges, hills arise delineating the landscape and the volumes comprising the SPA. These are the result of the creative experimentation applied to this cube with its hip roof which inspired the composition of its different elements.

(Jo O Guimar Es)

卷的外部覆盖瓦楞纸，其氧化处理的目的是为了使它更快老化。从目前的黄金色调，它将成为一个褐色的颜色，将很容易融入周围的树木。内部重新设计的立方体的侧面被烧焦的木头所覆盖，这有助于掩盖接收它们的大自然中的体积。

The exterior of the volumes is covered in a corrugated sheet whose oxidative treatment is purposely aimed at aging it faster. From its current golden hue, it will become a brownish colour that will be easily integrated among the surrounding trees. The sides of the cube that were redesigned inside are covered with burnt wood, contributing to disguise the volumes within the nature receiving them.

(Jo O Guimar Es)

Axonometric

(Jo O Guimar Es)

沿着轨道，所有的SPA的设施都可以享受，我们再次遇到的道路上，各种体积从原来的立方体移除。每个空间的组织、颜色和照明都是不同和具体的，反映了每一个空间的治疗性人格。它们看起来就像是一首诗的诗句，它的意思-就像所有好诗一样-每次读起来都是与众不同的。

Following the trajectory, along which all the SPA’s facilities can be enjoyed, we reencounter along the way the various volumes removed from the original cube. The organization, colour and lighting of every space is different and specific, reflecting the therapeutic personality of each one of these spaces. And they appear as if verses of a poem whose meaning – like all good poems – is distinctive each time that it is read.

(Jo O Guimar Es)