2021 上海城市空间艺术季 & 绿梦 / THLA天华景观_公共空间_设计案例作品

发布时间：2021-12-01 23:25:34 {{ caseViews }} {{ caseCollects }}

▼视频，video ©THLA天华景观|THLA Tianhua Landscape

前言 Foreword

上海城市空间艺术季（SUSAS），是上海市一年一度的开放式艺术&设计展览。2021年艺术季围绕“15分钟社区生活圈-人民城市”，在全市多个社区同时开展。其中徐汇田林展区以“花开蒲汇塘”为主题构建了一处缤纷的社区展场。 THLA天华景观在田林展场打造了一场“绿梦”，希望借此去唤醒绿色生活记忆，创造生态城市社区共治的愿景。

Shanghai Urban Space Art Season (SUSAS) is an annual open art & design exhibition in Shanghai. The 2021 art season is curated around the “15-Minute Community Life Circle-People’s City”and is host simultaneously in multiple communities throughout the city. Among them, the Xuhui Tianlin Pavilion has built a colorful community exhibition venue with the theme of “Flowers blooming in Puhuitang”. THLA Tianhua Landscape has created a “Green Dream” in Tianlin Pavilion, hoping to wake up green living memory and create a vision of eco-urban community.

▼从城市街道看向“绿梦”，veiw to the “green dream” from the urban street ©THLA天华景观|THLA Tianhua Landscape

褪色的背景 Fade to the Time

20世纪50年代，解放后初期的上海规划建设了一系列工业区，“以厂为家”的工人新村也应运而生。SUSAS·2021田林展场的前身，正是与工人新村紧邻的钦青花卉市场。作为重要的休闲购物目的地，花鸟鱼虫曾经承载着消费与观赏的双重功能，渗透进市民的生活。却也在一轮的城市更新进程中，由于防火、防疫等安全隐患逐渐退出历史舞台。2019年2月20日，钦青花鸟市场正式关闭。

In the early post-liberation period of 1950s, Shanghai planned to build a series of industrial zones, the “Factory as Home” Workers’ New Village gradually formed. The predecessor of Shanghai Urban Space Art Season 2021（SUSAS）Tianlin Pavilion was the Qingqing Flower, Bird, Fish and Insects Market adjacent to Workers’New Village, is an important recreational shopping destination. Qingqing Flower and Bird Market once carried the dual functions of consumption and ornamentation, and penetrated into the lives of the citizens. But also in a round of urban renewal process, due to fire prevention, epidemic prevention and other safety hazards gradually withdrew from the historical stage. On February 20, 2019, the Qingqing Flower, Bird, Fish and Insects Market was officially closed.

▼设计概念，design concept ©THLA天华景观|THLA Tianhua Landscape

焕发的绿梦 Shine by the Dream

花鸟鱼虫的喧闹声已经远去，但是城市空间艺术季的到来却给已经褪色的市场注入了新的生机。田林展场被划分为室内外多个大小不一的公共展区，我们的场地位于展区主入口的建筑内部，紧邻服务台和主要入口流线，高度与空间都非常有限。

The noise of birds, fishes and Insects has gone far, but the arrival of the SUSAS has given new life to the faded market. The Tianlin Pavilion is divided into public exhibition areas of varying sizes both indoor and outdoor. The deign site is located in the interior of the main entrance of the exhibition area, adjacent to the service desk and the main entrance streamline, with very limited height and space.

▼场地紧邻服务台和主要入口流线，project adjacent to the service desk and the main entrance ©THLA天华景观|THLA Tianhua Landscape

即使场地狭小、空间有限。我们相信，有想象力的地方便是无疆。正如本次艺术节委员会委员，同济大学建筑与城市规划学院院长李翔宁老师说的那样，“一个城市从大的角度看，它是整个区块、地段、地块，但同时它也是最微小的细胞，也就是和我们日常生活最关系最密切的这些细胞。

Even if the venue is small and limited. We believe that imaginative convenience is boundless. As Mr. Li Xiangning, dean of the School of Architecture and Urban Planning of Tongji University, a member of the Susas Committee, said, “From a big perspective, the city is an entire block, the lot, the plot, but at the same time it is also the smallest cell, the cells that is most closely related to our daily life. ”

▼项目概览，overall view of the project ©THLA天华景观|THLA Tianhua Landscape

Landscape（景观）一词源于荷兰语——lantscap，意指大地的形状。我们在思考和设计“绿梦”时，我们将整个徐汇区抽象出来，希望这个设计不仅包含了对最原始的Landscape第一自然（first nature）山川、草原、森林的微缩表现（present），也同时呈现对于第二自然（second nature）园林置石、爬藤天梯、镜像苍穹的超现实艺术表达（represent）。并且，基于SUSAS·15分钟生活圈的视角，回到一个小小场地去激活一个入口，“绿梦”更多的还是去传递应对当今城市建设及处理人与万物场域关系的世界观和方法论（strategies）。

The term ‘Landscape’ is derived from the Dutch word‘lantscap’, meaning the shape of the earth. When we thinking and designing the “Green Dream”, we abstract the whole area of Xuhui District, hoping that this design not only includes a miniature representation of the most primitive Landscape (First Nature) mountains, grasslands, and forests, but also presents a surreal artistic scenario (Second Nature) with landscape stoning, vine climbing ladders and mirrored sky. Moreover, based on the perspective of the SUSAS 15-Minute Living Circle, returning to a small site to activate an entrance “Green Dream” or more to convey the world view and methodology to deal with the urban development and the relationship between people and everything.

▼镜面天花与微缩景观 mirrored ceiling and the micro landscape ©THLA天华景观|THLA Tianhua Landscape

▼爬藤天梯，vine ladder ©THLA天华景观|THLA Tianhua Landscape

“绿梦”唤起了社群的一种超现实梦境呈现。这个梦境即虚幻又真实，考虑到我们当前的碳中和、城市更新和社区共治复兴，“绿梦”创造了一个恒久的，变换的，互动的环境领域。同时也描述了景观已然成为当下城市建设发展的基本组成部分，通过这种水平但同时具有厚度的载体，我们通过它在组织和延展我们的社区和城市。

“Green Dream” evokes a kind of surreal dreamland in the community. This dream is both illusory and real. Considering our current carbon neutrality, urban renewal and community rejuvenation, the “Green Dream” has created a permanent, transformative, interactive field of the environment. At the same time， it also describes that landscape has become a basic part of the current urban construction development. Through this horizontal but with a rich carrier, we have organized and extended our communities and cities.

▼梦境般的微缩景观，micro landscape like a dream ©THLA天华景观|THLA Tianhua Landscape

老市场花鸟鱼虫的声音已经飘远，但是原野上回荡的羊啼声，会被床边的你听到。深浅不一的苔藓铺设在徐汇区轮廓的地形上，模拟出高低起伏的原野山峦，也流淌到白云边。而云朵不规则的形状，也激发出各种不同的使用方式：滑梯、躺椅、跷跷板、跳台等等。不得不让我们感叹，孩子们的想象力总是能超越设计。天梯与石块在梦境中摆脱重力的束缚，将视线引向天空。如黑洞般的镜面屋顶，通过师傅手工的锻打、焊接、打磨、现场固定，才最终呈现出连贯、梦幻的镜像倒影。

The sound of flowers, birds, fish and insects in the old market has drifted far away, but the bleating of the sheep reverberating in the wilderness will be heard by you by the bed. Moss of varying depth lay on the contour of Xuhui District, simulating the high and low rolling wild plains and mountains, also flowing to the side of white clouds. The irregular shape of clouds also inspires different ways of using them: slide, lounge chair, seesaw, jumping platform, etc. We have to say that children’s imagination always transcends design. The ladder and the stones break free from the shackles of gravity in the dream, and lead view to the sky. The black hole-like mirrored roof was pre-fabricated through master manual forging， welding，grinding, on-site fixation, and finally presents a coherent, dreamy mirror reflection.

原野是城市的一场梦。带着回归自然的梦想，创造一个自由开放、让每一个人都可以躺下来做梦的空间。我们希望忙碌的你，能在这个绿色的梦境里休憩片刻，俯瞰原野、仰望森穹，与万物对谈。而我们也很欣喜地看到，这场梦无缝接入了现实，成为了展场颇受大家喜爱的一处空间。因为纵使空间微小，它也能回归到都市主义的愿景中，把自然与公共性带回社区、带回生活。

The wilderness is a dream of the city. With the dream of returning to nature, create a free and open space where everyone can lie down and dream. We hope that you, busy, will have a moment of rest in this green dream, overlooking the fields, looking up at the sky through the forest, and talking to every species. And we are delighted to see that this dream is seamlessly connected to reality and becomes a hot spot in the exhibition. Because even if the space is small, it can return to the vision of urbanism, bringing nature and the public back to the community, back to life.

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