架构师提供的文本描述。整个基地形似中国的长卷，我们重新考虑了建筑与庭院的关系.我们选择并安排了近199棵松树四处散落，以艺术博物馆为主体，修复古建筑，在两侧安置古拱门，这些都是目前业主的喜好，也是博物馆作为一种欧式风格的定位。
Text description provided by the architects. The whole base shaped like Chinese long scroll, we reconsidered the relationship between archi-tecture and courtyards. We selected and arranged almost 199 pine trees to scatter around, taking the art museum as the main building, restoration of ancient buildings and resettlement of ancient archway at two side, these are present owners preference and positioning the museum as an ori-ental style.
Master Plan
“离开空白”是中国画艺术中最具艺术性的表现形式。几何形式是西方逻辑思维中最客观的表现形式。缪斯的建筑-嗯，我们去掉了西方的符号，给出了最纯净的白度，通过几个不同的几何建筑与新的走廊相连，以便在两者之间有新的对话；室内的垂直循环，给出更多的伸展尺寸。
"Blank-leaving" is the most artistic expression in the art of Chinese painting. The geometrical form is the most objective expression in Western logical thinking. The architecture of the muse-um, where we removed the symbols of the Western to give the purest whiteness, connected toge-ther with new corridor by several different geometric buildings, in order to have new conversation in between; indoor the vertical circulation, giving more dimensions of stretching.
艺术博物馆的意义在于展示艺术。作为展示它的平台，我们对宋代艺术博物馆的定义是一个“艺术容器”，以艺术为主体，以容器为补充，在未来的任何地方都可以很容易地以自己的语言时代复制，我们希望给建筑和空间更多的可能性。
The significance of the art museum is to present the art. As a platform for displaying it, our definition of Song Art Museum is an "art container", with art as its mainstay and container as its complement, and in the future it can also easy be duplicated in any other place with it’s own langu-age, we intent to give the architecture and space more possibility.
宋艺术博物馆把一切都转化为几何学，纯洁，就像中国哲学家老子所说的，“不干涉而治”，从外到内。以其洁净的存在，任何一种当代艺术都是受欢迎的，以活力的展现而无忧无虑。四合院被松树环绕，赋予宋代艺术博物馆的外部活力，使风景成为内外的气息。东方感也成为传统建筑与现代建筑相互吸引的自然韵律.
Song Art Museum transforms everything into geometry, purity, like Chinese philosopher Lao Tzu said, "govern without intervention" from the outside to inner. With its clean existence, any kind of contemporary art is welcome to enter, to vitality showing without scruples. The courtyard surrounded by the pine trees, to give the external vitality of Song Art Museum, the scenery becomes the breath of both inside and outside. The oriental sense also becomes the na-tural rhythm of mutual attraction between traditional and modern architecture.
Architects Vermilion Zhou Design Group
Location Beijing, China
Architect in Charge Kuang Ming Chou
Area 2200.0 m2
Project Year 2017
Photographs Zhi Xia
Category Refurbishment
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