Poland church

位置：波兰

分类：公共环境

内容：实景照片

图片：18张

在将近两千年的时间里，欧洲的景观建筑大都与基督教有关，有种浓浓的宗教色彩。在现代主义的做派出现之前，这里的各个景观仍旧保持原有的样子，丝毫没有一点儿创新。在一定程度上来说，它们好像已经被定型了，禁锢了人们的创造力。这种影响尤其体现在教堂的建设上。从这个点出发，我们很难想象在中世纪的英格兰，除了哥特式大教堂或者文艺复兴时期的意大利教堂，还会有一些其它风格的教堂。

随着工业革命的到来，该地区的经济发生了很大的变化，但是污染也随之加重，基础设施和住宅的建设成为了体现该地区文化的主要方式，设计师们更愿意从一些简单朴素的景观中来展现自己想要表现的那种现代主义风格。就是被定型化很严重的教堂建设，如今也由于商业活动的趋势不断发生着变化。如今仍然有许多教堂正在建设当中，只是并不像中世纪那样古板了。

译者：蝈蝈

For nearly two millennia, European architecture was closely affiliated with and shaped by Christianity. Prior to the advent of Modernism, there was scarcely a style that was not promoted, or more likely defined, by the designs of churches. Such a hypothesis makes it difficult to imagine Medieval England outside the purview of Gothic Cathedrals, or Renaissance Italy as separate from its Basilicas.

But with the Industrial Revolution and the economic and population growth that ensued, infrastructure and housing became the new symbols and necessities of cultural representation, finding their ultimate expression in the ease and simplicity of Modernism. The field of architecture, so long shaped and dominated by the church, had been subsumed by the changing concerns of a commercially driven society. Of course there were still churches being built, but the typology that once defined architecture in its ubiquity became novel and rare.

波兰教堂外部实景图

波兰教堂内部实景图