大家银城·东望雅苑 | 古亭之韵，诗意之境_住宅景观_设计案例作品

发布时间：2022-01-31 09:07:00 {{ caseViews }} {{ caseCollects }}

设计亮点

融合古建与现代景观，创造出独特的诗意中庭空间。

项目名称：大家银城·东望雅苑
景观设计：上海魏玛景观规划设计有限公司
建筑设计：杭州九米建筑设计有限公司
室内设计：界上无界室内设计（杭州）有限公司
施工单位：苏州天园景观艺术工程有限公司
项目地址：苏州
开放时间：2021.12
景观面积：4300㎡
摄影团队：IAM岸木摄影

这一年我们做过了太多山水自然空间

有被评论、有被肯定、有被赞赏

但是自我感觉总是少了一些极致与颠覆

当从事园林的干起了古建

当一方空间只做一个中亭

其实我们不仅仅在做景观设计

更多的是一场传承，一种突破，一个开始

Why is it a new adventure? At least now, it seems that we are still scared. It is an innovative attempt, and in the face of a group of people's doubts, fortunately, we still have a self-game persistence.

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施工前

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施工后

最初看到这片土地只是一块很普通的土地，些许亮点只是眺望四周，有肉眼可见的远山，距离太湖很近，天空有着广袤纯净的蓝，有着博物馆风格的网红建筑，四周白墙围合，构成了眼前将要交手几个月的空间。说实话，这也让初识场地的团队陷入沉思，

我们是要按照甲方要求打造一方酒店式下沉空间，还是从苏州地缘出发，让场地独具特色，如果选择独具特色，又如何与建筑风格融合，统一设计语言？

At first I saw that this piece of land was just a very ordinary piece of land. Some of the bright spots were just looking around. There were distant mountains visible to the naked eye, and it was very close to Taihu Lake. The sky was vast and pure blue. Together, it constitutes a space that will be fought for a few months in front of us. To be honest, this also made the team who knew the venue for the first time to ponder. Should we create a hotel-style sunken space according to the requirements of Party A, or should we start from the geographical location of Suzhou and make the venue unique? Fusion of architectural styles and unified design language?

带着诸多问题，我们选择回归场地本身，从问题原点出发，并求其解。我们走访考察了大量的苏式山水园林，以期获得设计灵感，转遍了周遭闻名的博物馆、文物馆，汲取设计巧思，终于在一方古文物玻璃墙承纳着小小古亭的雕塑面前，久久驻留。置身四周玻璃墙围合的空间仿若穿越至四周白墙围合的中庭水院，一瞬间的感同身受，是大胆的提议实践，我们是不是也可以将这一方四角古亭搬至场地空间，就在这一方纯粹空间，造一方极致的古建中亭。

With many problems, we choose to return to the site itself, start from the origin of the problem, and seek its solution. We visited and inspected a large number of Suzhou-style landscape gardens in order to gain design inspiration. We went around the famous museums and cultural relics halls and learned design ingenuity. Finally, in front of the sculpture with a small ancient pavilion on the glass wall of ancient cultural relics, long stay. Being in the space enclosed by the surrounding glass walls is like passing through the atrium water courtyard enclosed by the surrounding white walls. The moment of empathy is a bold proposal and practice. Can we also move this square ancient pavilion to the site space? The pure space on this side creates the ultimate ancient pavilion on the other side.

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现场调整尺寸

在大胆的提议过后，还有更大的博弈在等着当时陶醉于喜获设计灵感的团队、难题接踵而至：我们以前也做过古建项目，包括著名的南京莫愁湖公园古建的新建和改造；但每一处古建文物都是有自己独特的灵魂与脾性的，这一方亭中，我们该如何做，怎么做，是一场全新的思考与挑战。

After the bold proposal, there are still bigger games waiting for the team that was delighted with the design inspiration at that time, and the problems come one after another: we have done ancient architecture projects before, including the new construction and renovation of mochou Lake Park in Nanjing; However, each ancient building cultural relic has its own unique soul and temperament, in this pavilion, how we should do, how to do, is a new thinking and challenge.

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现场改图

当时的想法有多美好，真正施工起来才知道多艰难，古亭木结构需要一定的文物价值，我们跑遍了无数个古亭旧址才挖掘到适合的古亭旧料，古木、瓦片材质易碎需运输工人细心搬运，以防颠簸破坏；四角飞檐整体调性为与场地建筑风格融合，设计方案几经易稿。

The idea is how beautiful, really know how difficult construction, the ancient pavilion wood structure needs certain cultural relics value, we went through countless ancient pavilion site to dig the suitable old material, ancient wood, tile material fragile need to transport workers to prevent bumpy damage; the overall tunality of the four corner eaves with the site architectural style, the design scheme after several drafts.

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现场瓦片搭建

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现场拼砖

好在过程设计，我们借鉴了《林泉高致》中山水意境布局，将整个场地看作是一幅水墨画卷，将亭子落位于画幅中景，运用“对景”、“借景”等手法，将亭子与建筑、镜水、天幕、行人等结合起来，宛自天成，极具美感。

Fortunately, in the process design, we borrowed the artistic conception layout of mountains and rivers in "Linquan Gaozhi", regarded the entire site as an ink painting scroll, placed the pavilion in the middle of the painting, and used the techniques of "opposing the scene" and "borrowing the scene". The pavilion is combined with buildings, mirrors, sky, pedestrians, etc. It is like a natural, very beautiful.

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现场选漆

亭子建设中，取法建筑学家李诫所著的《营造法式》，从建造材质、亭顶造型、瓦片肌理、榫卯关系、柱体结构等角度效法、借鉴，我们边学习边论证边落地。和有经验的工人师傅一起现场堆瓦推销模数，全过程全天候跟踪施工过程。并将其中来自苏州本地的一处古亭旧料与自然杉木，进行解构重生，重塑一方纯净的中庭空间，一方唯有时间留下痕迹的“沁亭”空间，一方融合旧与新，质朴与精工的“观心”天地。

In the construction of the pavilion, we took the "Construction French Style" written by the architect Li Jie, and imitated and learned from the perspectives of construction materials, pavilion roof shape, tile texture, mortise and tenon relationship, and column structure. . Together with experienced workers, we will build tiles on site to sell modules, and track the construction process around the clock throughout the whole process. One of the old materials and natural fir from a local ancient pavilion in Suzhou was deconstructed and reborn to reshape the pure atrium space on one side, the "Qin Pavilion" space where only time left traces on the other, and the fusion of old and new, simple on the other. With Seiko's "viewing heart" world.

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现场柱体结构调整

随着四季变化，白昼交替。阳光打在柔和的米白墙体、古亭旧木之上，光影折射于水面，风起，水波微漾与空间产生对话，令人心旷神怡。我们运用自然主义设计手法，

“让光线来做设计”

，以光柔化古亭与建筑的边界，融入中庭空间，浑然天成。其实往往越是简单的空间，越能体现出古亭的多重姿态，蕴藉独有的山水美学精神。

Days alternate with the changing seasons. The sunlight hits the soft off-white walls and the old wood of the ancient pavilion, and the light and shadow are reflected on the water surface. We use the naturalistic design method, "let the light do the design", soften the boundary between the ancient pavilion and the building with light, integrate into the atrium space, and become natural. In fact, the simpler the space is, the more it can reflect the multiple gestures of the ancient pavilion, and the unique spirit of landscape aesthetics.

是一场无畏的冒险也好，是一次迎难而上的尝试也罢，可喜的是在无数次的质疑与推翻面前，我们选择了坚持与重来，好在无论是甲方、设计方、施工方我们都始终坚持着一个信念，要做一方极致的中庭水院，要做一处纯粹的古建沁亭。

Is a fearless adventure, is a attempt to face the challenge, gratifying is in front of countless questions and overthrow, we chose to insist and again, fortunately whether party a, design, construction we always adhere to a belief, to do the extreme atrium, to do a pure ancient qin pavilion.

这已不单是一处观景之地，景观之所，更多的是一处承载社交、娱乐、会友、陶冶身心的媒介，站在此处，你会常常想到苏轼的“惟有此亭无一物，坐观万景得天全”。在这里与建筑、镜水对话、交流，然后随风而过，悠然忘我，寻找“畅神”、“怡身”，超然物外。

This is not only a place for viewing, but also a medium for socializing, entertaining, meeting friends, and cultivating the body and mind. Standing here, you will often think of Su Shi's "There is only one pavilion in this pavilion." Things "sit and watch all the scenery in the sky". Here, you can have a dialogue and exchange with the building and the mirror water, and then pass by the wind, forget yourself, look for "smoothing spirit" and "pleasant body", detached from the outside world.

江山无限景，都取一亭中，你会慢慢的陶醉于这有限的天地，无限的精神世界，从忘”到“游”，继而从“游” 到“会心”，于方寸建筑间，尽享“移天缩地入君怀”，然后流连忘返，体味岁月静好。

The infinite scenery of the river and mountains is all taken in one pavilion. You will slowly indulge in this limited world, the infinite spiritual world, from forgetting” to “touring”, and then from “touring” to “knowing”, in the square-inch building. , enjoy "moving the sky and shrinking the earth into the arms of the king", and then linger, savoring the tranquility of the years.

结语 | 项目感言

EPILOGUE丨COMMENTS ON THE PROJECT

繁华浮世，一生喧嚣

唯有时间淬炼，才会不置声，胜有声

二个月，一群人抽丝剥茧开时间的肌理

以极致匠心致敬场地精神，终成一方古亭至境

诚如“一个人走，可能走的很快，

但一群人走，才会走得很远“

希望这方中庭水院亦如设计初心般，

恒久、纯净，至真，清远

如今再来到这片熟悉的场地

天空还是一如初来有着广袤纯净的蓝