施威林城堡新博物馆——现代与传统交融_文化中心_设计案例作品

发布时间：2017-05-31 21:12:00 {{ caseViews }} {{ caseCollects }}

设计亮点

新旧结合的建筑结构，现代艺术与传统大师作品的展示，独特的几何设计，提供全面的观景体验。

(C)Rainer Gollmer Fotografie

这座新建筑补充了1882年在施威林城堡中心的现有博物馆结构，这座博物馆被德国暂定名录提名为世界遗产。独特的几何和适度的简化都是设计的核心。一方面，新的结构在现有的语境中大胆定位，同时又提供了一个抽象的原作版本，并重新定位了新整体的效果。新大楼有800平方米的展览空间，分布在两层非常不同的楼层上。

The new building complements the existing museum structure of 1882 within the heart of the castle complex in Schwerin, nominated on the German Tentative List as a World Heritage Site. Distinct geometry and modest simplification are both central to the design. On the one hand, the new construction is positioned boldly within the existing context, while at the same time offering an abstract version of the original and redirecting the effect of the new whole. The new building contains 800sqm exhibition space, distributed over two very different floors.

(C)Rainer Gollmer Fotografie

一个新的走道提供了与老画廊的主要连接。此外，新建筑还包括自己独立于庭院的入口，加上厕所、储藏室和附属室等服务，它也可以完全分开运营。

A new walkway offers the primary connection to the Old Gallery. Furthermore, the new building includes its own separate entrance from the courtyard and, with services such as toilets, storage and ancillary rooms, it could also be run entirely separately.

(C)Rainer Gollmer Fotografie

虽然老画廊强调的是老大师的作品，新建筑的展览空间用于展示当代艺术和临时展览。德国北部独特的Günther Uecker的藏品已在Schwerin州立博物馆集合。Uecker参展商是为新画廊定制设计的，自就职典礼以来一直占据整个高层。在较低的楼层展示了一组新媒体。目前感兴趣的各种互动装置和媒体艺术项目都是围绕约格·赫罗德的一部大型作品进行的。

While the Old Gallery puts an emphasis on the works of the old masters, the new building’s exhibition space serves to display contemporary art and temporary exhibitions. A collection of Günther Uecker’s work, unique in northern Germany, has been assembled in the Schwerin State Museum. An Uecker exhibiton was custom-designed for the New Gallery and has commanded the entire upper floor since the inauguration. A collection of new media is presented on the lower floor. Various interactive installations and media art projects of current and topical interest are grouped around a large work by Jörg Herold.

Exterior design

新的建筑外壳是基于一个非常简单但相关的设计理念。全高度玻璃板与实心混凝土面板沿建筑物的四面交替。玻璃覆盖了所有必要的通道，以及楼上的新人行道，可以看到原来的博物馆、富丽堂皇的城堡和湖面。经过修整的窗户与外部混凝土齐平，并可根据需要通过位于天花板上的内部百叶窗遮阳。这条有全玻璃幕墙的人行道，提供了邻近剧院建筑的最大能见度。

The new building shell is based on a very simple but pertinent design concept. Full height glass panels alternate with solid concrete panels along all four sides of the building. The glass covers all necessary access, as well as the new walkway on the upper floor, and offers views across to the original museum, the sumptuous castle and also to the lake. The mullioned windows are flush to the external concrete and may be shaded as required via internal blinds located in the ceiling. The walkway, with its fully glazed sides, offers maximum visibility of the neighbouring theatre building.

(C)Rainer Gollmer Fotografie

Concrete technology

现浇混凝土的均匀封闭型腔墙跨越全高度玻璃表面之间的空间.无缝，三个阶段，超过9m的高度，他们反映了老建筑的色彩方案，其黄色和红色的表面，不同的粮食。这些颜色方面已被强调和转移到新建筑物的暴露混凝土通过红色和黄色的添加剂。敲击后，混凝土的下部已被手工抛光约5毫米。上面的那一段已经被灌木丛敲打过了.正是这些处理方法将骨料带到了立面，保证了新建筑的最终外观与旧的既有结构保持一致。

Uniformly closed cavity walls of in-situ concrete span the space between the full height glass surfaces. Seamless, cast in three stages and over 9m in height, they reflect the colour scheme of the old building,with its yellow-hued and red surfaces of varying grain. These colour aspects have been highlighted and transferred to the exposed concrete of the new building by means of red and yellow additives. After striking, the lower section of concrete has been polished by hand by approximately 5mm. The section above has been bush-hammered. It is these processing methods which bring the aggregate to the facade surface and ensure the new building’s final appearance in keeping with the old existing structure.

(C)Rainer Gollmer Fotografie