迈阿密博物馆车库 | 五位设计师的创意之作_商业建筑_设计案例作品

发布时间：2018-07-02 04:12:00 {{ caseViews }} {{ caseCollects }}

设计亮点

将五位不同风格设计师的作品融合在一个建筑中，形成独特的现代建筑版本的精致尸体。

意象潜意识

架构师提供的文本描述。博物馆车库位于迈阿密设计区，是一个致力于创新艺术、设计和建筑的社区。以五位设计师的作品为特色，七层混合使用结构将以地下零售空间和800辆汽车的容量为特色。2015年，设计区开发商克雷格·罗宾斯(Craig Robins)委托建筑师兼策展人特伦斯·莱利(Terence Riley)为博物馆车库开发概念。威尔·梅耶尔。H，Clavel ArquArchtos，Nicolas Buffe与Riley自己的建筑公司K/R(Keenen/Riley)一起创建车库的立面。

Text description provided by the architects. The Museum Garage is located in the Miami Design District, a neighborhood dedicatedto innovative art, design and architecture. Featuring the work of five designers, the seven-story mixed-use structure will feature ground-floor retail spaces and capacity for 800 vehicles.For the project, In 2015, Design District developer Craig Robins, commissioned architect and curator Terence Riley to develop the concept for Museum Garage. WORKac, J. Mayer. H, Clavel Arquitectos, Nicolas Buffe were selected to create the garage’s facades, along with Riley’s own architectural firm K/R (Keenen/Riley).Exquisite Corpse.

意象潜意识

莱利把这些来自世界各地的设计师聚集在一起，从超现实主义的客厅游戏“精致的尸体”中汲取灵感。卡达维·埃克斯(Cadavre Exquis)在法语中被称为“卡达维·埃克斯”(Cadavre Exquis)，他收集了多位艺术家在不关心或不知道其他艺术家画了什么的情况下拼凑而成的图像，产生了一幅不一定匹配、但在莱利的指导下，每个参与的建筑师最终被分配了一个区域和深度来建造，并给予自由统治，以创造完全独立的设计。其结果是一个独特的现代建筑版本的精致尸体。

Bringing together these designers from around the world, Riley drew inspiration from the surrealist parlor game, Exquisite Corpse. Cadavre Exquis, as the game is known in French, involved a collection of images assembled by various artists with no regard or knowledge of what the other artists have drawn, producing one image whose components don’t necessarily match but flow together as one playful composition. Under Riley’s direction, each participating architect was eventually assigned an area and depth to build out and given free reign to create fully individual designs. The result is a unique modern, architectural version of the Exquisite Corpse.

Facade Plan

立面规划

位于设计区东北第一大道和东北四十一街拐角处的蚂蚁农场，纽约公司WORKAC的工作与总部位于柏林的J.MAYER.H.的工作相匹配。WORKac的façade-名为Ant农场-面向第一大道，庆祝社会互动、可持续性、艺术、音乐和景观。在以蚁群为灵感的人类活动展示中，小型化的公共空间-花园、借阅图书馆、艺术空间和游乐场-它们连接的循环空间出现并消失在提供视觉对比、阴影的穿孔金属屏幕后面，保护。由J.MAYER.H.J.MAYER.H的父亲̧ADE-名为XOX(拥抱和亲吻)-组成的巨大的连锁拼图，与WORKAC的façade的形式紧密相连。Xox沿41街从拐角处向西延伸。Xox的神秘造型，印有条纹和明亮的色彩，回忆起汽车设计的空气动力学形式，似乎漂浮在下面的人行道上。较小的体积，覆盖着金属屏幕向外突出，并在夜间被嵌入光激活。尼古拉斯·布瓦的严肃剧。

Ant Farm by WORKacAt the corner of NE 1st Avenue and NE 41st Street in the Design District, the work of the New York firm WORKac meets that of Berlin-based J.MAYER.H. WORKac’s façade - titled Ant Farm – faces 1st Avenue and celebrates social interaction, sustainability, art, music, and the landscape. In an ant colony-inspired display of human activity, miniaturized public spaces - a garden, a lending library, art space, and playground - and their connecting circulation spaces appear and disappear behind a perforated metal screen that provides visual contrast, shade, and protection.Hugs and Kisses by J.MAYER.H. J.MAYER.H’S façade – titled XOX (Hugs and Kisses) – appears as gigantic interlocking puzzle pieces that nestle at the cornerwith the forms of Workac’s façade. XOX then extends westward from the corner along 41st Street. XOX’s enigmatic forms, emblazoned with striping and bright colors, recall the aerodynamic forms of automotive design and appear to float above the sidewalk below. Smaller volumes, covered in metal screens project outward and are activated with embedded light at night. Serious Play by Nicolas Buffe.

意象潜意识

沿41街的下一个façade作为车库的入口和出口。这是尼古拉斯·布瓦(NicolasBuffe)的作品-一位居住在日本的法国艺术家-是用黑色穿孔金属背景建造的。FAÇADE以各种不同的2D和3D元素为特色，由激光切割金属和纤维树脂塑料制作而成。在街道层面，façade的特色是四个23英尺高的全三维卡通人站在车库拱形的入口和出口上。就像下面的卡通人物一样，上面的作品反映了布瓦小时候对电子游戏和日本动画的热爱。其结果是动画、托库萨图和漫画与布瓦的另一种激情-洛可可和巴洛克建筑-出乎意料地并置在一起。

The next façade along 41st Street serves as the entrance and exit of the garage. It is the work of Nicolas Buffe - a Frenchborn artist living in Japan - and is constructed with a dark perforated metal backdrop. The façade features a variety of diverse 2D and 3D elements crafted from laser- cut metals and fiber resin plastic. At street level, the façade’s features four 23-foot tall, full 3D caryatids standing astride the garage’s arched entrance and exits. Like the caryatids below, the composition above reflects Buffe’s childhood passion for video games and Japanese animation. The result is the unexpected juxtaposition of anime, tokusatsu, and manga with Buffe’s other passion – Rococo and Baroque architecture.

意象潜意识

克劳维尔·阿奎托斯的“城市果酱”。在尼古拉斯·布弗(Nicolas Buffe)的立面和K/R之间的空间里，西班牙公司Clavel ArquArchtos的“城市杰姆”(City Jam)借鉴了迈阿密设计区城市生活的重生-在那里，旧建筑和废弃空间被建筑和城市设计复兴了。城市杰姆建议，类似的“重新定位”的非常熟悉的元素，使用45重力违抗汽车车身的金属宝石和银。实际上，过去几年的风格获得了第二生命的勒克斯雕塑对象，捕捉到超现实的垂直交通堵塞。K/R最西边的路障位于41街，就在当代艺术学院的对面，是由纽约和迈阿密的K/R设计的路障，设计灵感来自迈阿密的汽车景观，尤其是无处不在的橙色和白色条纹的交通路障。在这种情况下，假屏障是转向右侧，形成一个明亮的彩色屏幕。FAÇADE有15个“窗户”，镜面不锈钢框架，混凝土播种机从人行道上方弹出。

Urban Jam by Clavel Arquitectos. In the space between Nicolas Buffe’sfacade and that of K/R, Spanish firm Clavel Arquitectos’s Urban Jam draws from the rebirth of urban life in the Miami Design District - where old structures and discarded spaces have been revived by architectural and urban designs. Urban Jam suggestsa similar “repurposing” of very familiar elements, using 45 gravity-defying car bodies rendered in metallic giold and silver. In effect, the styles of years past gain a second life as lux sculptural objects, caught in a surreal vertical traffic jam. Barricades by K/R. Furthest west on 41st Street, just opposite the Institute of Contemporary Art, is Barricades, designed by New York- and Miami-based K/R. The design is inspired by Miami’s automotive landscape; particularly it’s ubiquitous orange- and white-striped traffic barriers. In this case, the faux-barriers are turned right side up and form a brightly colored screen. The façade has fifteen “windows” framed in mirror stainless steel, through which concrete planters pop out above the sidewalk.

意象潜意识