设计布景与建造房子、办公室或酒店,甚至设计一个“永远”存在的物体是完全不同的。Nicolas Schuybroek的工作是实现永恒,展览的本质是有时间限制的,但从临时空间建立持久记忆的挑战令他兴奋。受Hullebusch(比利时及海外著名的天然石材品牌)的邀请来设计他们在2018年Interieur双年展上的展览是一个惊喜,因为他们不是主要供应商或通常的供应商。
Designing scenography is a very different exercise than building a house, office, or hotel, or even designing an object which is meant to last “forever.” He works to achieve the timeless, and exhibitions in their very nature are time bound, but the challenge of building lasting memories from temporary spaces was exciting to him. Being invited by Hullebusch (a well-known brand in Belgium and abroad renowned for their specialization in natural stone) to design their exhibition at the Biennale Interieur 2018 was a surprise, since they were not our principal or usual supplier.
Nicolas Schuybroek想要创造一个隐蔽的、沉思的建筑,与展览厅的其他部分隔开,让人们直接与石头接触。于是设计师想出了一个想法,创建一个矩形的盒子,有一个小开口,可以充满光线。一进入这个空间,人们就会进入一种完全不同的精神状态,在这种状态下,他们会失去所有的时间感。圆形空间的地板上使用了砾石,以减缓步伐,并营造出一种环境,让人们不得不坐下来享受安静,这是从外面嘈杂的展厅中获得的喘息之机。工作室创造了一个圆形的僻静空间,以向对他们的实践产生深远影响的两位艺术家致敬:James Turrell和Constantin Brâncuși 。
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