生态是给点花儿就灿烂，比如后海虽然很吵但是还是有候鸟栖居，比如编辑的房屋，顶楼墙壁走空调管的洞口较大，鸟儿就经过洞里，穿过室内墙面装修龙骨架的缝隙而跑到了宽敞的天花板吊顶空间中安家。当然，生态也是脆弱的，比如后海冬天的湖面要是不局部加热而形成小小的水池，就会全部变成冰面，想留在野鸭岛上过冬的候鸟就都得死；还比如编辑的房屋在那个空调洞口的位置因为加了一台空调而添了一条空调管，鸟儿就回不了家，只能眼巴巴的看着人类安装空调，在对面的屋檐着急的跳来跳去唧唧叫，一会儿功夫，住了长久的家便再也回不去。很多时候我们不需要给动物一个解释，就像三体中高维度的生物歼灭低纬度的生物那样不用给解释。但是我一直却觉得心不安，再看到这个大树下的鸟儿医院后，我觉得我应该在窗户外底部的栏杆上挂一个木头制的鸟窝补偿小鸟。小鸟一定会来的。

这座房屋，是人类给鸟儿安的一个家，功能是专用于当地受伤鸟类的康复。小小的鸟屋围绕大树建立，也被大树的绿荫庇护着。作为主材的木材源自树木，铁丝网透气通风引入光线。这是一座引申义以上的树屋，也是鸟儿能够安心修养的“医院”。

对自然心存敬畏，实现人与自然和谐，自然也必然会庇护我们。

“The commission is a small facility to provide rehabilitation for wounded or injured birds found in mountain areas surrounding the city of Monterrey, in order to procure care while they can be incorporated back into the nature.

We understood this challenge as an opportunity to design a different standard in this type of constructions -whose motive is caring for this kind of birds- through a simple strategy based on modulation and repetition of the same elements. We used a constructive structural section that by adding modules generates the required space for occupation, safe handling and feeding of the birds.

The project is a structure made of pine-wood frames that intersect in two directions forming a virtual volume, whose limit is defined by simply connecting them with a metal mesh. The house for eagles hugs a big tree that provides shade and heat protection to the birds. We visualized this structure as a sort of extension of the lower branches of this tree and an intervention where geometry and nature could establish a dialogue through the use of the same elemental material: wood”.

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