折纸和纸是两个不同时间不同空间的同一物件。将折纸和折纸展开后保留其折痕的纸用相机拍摄并叠加，创建一个联系过去与未来的可视化含义。三维的动物折纸是与外界关联的一种形式，然后再将人们的注意拉回后面的原始材料纸张以及上面的折痕。接着是照片中动物折纸与纸张褶皱的重合部分，这种重合模糊图像与物质本身的界线。

As in my previous self-referential works, my intention here is to create a piece where the image cannot be separated from its referent, thus creating a visual link between past and present. This concept naturally led me towards origami because of the reversible character of its folding process: each can be unfolded back to its initial two-dimensional square, and in so doing retain the physical marks of its creases.

In my series, the sheet of paper contains both the photographic and the material memories of its past origami form. Origami and paper are one and the same thing at two different times, in two different spaces and in two different shapes.

As for representing animals, a form associated with the outside world, it enables one to first direct the gaze towards the three-dimensional space of the picture. Then, once a mental connection is made with the medium, the attention is drawn back to the surface of the paper and to our own material space. The final piece is both a photograph and a sculptural object where folds in the picture blend with the real folds, thus blurring the line between image and matter.

Words By Marc Fichou

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