介隐建筑事务所（Zen-In Architects）受设计北京（DESIGN BEIJING）、PechaKuchaBeijing之邀与来自全球的6个国家的6组建筑师团队参与2019设计北京博览会 “设计予己Design for Ourselves”展览。

Invited by DESIGN BEIJING and PechaKuchaBeijing, Zen-in Architects participated in the special section named “Design for Ourselves” of Design Beijing 2019 with six other architects’ teams from six countries.

▼展览装置“墨瓦”正面图，front elevation of “Mova”

中国传统文化在当下被重新解读和定义之后，以一种新的面貌出现在我们生活中。基于这些现象和线索·，我们开始思考怎样将传统文化的精神内涵和表现形式融入现代生活、赋予时代属性，这是我们创作的起因。我们观察到传统工艺与材料的特点，例如蜡染，将颜色图案绘制于布料，陶器之上；丝绣，将图案赋予布料之上，形成现代服装的特点；青花，将颜色与图案绘制于陶土坯之上再经高温形成现代工艺品。因此我们选取了传统水墨技法和传统青瓦材料，融合形成这次展览的主题——墨瓦。使其既有水墨的自由、流动，又有瓦片静谧、坚固。

▼分析图，analysis

With a new form of traditional Chinese culture, being re-interpreted and re-defined, the integration of traditional intension and contemporary extension has been considered as design objectives. Meanwhile, the conventional technology and materials have been also referenced: batik – color drawings on fabrics and potteries; silk embroidering – patterns on fabrics; blue and white porcelain technique – patterns on pottery clay sintered in high-temperature. Therefore, “Mova” (ink tiles), traditional ink-painting techniques combining with traditional roof tiles, has been determined as the theme of this exhibition, displaying free and fluid as well as silent and solid.

▼设计选取了传统水墨技法和传统青瓦材料，融合形成这次展览的主题——墨瓦，“Mova” (ink tiles), traditional ink-painting techniques combining with traditional roof tiles, has been determined as the theme of this exhibition

这一系列共性让我们试图去尝试技法与材料的结合，本身墨瓦是在原有青瓦的基础上做了二次的艺术处理，而我们在处理的过程中尽可能的去避免人工的痕迹，希望能够最大限度的表达自然的过程、状态和结果。我们让墨汁以及其他颜色自由选择融合或者排斥，并让他们自由的在瓦片上绘制和流淌，因为颜色的相互叠加因此不同时间段呈现出来的墨瓦是不同的，有的是流线型图案、有的是点状的、也有的因为叠加次数过多，颜色相互融合已经难以分辨，就很像印象派的画，这些随机的效果让我们感到很惊喜。

With the integration of techniques and materials, “Mova” is a kind of aesthetic treatment based on grey tiles to express the process, status and result of nature by avoiding artificial processing shadows. Flowing freely on those tiles, the ink and other colors are superimposed on each other in various patterns such as streamline, point-like and some surprising impressionism.

▼设计师让墨汁以及其他颜色自由融合或者排斥，并在瓦片上自由地绘制和流淌，flowing freely on those tiles, the ink and other colors are superimposed on each other in various patterns

▼处理后瓦片的正面，front elevation of the processed tiles

▼处理后瓦片的背面，back elevation of the processed tiles

墨瓦六个面的图案是随机而连续的，呈现出山川、河流、丘陵的意向，这种有机自然、灵活多变的创作形式，拓展了瓦片本身的应用场景与功能特性。可以大量使用于建筑设计、室内装饰之中，也可以组合或者独立成为家具、器皿、艺术饰品、空间装置。这种新的呈现形式既有传统材料的熟悉感又有当代艺术的创新性。

Displaying an image of mountains, rivers and hills, patterns on six faces of “Mova” are random and continuous in an organic and flexible form to create a kind of situationality and functionality. With both tradition and innovation, “Mova” could be applied into architecture and interior design as well as furniture, utensils, art ornaments and space devices dependently or independently.

▼墨瓦六个面的图案是随机而连续的，呈现出山川、河流、丘陵的意向，“Mova” randomly and continuously displays an image of mountains, rivers, hills as well as other patterns on the six surfaces

同时我们也用了些亮色、对比色等希望通过现代艺术的手法将其呈现更多的效果。

Meanwhile, techniques of contemporary art are applied by bright colors, contrast colors, etc.

▼过程中的瓦片及亮色尝试， tiles in Process and test of bright colors in process

▼瓦片的细节和天空的对比，details and its contrast with the sky

本次展览作品被限定在一个1米×6米的空间内，我们借鉴传统屋面的搭建形式，形成连续折面造型，使其可以同时呈现不同面域和角度。通过墨瓦颜色之间的分类排布、组合过渡、渗透对比，试图从整体的视觉感知上寻找一种多层次的统一感。墨瓦是我们对于传统技艺的一次更新实践，希望能够以一种时代特性和方式将传统传承。

With different faces and angles, a form in continuous fold surfaces has been build up referenced by traditional Chinese roofs in a limited exhibition space of 1m × 6m. Seeking for a sense of unified layers, “Mova” is a kind of innovation by practicing in the classification, combination and contrast of ink and colors.

▼瓦片的细节，tiles details

▼展览装置细节图，details of “Mova” on exhibition

▼墙面展示细节，display details on the wall

▼形体演变，formation

▼平面图，plan

▼立面图，elevation