Bloomberg has revealed the fifth series of 'Waste Not Want It', a collection of new commissioned works made out of the company's waste and recreated into usable products such as lighting, decorative wall screens and seating areas. Pictured: Cloud, by Soft Baroque, 2016

彭博社公布了其第五系列“废物不想要它”，这是一批与艺术公司联合制作的新作品，几乎完全是从彭博的垃圾中提炼出来的。

今年，参与的设计师包括Astrid Krogh、Laatetia de Allegri和Matteo Fogale、Kim Thomé、Lara Bohinc、软巴洛克、Stuart Haygarth和Tom Price，设计了九种不同的装置。这些零件由所有回收材料制成，包括照明、装饰墙板、座椅和供彭博伦敦员工日常使用的会议场所。

今年的挑战-利用两千米的电缆挠曲、152个键盘、160张全息屏幕、250个打印机墨盒和33个废弃的木托盘-为欧洲最具活力的设计师提供了一个平台。创建于2010年，它还旨在探索创新的想法，回收，可持续性和功能设计，因为每个设计师以不同的方式回应的潜力和能力的材料。彭博(Bloomberg)英国慈善项目经理杰玛·里德(JimaRead)说，该项目为37名艺术家和设计师提供了一个平台，让他们重新定义我们与废物的关系，为伦敦办事处创造了40多个职能和创新委员会。

今年的一些作品包括通过设计合作伙伴latitiadeAllegri和MatteoFoale重新连接，他们使用剥离的电缆和木制托盘的一部分来生产桌子和座位，以及StuartHaygarth右舷，他们用LED灯挖掘和照亮了76个回收键盘面板，

“废物不想要”的工程将於九月二十四日伦敦设计节期间向公众开放，在原地停留十八个月。

The challenge serves not only to bring new life to discarded materials, but also acts as a platform for Europe's most dynamic designers to explore innovative ideas about recycling, sustainability and functional design. Pictured: Saturn, by Lara Bohinc, 2016

To date, 'Waste Not Want It' has produced over 40 functional, innovative pieces; past works have gone on to be re-housed across Bloomberg's international offices, loaned to exhibitions and re-worked as production objects. Pictured: Layers of Ambiguity, by Astrid Krogh, 2016

Design partnership Laetitia de Allegri and Matteo Fogale, inspired by traditonal caning techniques, created a set of table and chairs from discarded wooden pallets and 1800m of stripped cables. Pictured: Re-Connect, by Laetitia de Allegri and Matteo Fogale, 2016

With each designer responding to the materials' capabilities and potential in different ways, it allows them to help redefine the relationship with waste. Here, Kim Thomé creates the composite material jesmonite from wasted toner ink powder, then fashioning solid geometric seat surfaces. Pictured: Hues, by Kim Thomé

Stuart Haygarth, like Lara Bohinc, excavated computer screens and keyboards to create his work. Using a series of LED lights, he repurposed the perforations in 76 keyboard panels to transform them into a galaxy in the furniture. Pictured: Starboard, by Stuart Haygarth, 2016

London designer Tom Price took a chemical approach, using a reaction between resins, tar and residual toner ink powder to produce two works that are lit from beneath. Pictured: Synthesis Bench, by Tom Price, 2016

keywords:London Design Festival, London design

关键词：伦敦设计节，伦敦设计