奇马克之家 | 新英格兰风格的多代家庭住宅_家装空间_设计案例作品

发布时间：2017-05-14 21:00:00 {{ caseViews }} {{ caseCollects }}

设计亮点

将新英格兰农场建筑风格与现代生活需求相结合，创造出一个充满活力的室外空间和宜人的居住环境。

(David Sundberg/Esto)

架构师提供的文本描述。奇马克在玛莎葡萄园南边的长期农业历史为这个多代家庭的房子和工作室的设计方法提供了基础。这片曾经是绵羊牧场的地方，俯瞰着奇尔马克池塘，可以看到大西洋的长景，还有一系列奇尔马克巨大、蜿蜒的石墙。为了尊重这片土地的历史，以及塑造该地区建筑遗产的简单新英格兰形式，我们把这座房子和工作室发展成一对谷仓，有着低沉的屋顶，静静地坐落在风景中。两座建筑形成了一系列的庭院和室外空间，具有不同程度的隐私和景观。作为对新英格兰银行谷仓的赞许，这座长长的谷仓被设置在山坡上，从北部逐渐缩小了规模，并从上、下两层建立了与外界的直接联系。

Text description provided by the architects. Chilmark’s long agrarian history on the windswept southern edge of Martha’s Vineyard underpins the design approach to this house and studio for a multi-generational family. The site, a former sheep grazing field, overlooks Chilmark pond, with long views to the Atlantic, and is edged by a series of Chilmark’s massive, meandering stone fences. In deference to the field’s history, and to the simple New England forms that shape the area’s architectural heritage, we developed the house and studio as a pair of barns with low pitched roofs that sit quietly in the landscape. Two buildings form a series of courtyards and outdoor spaces, with varying degrees of privacy and views. In a nod to New England’s bank barns, the long barn is set into the hillside, diminishing its scale from the north and creating direct connections to the outside from both upper and lower levels.

(David Sundberg/Esto)

这个设计过程的核心是一种指导和不断发展的协作。五年前，艾伦·奥甘斯基(AlanOrganschi)接见了他的学生艾伦·席勒(Aaron Schiller)，他曾在耶鲁大学第一年的建筑项目中亚伦请格雷·奥甘斯基分享公司在房屋设计方面的长期经验，并在这个项目上进行合作。亚伦的家人在奇尔马克呆了几十年，已经超过了他们所钟爱的A型建筑，他带领家人寻找一片新的土地，可以容纳一个家庭聚居地，经过多年的搜寻，他找到了这片稀有的土地。

At the heart of this design process lies a mentorship and evolving collaboration. Five years ago, Alan Organschi was approached by his student, Aaron Schiller, whom he had taught during Yale’s first year building project. Aaron asked Gray Organschi to share the firm’s long experience with house design and to work collaboratively on the project. Aaron, whose family had spent decades in Chilmark and had outgrown their beloved A-frame, led the family quest for a new piece of land that would accommodate a family compound and, after years of searching, he found this rare piece of land.

(David Sundberg/Esto)

Lower Level Plan

低级计划

(David Sundberg/Esto)

Upper Level Plan

高层规划

(David Sundberg/Esto)

这些简单而黑暗的建筑是通过一条农场道路靠近的，这条路蜿蜒穿过奇尔马克茂密的灌木丛。一条宽阔的楼梯连接着一个大的朝南的门廊，回到农场的道路上，并为穿过田野的行人提供了通往更远的海滩的通道。基于对新英格兰农场建筑群密集聚集的共同热爱，我们把工作室和房屋谷仓紧紧地放在一起，在它们之间创造了一个充满活力的室外空间，这提供了通往房屋入口处的途径。只有在游客进入屋内后才能欣赏到大西洋的壮丽景色；西北入口的庭院由一堵静默的、烧焦的雪松墙和栅栏组成，形成了一个私人庭院，向西俯瞰滚滚的田野和石墙。在黑暗的建筑里，漂白的灰烬线覆盖着所有的表面。公共房间的天花板升到了高高的山脊上，空空如也的地方在屋顶上创造了一个儿童睡觉的阁楼。在较低的层创造了一系列的卧室与共享的空间之间，可以看到轻井，美化当地的岩石和苔藓。

The simple, dark buildings are approached via a farm road that winds through Chilmark’s dense thicket of scrub oak. A broad stair links a large south-facing porch back to the farm road and provides pedestrian access through the field to the beaches beyond. Based in a shared love of the dense aggregation of New England’s farm complexes, we sited the studio and the house barns tightly together, creating a charged outdoor space between them, which provides the approach to the house’s entrance. The sweeping Atlantic views are only experienced after a visitor enters the house; the northwest entry courtyard is edged by a mute, charred cedar wall with screened apertures, creating a private courtyard with views west over the rolling fields and stone fences. Inside the dark buildings, bleached ash lines all surfaces. The ceilings in the public rooms lift to the high ridges, with dropped areas to create a children’s sleeping loft high in the roof. The lower level creates a series of bedrooms with shared spaces between that look into light wells, landscaped with local rocks and moss.

(David Sundberg/Esto)