Interior Designers:AFFD

Area :210 m²

Year :2020

Photographs :Yunfeng Shi

Construction :Zhanyi Decoration Group

Architect In Charge : Steve Gao

Design Team : Ruirui Li, Deli Chen, Xingyi Peng, Hao Chen

City : Shenzhen

Country : China

The complex in which TEA-Z sits never lacks trendy elements, the issue the designer has to deal with is allowing tea drinkers to have some quiet and relaxing time at TEA-Z without feeling they are out of style. The truth is the younger generation in China are finding their own likes with great confidence when it comes to the pursuit of aesthetics and the quality of life rather than blindly chasing the fuss and mimicking. The renaissance of an elegant eastern lifestyle and the tea culture becomes an expected new trend. The Chinese have enjoyed a long history of drinking tea, but the way of doing it requires some new thoughts to match the lifestyle these days.

The space is divided into four parts, including a front lobby for having a taste of the tea, a bar counter, a storage room and a display area for purchasing. The storage room, apart from its basic function, is used to narrow the space in the middle part of the room, giving the customers a differentiated view as they walk through the tea house.

Instead of the traditional way to decorate a tea house, an installation of multiple strips hand weaved in bamboo is used to cover the roof and to further extend to part of the walls. The design was inspired by the fluid movement of a fisherman who is casting the net. The color of the bamboo strikes a perfect balance with the black, white and grey in the space, which are the colors often used in traditional Chinese brush painting. People can enjoy their tea and refreshments in this winding space while appreciating the installation. The handmade craft reminds people of an image of a fisherman casting his net with full strength and the curve falls naturally on the surface of the water, solid and smooth, with a touch of rawness. The lightness in the tone of the material best speaks to the casual and unbridled curves, adding to the space some poetic and comforting elements.

The light-colored textures on the wall drew its inspirations from the cracks in Chinese ceramics, the lines were drawn in the same proportion as the cracks and painted on the wall by hand. Cracking is the most common method for firing Chinese ceramics, and as the container for tea, the categories, procedures, colors and glaze of a pottery always has an influence on the fragrance and the taste of tea. Therefore, the walls exist as an indispensable element in the room to match the design of the space.

Friendly soft lightings are used in the house to avoid the aggressiveness of harsh lights and they are designed separately for different areas. The lamps that resemble a drop of water are covered in mercury coatings so that people do not get glaring stares even when they look the lamps directly, and they are like raindrops falling into the space. The room is immersed in the pleasant lights coming from the thoughtfully placed lamps, and people entering into the space begin to speak in a softer tone and unload their anxieties without even noticing it.

There are no interferences or blocks in the room and the arrangement of seats reminds people of a spacious café, which is an intentional move by the designer. “We hope that customers are able see each other and this tea house should be a place for people to connect,” Gao said.  The curving bamboo installation makes the space boundaryless and forms a link between the roof and the walls, creating an open and free atmosphere.

The design creates a specific emotion for the space through the use of colors, materials, lightings and sounds, it is a philosophy that Gao has been practicing along the way. The color combination, the soft lightings and the fluidity in the space brings a unique temperament to TEA-Z that is unconstrained, quiet, unhurried and open. This is what the owner has hoped for this new type of tea house and for how the visitors feel when they walk into the shop. Gao, as the chief designer, has proved once again the psychological influence the theory of space emotions has upon interior designs.

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