已道之文化本真，忠于传统、遵循原味。作为潮州菜系的明珠之选，注重人文与地道纯粹的美食体验，也为空间提出了别具一格的风格定义。

于现代空间中提炼人文寓意与精神；再以细腻的东方思考将美学揉入空间，营造人文与美学的氛围体验。

pearl of Chaozhou cuisine, it pays attention to humanities and authentic pure food experience, and also puts forward a unique style definition for the space.Refining huxmanistic implication and spirit in modern space;then mixing aesthetics into space with delicate oriental thinking to create a humanistic and aesthetic atmosphere experience.

开篇，入口便以“弧”的形态展于眼前，如浪潮推开，奔涌而来。直抒胸臆，空间形态初现端倪。听潮声，观岸色，一抹娇红缀于海青色间，流动的意向引导视觉空间的感受。

In the beginning, the entrance will be displayed in the form of "arc" in front of the eyes, such as the wave pushed away, rushing to come. Open the mind, the spatial shape of the beginning. Listening to the tide, watching the shore color, a touch of delicate red in the sea blue between, the flow of intention to guide the feeling of visual space.

浪潮的堆叠形态由空间的走向变得愈加强烈，层层叠叠，大小形态不一的错落穿插，搭配波光粼粼的金属材质，来构建空间形态的主基调，营造空间中的节奏体验感。由流畅的动线造型引导，步入散台区域 ，矩形空间以流动的意向为潮汐眼，形态在功能中趋于变化，于日常的就餐模式和开展活动时的品鉴会模式随需求变换，在中和的形制追求中寻找变化与统一。

The stacking form of waves becomes more and more intense from the trend of space, with layers of overlapping, different sizes and shapes interspersed, with the metal material of waves and light, to build the main tone of space form and create a sense of rhythm experience in space. Guided by the smooth moving line shape, stepping into the scattered table area, the normal rectangular space takes the flowing intention as the tidal eye, and tends to change in form and function, which is used for the daily dining mode and the tasting mode of activities to change according to demand, seeking change and unity in the pursuit of neutral form.

浪潮推开海面，空间中的功能主体逐个呈现。高阔的空间，与青白的清水混凝土，结合闽南民居的屋顶制式，营造出地方特色的空间体验。下沉的吊顶突出空间中的仪式感，在形态与意向中重置空间的内外关系，海阔凭鱼跃，天高任鸟飞。包厢中地面与天花的材质与形式采撷于潮州文化中对于石材和木制形式的运用，忠于传统、遵循原味，没有过多的程式，以单纯的色调和结构融于空间。

The wave pushes the sea, and the functional subjects in the space are presented one by one. The high and wide space, green and white plain concrete, combined with the roof system of folk houses in southern Fujian, creates a space experience with local characteristics. The sunken ceiling highlights the sense of ceremony in the space, resets the relationship between the inside and outside of the space in the form and intention, the sea is wide and the sky is high. The material and form of the floor and ceiling in the box are selected from the use of stone and wooden forms in Chaozhou culture, loyal to tradition, following the original taste, without too much program, and integrating into the space with simple tone and structure.

临岸观潮，空间以弧形的露台收尾，回溯来时路径，阅尽千帆，在广阔天地间寻一番新的美景，落地玻璃与纯白色的薄纱送来海岸的一缕清凉，在宁静，雅致中传递精神的追逐，捕捉住东方的诗意心境。

Looking at the tide on the shore, the space ends with a curved terrace, tracing back to the path of the past, admiring thousands of sails, and seeking a new beautiful scenery in the vast world. Ground glass and pure white gauze bring a ray of coolness to the coast, conveying spiritual pursuit in tranquility and elegance, capturing the poetic mood of the East.

基于潮州地方特色，建筑的色调偏灰浊。在整个空间中以深色构建整体基调，尤其擅用青色、灰色与红色。铺展大片青色，将潮州民居中的特色空间印象根植于此，目之所及，犹如身心蕴于山海之间。

Looking at the tide on the shore, the space ends with the curved terrace. Looking back on the path, you can read thousands of sails and find some new beauty between the vast world and earth. Floor-to-floor glass and pure white tulle bring a ray of cool coast, transfer the pursuit of spirit in the quiet and elegant, and capture the poetic mood of the East.

而对于檐下，屋脊等重点部位，设计团队尤其加强其装饰性，用朱红、青灰辅以细腻的灯带，重线条分割而纤细秀丽，取江南温润记忆融于潮汕的山海风味之中，传达出独属于虹潮荟的别样东方意境。

For the eaves, roof ridge and other key parts, the design team especially strengthened its decoration, with vermillion, gray supplemented by delicate light belt, heavy line segmentation and slender beauty, take the warm memory of Jiangnan into the Chaoshan mountain and sea flavor, convey a unique Oriental artistic conception.

在质朴的“山海”中，干净柔和的处理手法，赋予空间以细节和质感。对于包间的述说，设计团队简化了传统民居中构架的繁重设计，转而用一种温和直叙的设计语言成就了沉稳宁静的氛围，不同深浅的青色，原漆木雕，墙面的清雅肌理，渲染朴素之美，品至味清欢。

In the rustic "mountains and seas", the clean and soft handling techniques give the space details and texture. As for the private rooms, the design team simplified the heavy design of the traditional residential structures, and instead used a gentle and straightforward design language to achieve a calm and quiet atmosphere. Different shades of blue, original lacquer wood carving, and elegant texture of the walls render the simple beauty and taste happy.

古朴浑厚的餐桌，宋制的衣帽挂与茶几座椅搭配当代餐具，古朴典雅的艺术和明丽的色调给予了空间新的解读，一种与身俱来的东方美学扑面而来，生发出空间中的张力与生机。而点缀于不同包间的装饰画，时而述说着明丽的江南风情，时而传达着潮汕文化中的山海情怀，于变幻莫测的时间浪潮中表达造物之美，细微细节中延伸东方意蕴。

The simple and thick dining table, the Song Dynasty clothes and hats hanging and the coffee table seats with contemporary tableware, the simple and elegant art and bright colors give a new interpretation of the space, a kind of Oriental aesthetics with the body comes to the face, generating tension and vitality in the space. The decorative paintings dotted in different private rooms sometimes describe the bright Jiangnan style, sometimes convey the mountain and sea feelings of Chaoshan culture, express the beauty of creation in the unpredictable tide of time, and extend the Oriental connotation in the fine details.

LDH DESIGN根植于传统，提取两地文化中的精粹表达，在传统的东方形制中解构文化与色彩，用古朴优雅传统意境结合当代的空间语言勾勒出独属于“虹 · 潮 · 荟 ”的文化符号，突出品牌的东方基因，构建出都市语境中的空间符号。

LDH DESIGN is rooted in the tradition, extracts the essence of the two cultures, deconstructs the culture and color in the traditional Oriental shape and system, uses the simple and elegant traditional artistic conception combined with the contemporary spatial language to outline the unique cultural symbol belonging to "rainbow, tide and icon", highlights the Oriental gene of the brand, and constructs the spatial symbol in the urban context.