Wes Anderson电影的开场场景为洛杉矶这家bottle店的室内设计提供了一个起点，该店由当地的Paul Chan工作室设计。Boisson在洛杉矶的第一家店将中世纪好莱坞设计和艺术装饰的元素结合起来，在一个1160平方英尺，即108平方米的空间里展示了一系列非酒精类饮料。

The opening scene from a Wes Anderson film provided a starting point for the interior of this bottle shop in Los Angeles, by locally based Studio Paul Chan.The first LA location for Boisson combines elements of mid-century Hollywood design and art deco in a 1,160-square-foot (108-square-metre) space to showcase a selection of non-alcoholic beverages.

工作室安装了胡桃木染色的木质墙板，中间均匀地间隔着 "平静的 "尘土绿石灰水区域。这些材料与薄薄的不锈钢架子形成对比，产品就陈列在这两面墙上。一张狭长的木桌贯穿整个空间的中心，创造了另一个展示瓶子的位置，并在下面以开放式架子的形式增加了存储空间。

The studio installed walnut-stained wooden wall panelling with areas of "calming" dusty green lime wash spaced evenly in between.These materials are contrasted by thin stainless steel shelves upon which the products are displayed along both side walls.A long narrow wooden table runs through the centre of the space, creating another spot for presenting the bottles on top, and adding storage in the form of open racks below.

在后面，发光的玻璃砖被堆放在钢结构内，形成一个弯曲的柜台，上面放置着意大利建筑师Gae Aulenti设计的曲线型Pipistrello台灯。与玻璃砖形状相呼应的壁灯被安置在墙壁上，共同在空间内创造出一种温暖的氛围。

At the back, illuminated glass bricks are stacked within a steel structure to form a curved counter, upon which a curvaceous Pipistrello Table Lamp by Italian architect Gae Aulenti is placed.Sconces that echo the shapes of the glass blocks are positioned on the walls, together creating a warm glow within the space.

Interiors:Studio Paul Chan

Photos:YeRinMok