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设计亮点
将 1930 年代艺术装饰风格与当代设计元素巧妙结合,形成独特的视觉效果。

© Shamanth Patil

萨曼斯·帕蒂尔

建筑师提供的文字说明。这家酒吧、餐厅和夜生活场所的名称,位于英皇道的标志性的印度高速大厦中,它的名称是街道号码和地址的PIN码;皇后大道1号,Bangore1。这座建筑最初是以1930年代的艺术装饰风格设计的,作为建筑师,我们希望通过将一个突出的拱形柱廊集成到街道层面上的现有建筑中,来进一步塑造建筑的装饰特性。在一个深的红色-氧化物颜色中绘制的殖民时期回忆了在同一辖区的卡纳塔卡高等法院的视觉语言。

Text description provided by the architects. Located in the Landmark Indian Express Building on Queens Road in Bangalore, the name of this Bar, Restaurant and nightlife venue is derived from the Road number and pin code of its address; No.1 Queens Road, Bangalore 1. The building was originally designed in a 1930’s Art Deco Style and as Architects we wanted to further the Deco character of the building by integrating a prominent arched colonnade into the existing fenestrations on the street level. The Colonnade, painted in a deep red-oxide color recalls the visual language of the High court of Karnataka in the same precinct.

Text description provided by the architects. Located in the Landmark Indian Express Building on Queens Road in Bangalore, the name of this Bar, Restaurant and nightlife venue is derived from the Road number and pin code of its address; No.1 Queens Road, Bangalore 1. The building was originally designed in a 1930’s Art Deco Style and as Architects we wanted to further the Deco character of the building by integrating a prominent arched colonnade into the existing fenestrations on the street level. The Colonnade, painted in a deep red-oxide color recalls the visual language of the High court of Karnataka in the same precinct.

© Shamanth Patil

萨曼斯·帕蒂尔

随之而来的设计移动是一个想象中的当代诠释,它与语境的影响混合在一起。该空间的20英尺高天花板用一系列重复的拱形拱处理并以红色-氧化物饰面呈现。用绿色氧化物颜料在波纹水泥中浇铸口音墙。地板设计采用局部灰色Sadhalli花岗岩和黑色Cuudpah石材的大胆且交替的冲击线性图案来创建。柱子用软钢包裹,然后上漆。

The design moves that ensued were an imagined contemporary interpretation of a grand bye-gone era mixed with contextual influences. The 20ft high ceilings of the space were treated with a series of repetitive vaulted arches and rendered in a red-oxide finish. Accent walls were cast in corrugated cement with a green oxide pigment. The flooring design was created with a bold and alternating striking linear pattern of local grey sadharhalli granite and black cuduppah stone. Columns were clad in sheets of Mild steel and then lacquered.

The design moves that ensued were an imagined contemporary interpretation of a grand bye-gone era mixed with contextual influences. The 20ft high ceilings of the space were treated with a series of repetitive vaulted arches and rendered in a red-oxide finish. Accent walls were cast in corrugated cement with a green oxide pigment. The flooring design was created with a bold and alternating striking linear pattern of local grey sadharhalli granite and black cuduppah stone. Columns were clad in sheets of Mild steel and then lacquered.

© Shamanth Patil

萨曼斯·帕蒂尔

Ground floor plan

© Shamanth Patil

萨曼斯·帕蒂尔

空间流动是通过一个硬景观入口庭院,满是棕榈树。入口处有两个对称的弯曲世纪中叶木材和黄铜屏风,创造了一个亲密的入口门厅。两边都有两个餐厅座位。垂直于入口和门厅轴线的是一个直线的海湾,一端是一个大岛酒吧,另一端是一个现场音乐表演的舞台。之间的空间是间接性的高座位的地面水平和低矮的休息室座位在一个凸起的木制平台。

The spatial flow is via a hardscaped entrance courtyard peppered with palm trees. On entry are two symmetrical curved mid-century timber and brass screens that create an intimate entrance foyer. On either side are two bays of restaurant seating. Perpendicular to the axis of the entry and foyer is a linear bay with a large Island bar on one end and a stage for live music performances on the other. The space between is interspersed with high seating on the ground level and low lounge seating on a raised wooden platform.

The spatial flow is via a hardscaped entrance courtyard peppered with palm trees. On entry are two symmetrical curved mid-century timber and brass screens that create an intimate entrance foyer. On either side are two bays of restaurant seating. Perpendicular to the axis of the entry and foyer is a linear bay with a large Island bar on one end and a stage for live music performances on the other. The space between is interspersed with high seating on the ground level and low lounge seating on a raised wooden platform.

© Shamanth Patil

萨曼斯·帕蒂尔

我们引入室内空间的一个独特的特征是一系列高耸的独立水泥拱门。这些拱门位于现有网格之间,在加强拱顶和拱形词汇的同时,在空间中创造视觉运动和流动性。拱门内集成了LED灯,捕捉并限定了所包含的能量。

A distinctive feature that we introduced into the interior space was a series of lofty freestanding cement arches. These arches, positioned between the existing grids, create visual movement and fluidity in the space while reinforcing its vault and arch vocabulary. The arches have LED light integrated within them, capturing and framing the energy encompassed within.

A distinctive feature that we introduced into the interior space was a series of lofty freestanding cement arches. These arches, positioned between the existing grids, create visual movement and fluidity in the space while reinforcing its vault and arch vocabulary. The arches have LED light integrated within them, capturing and framing the energy encompassed within.

© Shamanth Patil

萨曼斯·帕蒂尔

空间中的其他亮点是我们在入口和酒吧柜台上创建的令人印象深刻的定制吊灯。枝形吊灯的灵感来源于结果子的树枝,是用软钢管手工制作的,两端用琥珀色树脂制成。每块餐厅墙壁上的大折叠式艺术品都让人想起了艺术装饰时代的锯齿状和拉古拉图案的影响。附加装饰灵感线灯烤饼是由我们设计的黄铜和凹槽玻璃,以强调垂直的内部。

Other highlights in the space are the imposing custom designed chandeliers that we created in the entrance as well as over the bar counter. The chandeliers were inspired by the branches of trees bearing fruit and are hand crafted with Mild steel pipes with ends fabricated in rings of amber coloured resin. Large frieze artworks on each of the restaurant walls recall the zigzag and ziggurat pattern influences of the Art Deco era. Additional Deco inspired linear light scones were designed by us in brass and fluted glass to emphasize the verticality of the interior.

Other highlights in the space are the imposing custom designed chandeliers that we created in the entrance as well as over the bar counter. The chandeliers were inspired by the branches of trees bearing fruit and are hand crafted with Mild steel pipes with ends fabricated in rings of amber coloured resin. Large frieze artworks on each of the restaurant walls recall the zigzag and ziggurat pattern influences of the Art Deco era. Additional Deco inspired linear light scones were designed by us in brass and fluted glass to emphasize the verticality of the interior.

© Shamanth Patil

萨曼斯·帕蒂尔

家具是固定的摊位风格的座位,低和高餐厅桌子和低沙发的懒散。深红色、孔雀绿色、蓝色和橄榄色的配色方案补充了贝壳的绿色和红色氧化物。空间中的各种元素构成了令人头晕目眩的影响组合。德科启发的内部,日本和秘鲁影响的食物,折衷鸡尾酒和现场音乐跨越不同的流派创造了一种独特的氛围。一种能够在白天从光线充足、随意的餐厅转变为一种强大的、高能量的夜间体验的人。

The furniture is a mix of fixed booth style seating, low and high restaurant tables and low sofas for lounging. The colour scheme of a deep red, peacock green, blue and olive complement the green and red oxides of the shell. The various elements within the space make for a heady cocktail of influences. Deco inspired interiors, Japanese and Peruvian influenced food, eclectic cocktails and live music spanning different genres create a unique vibe. One that has the ability to transform from a light filled and casual eatery during the day to a potent, high-energy experience at night.

The furniture is a mix of fixed booth style seating, low and high restaurant tables and low sofas for lounging. The colour scheme of a deep red, peacock green, blue and olive complement the green and red oxides of the shell. The various elements within the space make for a heady cocktail of influences. Deco inspired interiors, Japanese and Peruvian influenced food, eclectic cocktails and live music spanning different genres create a unique vibe. One that has the ability to transform from a light filled and casual eatery during the day to a potent, high-energy experience at night.

© Shamanth Patil

萨曼斯·帕蒂尔

Architects Khosla Associates

Location Bengaluru, Karnataka, India

Lead Architects Sandeep Khosla, Amaresh Anand

Design Team Anusha Y.S (Team Lead), Divya Devatha, Tulsi Phadke

Area 8000.0 ft2

Project Year 2017

Photographs Shamanth Patil

Category Bar

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1Q1 Kitchen and Bar | 融合装饰艺术风格的现代餐厅设计
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