瑞士农村石屋的现代诠释_住宅建筑_设计案例作品

发布时间：2017-08-04 22:12:00 {{ caseViews }} {{ caseCollects }}

设计亮点

传统与现代元素和谐共生，尊重历史记忆的同时满足现代生活需求。

亚历山大·兹维格

架构师提供的文本描述。这座建筑是一个具有普遍意义的小建筑，它在一个地方的DNA和它的未来之间建立了一种关系，代表着对一个地方的历史价值的当代诠释。

Text description provided by the architects. This building is a small construction that takes on a universal meaning; creating a relationship between the DNA of a place and its future and represents a contemporary interpretation of the historical values of a place.

亚历山大·兹维格

项目地点位于瑞士讲意大利语的Preonzo村历史中心以北的农村极限的城市扩展区。这丰富的阿尔卑斯山的环境是点缀着传统的石料卷，那里的动物曾经居住在底层，家庭生活在上面，证明了这个曾经的农业社区的历史。我们最初的建筑就是其中之一。认识到保存历史记忆的重要性，该设计保留了这个原始的适度的体积(现在的全部高度客厅)，并尊重其规模。由于客户需要更大的可居住空间，因此增加了两本新的卷，它们在性质和规模方面与现有的书进行对话，创造了一种新的平衡，产生于历史背景，但以当代语言进行解释。

The project site lies in the area of urban expansion at the limit of the countryside, north of the historical centre of the village of Preonzo in the Italian speaking part of Switzerland. This rich Alpine context is dotted by traditional stone volumes, where animals were once housed on the ground floor and families lived above and are testament to the history of this once farming community. Our original building was one of these vernacular volumes. Recognising the significance of preserving the historical memory, the design retains this original modest volume (now the full height living room) and respects its scale. The client's need for a larger habitable space resulted in the addition of two new volumes that work in dialogue with the existing in terms of their character and scale, creating a new equilibrium generated from the historical context but interpreted with a contemporary language.

亚历山大·兹维格

倾斜面的屋顶游戏，作为三个传统屋顶的系列出现，成为超现实主义的景观。倾斜的区域突然从视野中消失，直到你进入内部，你才对空间有一个清晰的感知。屋顶的重要性是通过一种意想不到的感觉的简单快乐来强调的。

The roofline game of inclined planes that appear as a series of three traditional roofs, becomes a surrealist landscape. The inclined areas suddenly disappear from view and one does not have a clear perception of the space until one enters inside. The importance of the roof is underlined through the simple pleasure of an unexpected perception.

亚历山大·兹维格

建筑中使用的材料强调了这种关系。这些旧建筑完全是用石头建造的，而且体积很小。新的建筑通过外观和内部表面的均匀光洁度来反映这种紧密性。

The materials used in the construction emphasise this relationship. The old buildings were built completely in stone and appear as compact volumes. The new buildings mirror this compactness by an homogenous finish on the exterior and interior surfaces.

亚历山大·兹维格

房子东边的洞口是下面铺在地上的花坛的倒影。这三卷书所创造的空间对正面产生了积极的负面影响；一种是投射出来的，另一种是雕刻出来的，以天空为屋顶。

The openings on the East of the house are the reflection of the flower beds laid out on the ground below. The spaces made by the three volumes create a positive-negative effect on the facade; one projected, one carved out, with the sky as roof.

Level +2.74

水平，水准 2.74

每个空间都被精确地绘制出来，但很容易进入下一个空间，产生了膨胀/压缩的动态效果。在各个层次上的开放提供了不同的美丽景观在周围的景观。从同样的空间里，你可以看到农田，一座古老的修道院，远处的低矮山脉和瑞士阿尔卑斯山的特色山峰。

Every space has been precisely drawn but flows easily into the next, creating a dynamic effect of dilation/compression. The openings on the various levels offer diverse beautiful views out across the surrounding landscape. From the same space, one can see the agricultural fields, an ancient monastery, low mountains in the distance and the characteristic peaks of the Swiss Alps.

亚历山大·兹维格