Courtesy of Pezo von Ellrichshausen
佩佐·冯·埃尔里希肖森(Pezo Von Ellrichshausen)
架构师提供的文本描述。这是一个没有屋顶的临时地物室，巨大但几乎非物质的柱子几乎无法向天空和周围的环境开放。
Text description provided by the architects. This is a temporary hypostyle room without a roof, with massive but almost immaterial columns barely open to the sky and to the immediate surroundings.
Paint 01. Image Courtesy of Pezo von Ellrichshausen
油漆01。Ellrichshausen的形象礼貌
空空如也的石砌广场的视觉和功能连续性，甚至与中世纪教堂的正面排列，都受到常规开放网格的大小和配置的挑战。
The visual and functional continuity of the empty stone paved square, even the frontal alignment to the medieval church, is challenged by the size and disposition of a regular open grid.
Courtesy of Pezo von Ellrichshausen
佩佐·冯·埃尔里希肖森(Pezo Von Ellrichshausen)
通过对土地艺术和操作艺术的模糊区分，由16列组成的单调系统正在激活一个历史上受限的公共空间的多个视角。
By means of a vague distinction between land-art and op-art, the monotonous system of sixteen columns is activating multiple perspectives of a historically confined public space.
Courtesy of Pezo von Ellrichshausen
佩佐·冯·埃尔里希肖森(Pezo Von Ellrichshausen)
每根柱子直径2米，高度6米，实际上是一个可居住的房间，只有一个入口指向不同的方向。微妙的约束被形状和地面之间摆动的矩形切口的纹理所稀释。
With two meters in diameter and six meters in height, every column is in fact an inhabitable room with a single entrance pointed to a different direction. The subtle confinement is diluted by a texture of rectangular cuts that oscillate between figure and ground.
闪烁的灯光和阴影的无声振动，再加上网格的冷漠，被瑞士艺术家费利斯·瓦里尼在空中描绘的三个微妙的动机所改变，这些动机只能被精确的消失点所看到。
The silent vibration of glimmering lights and shadows, together with the very indifference of the grid, is altered by three delicate motives drawn in the air by Swiss artist Felice Varini, which can only be seen towards precise vanishing points.
Courtesy of Pezo von Ellrichshausen
佩佐·冯·埃尔里希肖森(Pezo Von Ellrichshausen)
这些二维的白色图画，直接画在结霜般的镀锌钢板上，就像漂浮的幽灵一样，是自由的形式，在教堂的中轴线上重叠着它们的复杂性。
These bidimensional white drawings, directly painted on the frosted-like galvanized steel plates, as floating ghosts, are free forms overlapping their complexity in the central axis of the church’s nave.
Courtesy of Pezo von Ellrichshausen
佩佐·冯·埃尔里希肖森(Pezo Von Ellrichshausen)
坚固而脆弱的表面工业特征被手工作画所迷惑。因此，结构和装饰之间的区别似乎被削弱了。至少作为一个语义问题，每一列都成为一根支撑柱，每一根柱子都变成一根装饰性柱。
Robust yet fragile, the industrial character of the surfaces is confused by the hand made painting. Thus the distinction between structural and decorative seems to be eroded. At least as a semantic problem, every column becomes a supporting pillar and every pillar an ornamental column.
Courtesy of Pezo von Ellrichshausen
佩佐·冯·埃尔里希肖森(Pezo Von Ellrichshausen)
Architects Pezo Von Ellrichshausen
Location Market Pl, Hull HU1 1RR, United Kingdom
Authors Mauricio Pezo & Sofia von Ellrichshausen
Area 650.0 m2
Project Year 2017
Category Pavillion
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