在“无意义”中，无限的可能性被隐藏起来，似乎我们必须找出我们所沉迷的创意之光背后的事物。当情境、语义和形式都不复存在之时，无意义在这种虚空中存留下来，从现在起成为一张漠然的、完全空白的纸。

In the ‘meaninglessness’, infinite possibilities are concealed, so it seems that we have to tear the back side of the brilliant light of our creation which we obsessed with. The meaninglessness cultivated in the vacuum state of the time when the condition, the meaning and the form doesn’t exist, and it is now on indifferent blank-paper.

▼咖啡厅外观，exterior view

▼室内概览，interior view

▼室内外过渡区域，transition area

成千上万种焦虑与担忧。美总是伴随着痛苦，这一不幸的事实驱逐着我们走向边界。审美的困境正是我们自己！仿佛再也不会画出清晰的线条。我们将消失在一个更加模棱两可的世界，除了空白什么也没有留下。边界已经变得混乱不堪。在这模糊的边界上，我们将与“痛苦的奇迹”相遇。

Thousands of anxieties and worries. The realities of the poor beauty accompanied with pain drive us to the edge. The source of aesthetic destitution is ourselves! Clear line doesn’t seem to be drawn. We will disappear into a more hazy place and remain nothing beside the blank. The boundary is harshly confusing. On this hazy boundary, we will meet a ‘miserable miracle’.

▼从室内望向室外，view to the outside from interior

▼共享餐桌，shared table

▼从厨房区域望向餐桌，view from the kitchen area

▼走廊视角，view from the corridor

▼咖啡厅厨房，kitchen area

▼厨房操作台细部，kitchen island detailed view

在热带的海洋边缘，在看不见的月亮投下的千万缕银色光芒中，在激烈地律动并不停变化着的水波中……在无声的浪潮中，被照亮的随风摆动的桌布，在逐渐分裂的环形、拱形和光线中，在掩星中，在重现的过程中，在扭曲、重塑、紧缩和和伸展的舞动的碎片中，于我之前，伴随我，甚至在我体内，淹没在无法承受的瑟瑟声中，我的平静被律动不止的舌头侵犯了千遍。我被困在其中，我迷失在一种最大可能的普遍之中。原来那瑟瑟声正是我自己的碎片。

*摘自亨利·米肖《痛苦的奇迹》，1956

▼内部就座空间，internal seating area

At the edge of a tropical ocean, in the thousand shimmers of the silver light of an invisible moon, among the undulations of the agitated waters, incessantly changing… Among the silent surges, the tremulations of the illuminated tablecloth, in the va-and- comes quickly martyring spots of light, in the tearing of loops and arches and lines of light, in the occultations, reappearances, in the dancing fragments distorting, reforming, contracting, spreading to redistribute again before me, with me, in myself, drowned and in an unbearable rustling, my calm violated a thousand times by the tongues of the infinite oscillating, sinusoidally invaded by the crowd of liquid lines, immense with a thousand folds,  I was and was not. I was obsessed, I was lost, I was in the utmost ubiquity. The thousand and a thousand rustles were my thousand shreds.

*Quotes from by Henri Michaux, 1956

▼内部座位区细部，seating area detailed view

▼镜墙细部，mirrored wall detail

▼镜中的厨房，the kitchen reflected in the mirror

▼家具和灯具细部，furniture and lighting pieces

▼材料，material

▼平面设计，graphic design

▼菜单设计，menu design

▼平拍形象设计，branding

Typology: Commercial Usage: Cafe Location: 1F, 71, Yunboseon-gil, Jongno-gu, Seoul, Republic of Korea Floor Area: 108m2 Client: CREATIVE STUDIO UNRAVEL Involvement: Concept Design, Construction Status: Completed Date of completion: March, 2019 Photography: Sunghoon, Han