如果你能发现材料的本源并善于运用它，你会发现它的美。

If you can discover the source of the material and use it well, you will find its beauty.

本案以灰白作为空间的主基调，依靠黑色和极少的跳跃色来完成空间的节奏感。

The case to gray as the main tone of the space, relying on black and very few jumping color to complete the rhythm of the space.

我们想表达一个安静且舒适的生活空间，在主材的挑选上我们有意的将色彩的饱和度降低，用大面积的体块来表现预先设定的氛围。

We wanted to express a quiet and comfortable living space, in the selection of the main material we deliberately lowered the color saturation, with a large volume to show the pre-set atmosphere.

过道作为室内空间与空间的连接关系，会显得尤为重要，因此我们把通道低下来的梁结构做了处理，巧妙的用免漆板将梁结构制作成了一个“L”形的体块，穿插于客厅与餐厅，房间与过道的一个空间关系上，用线条灯来减少“L”形体块所带来的厚重感同时又加强形体关系。

As the connection between the interior space and the space, the corridor is very important. Therefore, we have made the low beam structure of the corridor into an "l" shape with the paint-free board, interspersed between the living room and the dining room, the room and the corridor on a spatial relationship, with line lights to reduce the "L" shape of the body brought by the sense of heaviness while strengthening the body relationship.

我们将面与面、体块与体块的形体构成关系来表达空间的纯粹，而纯粹的空间美感则带来一种清雅、宁静的空间气息。

We express the purity of space by the relationship between the surface and the surface, the volume and the volume, and the pure space beauty brings a kind of elegant, tranquil space breath.

在原建筑的空间上，我们打破了入户、客厅、餐厅与厨房的空间关系，抽离了空间与空间的界限，做成了一个共享的空间。延伸性极强的共享空间感在扩大视觉感官的同时也让生活情景多样化。

IIn the space of the original building, we broke the spatial relationship between the door, living room, dining room and kitchen, pulled away from the boundaries of space and space, and made a shared space. The extensive sense of shared space not only expands the visual sense, but also diversifies the life scene.

在客厅转向过道处，我们做了一个白色的烤漆吊柜来化解转角处的生硬且打破了免漆板的单一性。与此同时过道天花的线条很好的把动态空间的流线带到了静态空间。

In the living room turning to the aisle, we made a white lacquered cabinet to dissolve the stiffness in the corner and break the monotony of the lacquered panels. At the same time, the lines of the ceiling bring the flow of the dynamic space into the static space.

卧室也没有过多的设计语言，我们将木地板、免漆板、艺术漆、白色烤漆做了一个合理的分布跟结合，为此来表达空间的纯粹与舒适。

The bedroom also did not have excessive design language, we will wood floor, paint-free board, art paint, white paint to do a reasonable distribution and combination, to express the purity and comfort of the space.

在主卧衣帽间的入口处我们用了整一面的纯白色烤漆板，衣帽间的柜门则用了大量的黑色玻璃，我们想把两个空间拉开一个层次，通过黑白这样的一个强烈对比来完成两个空间的过渡，造成两个空间的一个戏剧性效果。

At the entrance to the master bedroom cloakroom we used a whole side of pure white lacquered panels, and at the door of the cloakroom we used a lot of black glass. We wanted to pull the two spaces apart on a level, through the black and white such a strong contrast to complete the transition between the two spaces, resulting in a dramatic effect of the two spaces.

黑色玻璃它的是通透的且带点镜面，因此在狭长的衣帽间有一个通透且扩大视觉的空间效果。

The black glass is transparent and has a bit of mirror surface, so in the long and narrow cloakroom there is a transparent and expand the visual space effect.

次卧室我们把原有生活阳台的墙打掉，最大化的将室外的景色和光线传递到室内，柔和的光线透过窗纱在室内游走、穿插，靠窗位置我们做了一个抬高区域，赋予屋主最为惬意的生活状态。

The second bedroom we knocked out the wall of the original living balcony to maximize the outdoor scenery and light transmission to the interior, soft light through the window screen to move around, interspersed, by the window position we made a raised area, to give the owners the most comfortable living conditions.