中古风（Mid-Century Modern），是诞生于北欧20世纪中期的一种设计风格。在那个设计大师辈出的年代，中古风作为现代主义的延伸，却以其极简的理念、经典丰富的形式和复古的情怀，绽放夺目光彩。
中古风带着时间的记忆。即便经漫长岁月洗礼，它依然保持一种稳重厚实感，形式上永不过时、功能上舒适实用。“复古是一种态度、一种艺术、一种对历史风格美好的沉淀和再续。”
Mid-century Modern is a design style born in the middle of the 20th century in northern Europe. In that era of great designers, as an extension of modernism, but with its minimalist concept, classic rich form and retro feelings, blooming dazzling. The medieval wind carries with it the memory of time. Even after the baptism of the long years, it still maintains a solid sense of form never out of date, functional comfort and practical. "Retro is an attitude, an art, a beautiful historical style of precipitation and continuation. "
作品名 中古魅力 VINTAGE
女业主从事外贸工作，常年出入欧洲各国对欧洲中世纪的一些设计细节特别着迷，主张弱化硬装部分的造型设计，以软装装饰为主，所以选择了近年来较为流行的北欧中古风格。
Female Business Owners engaged in foreign trade work, all year round in and out of European countries are particularly fascinated by some details of European medieval design, advocating the weakening of the hard part of the shape design, mainly soft decoration, so choose the more popular in recent years Nordic medieval style.
经过实地测量，拿到房屋结构后，我们发现房子的层高一般，但好在业主就三口之家，对房间数量要求不高，最终，该项目的空间结构做了相应的调整，保留两个卧室和一个机动房外加一个书房的设计。
经过实地测量，拿到房屋结构后，我们发现房子的层高一般，但好在业主就三口之家，对房间数量要求不高，最终，该项目的空间结构做了相应的调整，保留两个卧室和一个机动房外加一个书房的设计。
After on-the-spot survey and obtaining the structure of the house, we found that the height of the house was in general, but fortunately the owner of the house was a family of three, and the requirement for the number of rooms was not high. Finally, the spatial structure of the project was adjusted accordingly, keep the design of two bedrooms and a motor room plus a study.
而将书房和客厅之间设置了一个百叶开窗，打开窗户两个空间就有趣的结合在了一起，有效地补充了客厅的采光不足的问题。
And between the study and sitting room set a shutter open window, open window two spaces are interesting to combine together, effectively supplemented the problem of insufficient daylighting in the sitting room.
房子层高不够，所以全屋采取了原顶的设计手法，所有的照明都利用一定的间接光源。
The House is not high enough, so the whole house has taken the original roof design approach, all lighting are using a certain amount of indirect light source.
入户的位置，并没有考虑做传统的玄关处理，取而代之的一个开放的衣帽柜+换鞋凳结合的方式，方便业主回家第一时间可以换下外套和包，穿上舒适的拖鞋，增加了入户的仪式感。
The location of the House is not considered to do the traditional porch treatment, instead an open wardrobe + changing shoes stool combination way, convenient for the owner to go home the first time can change the coat and bag, put on comfortable slippers, added a sense of ritual to the house.
厨房餐厅都还是在原来的位置，在开放式厨房和封闭式厨房之间业主一直很纠结，最后我们还是采取了半开放式厨房的设计，从而可以保留餐厅北面有一个飘窗的位置，房子处于五楼，北面是小区的花园，视野特别好。
The kitchen and dining areas are still in their original location, and the owners struggled between the open kitchen and the enclosed kitchen, so we ended up with a semi open kitchen that retained a bay window on the north side of the dining room, the House is on the fifth floor, with a view of the community garden to the north.
空间几乎都采用了以移动家具的布置、摆放、没有做过多的墙面装饰，这样增加了后期软装设计的审美难度，但也为后期预留了更大的可变性。
Almost all the space used to move the furniture layout, placement, not to do too much wall decoration, which increases the aesthetic difficulty of the late soft-fitting design, but also for the late reserved a greater variability.
因为是中古北欧风格，所以设计细节上也会运用到一定的古典美学，比如一些石膏线条还是保留了欧式的古典风格，厨房橱柜的门型和房间房门的门型都相应采用了北欧的设计元素，包括后期的门把手，我们和业主一起用心选择古铜的复古造型，也都对最终效果加了很多分。
Because it is medieval Nordic style, so design details will also be used to a certain classical aesthetics, for example, some of the plaster lines still retain the european-style classical style, the door of the kitchen cabinet and the door of the room have adopted the Nordic design element correspondingly, including the later period door handle, we and the owner choose the antique modelling of Antique bronze attentively together, also added a lot of points to the final effect.
项目名称：私宅│同人欣园
项目地址：温州 同人欣园平层
空间设计：毛铮
软装设计：HOMEY DESIGN
软装陈列：HOMEY DESIGN
项目面积：178平方
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-HOMEY何觅空间美学设计-
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