山间隐居，和谐共生_家装空间_设计案例作品

发布时间：2017-06-03 21:24:00 {{ caseViews }} {{ caseCollects }}

设计亮点

自然光与室内空间的巧妙运用，定制家具与当地元素的融合，尊重环境的山地建筑。

民用承包商坎威尔建筑公司。制造商装货.。多规格少规格

Civil Contractor Canwill Constructions. Manufacturers Loading... More Specs Less Specs

Shamanth Patil J

架构师提供的文本描述。我们风景如画的景点位于西高地，座落在湖水中，四周环绕着萨哈德里山脉。

Text description provided by the architects. Our picturesque site is located in the Western Ghats perched on the backwaters of a lake and surrounded by the Sahyadri mountain ranges.

Shamanth Patil J

虽然他们拥有两英亩的土地，但我们客户的要求并不高。他们要求我们建造一座2100年SFT单层展馆，作为一种退却，以逃避孟买疯狂的生活节奏，并重振感官。

Although they owned two acres of land, our client’s requirements were modest. They asked us to build a 2100 sft single level pavilion as a retreat to escape the frenetic pace of Mumbai life and to reinvigorate the senses.

Shamanth Patil J

我们设想了一个单一层次的亭子空间细分为两个主要的区域，一个是在白天和另一个在夜晚安静的休息。生活空间是外向和可渗透的，使自然能穿透它的信封；私人空间是内向的和受保护的。

We envisioned a single level pavilion spatially subdivided onto two primary zones; one for engagement with the view during the day and the other as a quiet retreat at night. The living spaces are extroverted and permeable allowing nature to penetrate its envelope; the private spaces are introverted and protected.

Shamanth Patil J

展馆的挑战之一是承认自然光的正确质量不仅来自周边，而且也存在于其内部的体积中。为此，我们创造了一系列戏剧性的天窗来均匀地照亮内部空间。天窗的棱角分明的形状是受到房子东面和西面山峰隐约出现的轮廓的启发。每个天窗都有柔和的北光进入生活、厨房、门厅和浴室。

One of the challenges of the pavilion was to admit the right quality of natural light not only from the periphery but also into its internal volumes. To this end, we created a series of dramatic skylights to illuminate the internal spaces evenly. The angular shapes of the skylights were inspired by the looming profiles of the mountain peaks to the east and west of the house. Each of the skylights admits a soft quality of north light into the Living, kitchen, foyer, and bathrooms

Shamanth Patil J

这座建筑是由当地现成的黑色玄武岩建造的，在地下5到6英尺的地方发现了这种玄武岩。这块石头是火山成因的，分布在德干高原各地。我们用石头作为一个随机的干包覆沿整个范围的外墙和一些内部口音墙。

The architecture is built from the readily available local black basalt stone which was found on the site just 5 to 6 feet below ground. The stone is of volcanic origin and available in abundance across the Deccan Plateau. We used the stone as a random dry pack cladding along the entire extent of the exterior walls and on a few internal accent walls.

Floor Plan

等高线的土地使我们能够与该地点的自然地形一起工作。我们没有建造一个平房来谈判斜坡，而是在它旁边建立了挡土墙围护结构和坡道，以到达3‘-6英寸以下的入口。

The contoured land allowed us to work with the natural topography of the site. Rather than creating a split-level house to negotiate the slope, we created a retaining wall enclosure and a ramp alongside it to arrive at the entrance 3’-6” below.

Shamanth Patil J

我们不得不在家具和配件上实行极大的克制，选择定制每一件，以使其与建筑意图相协调。配件全部来自Maharashtra，黄铜和铜器来自Nasik，Bitriware来自Aurangabad。

We had to exercise a great deal of restraint in the furniture and accessories, choosing to customize each piece to be in harmony with the architectural intent. Accessories were all sourced from Maharashtra, brass and copper vessels from Nasik and Bidriware from Aurangabad.

这幢房子的主要目的是吸收自然环境，向视野开放，但在这样做时，我们必须认识到我们的建筑在山上的实际存在和对环境的影响。

The primary objective of the house was to absorb the natural environment,to open itself up to the view.But in doing so we had to remain cognizantof the physical presence and the environmental impact of our architecture on the hill.

Shamanth Patil J