智利乡村教堂的再生设计_公共建筑_设计案例作品

发布时间：2016-04-19 11:24:00 {{ caseViews }} {{ caseCollects }}

设计亮点

将废旧筒仓巧妙地转化为新的教堂空间，同时保留其原有的象征意义。

c.Nico Saieh

架构师提供的文本描述。自1972年以来，Totihue农村社区(智利第六区)开始使用一个古老的筒仓作为教堂。2010年2月27日智利发生地震后，筒仓无法使用，因此由于有倒塌的危险，它不得不关闭。

Text description provided by the architects. The rural community of Totihue (Sixth Region, Chile) was using an old silo as a Chapel since 1972. After the earthquake in Chile on February 27th 2010, the silo resulted unusable, so it had to be closed because of danger of collapse.

c.Nico Saieh

The silo construction is a recurring image in the Chilean countryside, so this particular silo has an important symbolic meaning for the community of Totihue. Therefore, this project, made in collaboration with the Fundación AIS Chile and the community of Totihue, rescued and supplemented the old structure with a new gabled volume, in the manner of a barn. The new volumen welcomes the new chapel, and the renewed silo operates as a funeral parlour, community center and other complementary activities to the chapel. The silo, with a base diameter of 10.50 meters and 10.50 meters in height, determines the extent of the new chapel, whose plant is a square of 10.50 meters each side, which houses the assembly, and its double golden abatement plant houses the court on one side and the presbytery, on the other. The height of the new chapel is 7 meters, allowing the silo to be the main element of the set. Another of the formal references was Rafaelito´s drawing, a boy from Totihue, as a result of a call from the parish priest inviting all the community children to dream about the new chapel.

该筒仓除了在结构上进行修复外，还在其外层涂上了亨特道格拉斯白色金属板-四角线30x15，保持了爱国筒仓的颜色和形象，而新的教堂则被涂上了相同的金属板，但却是深灰色的，不想与现有的结构竞争。因此，每个卷的自主性是通过使用单一的材料来实现的，这是我们建筑车间的一项经常性工作。教堂的内部覆盖着松树3/4×5英寸，这是来自Totihue的邻居捐赠的。

The silo, apart from being repaired structurally, was coated on its outer with Hunter Douglas white metal plates Quadrolines 30x15, keeping the color and image of the patrimonial silo, while the new chapel has been coated with the same metal plate, but dark gray, seeking not to compete with pre-existing structure. Thus the autonomy of each volume is achieved using a single material, which is a constant work of our architectural workshop. The interior of the chapel was covered in pine 3/4 x 5 inches, which was donated by neighbors from Totihue.

c.Nico Saieh

筒仓的自然采光是由12个较低的开口进行的，这样就可以在筒仓内保持庄严的空间条件，尊重整体垂直度和高度；而在礼拜堂中，祭坛上方的一个大窗户是特权的，以便照亮后者，并以筒仓为背景。安装在中间的14个窗户间接地照亮了这个组件。外场被安装在这样一种方式上的穿孔金属板来保护不受太阳产生遮阳的影响，以达到安全和通风的空间。穿孔板也被用于钟楼，这是一个自由的体积，7米，同样的高度与礼拜堂。

Natural lighting of the silo was worked by twelve lower openings, that allow keeping the solemn condition of the space respecting overall verticality and height inside the silo; while in the chapel a large window over the altar was privileged, in order to illuminate the latter and see the silo as a background. The assembly is indirectly illuminated by fourteen windows halfway up. The outer court is protected from the sun generating shade by perforated metal plates installed in such a way to achieve a secure and ventilated space. The perforated plate has also been used in the belfry, which is a free volume of the set, with 7 meters, the same height as the chapel.

c.Nico Saieh