这是在北京城里的一个舞蹈工作室。面积很小，就两个开间。但是却被建筑师处理的极其诗意。

It is a dance studio planned to the corner of the building in the Beijing city.

What is done in the studio is to confirm the behaviour of the body. In the view of being repeated by the mirror, changing dizzyingly, a sense of existence of the floor becomes important. Paradoxically speaking, anything but the floor is unnecessary to be perceived.

Then I imagined a space wrapped in a deep fog. It was felt that the scenery in the fog in which everything except ground is near whiteout condition was proper to this dance studio.

Grainy and deep coloured tigerwood (Muiracatiara) is used for the floor, and all the other things are painted white so that the floor gets remarkable. By painting a white ceramic paint in a dot gradation on the mirror, the floor merges far into the wall.

When it sets foot on the studio, an innumerable white particle wraps the body. The floor merges gradually in a deep boundary, and senses of depth are lost. Although the dance studio is mostly a dull space with only the mirror, by blurring everything but the floor without assuming its existence, a fantastic space has been created.

雾中之舞

在舞蹈室进行的是身体行为确认，四周的镜子会让人有点眼花缭乱，因此地板的存在感非常重要。相反可以理解为，除地板以外都可忽视。我想象一个被浓雾包裹的空间，地板像是无尽的，感受到的就是乳白的雾中风景。地板是深色的木地板，除镜子以外，其它所有的东西都被涂成了白色，地板变得异常突出。通过镜子上的渐变白色圆点图样，将地与墙的界限模糊。

踏入这个舞蹈室，就像是被无数白色颗粒包裹住身体，地板消失在很远的地方，深度感官开始缺失、这个只有一面完整镜子的暧昧模糊空间，除地板外挣脱了其它的存在，成功的成为一个梦幻般的存在。