绘造社为著名旅行箱品牌 RIMOWA【不止于此】品牌展设计了艺术装置《打好行李 · 打开城市》，是将建筑绘图与空间设计结合的又一次尝试。【不止于此】第一站已于2019年10月4日至10月9日在上海恒隆广场举行。

Drawing Architecture Studio (DAS) created an art installation Pack the Suitcase · Unfold the City for the renowned suitcase label RIMOWA for its brand exhibition Beyond the City. It is another experiment by DAS to integrate architectural drawing with space design. The first stop of Beyond the City was held at Plaza 66 in Shanghai from Oct.4 to Oct.9, 2019.

▼艺术装置概览，overview of the art installation ©绘造社

由于此次品牌展计划在上海、北京、深圳三座城市巡回展出，因此装置画面的内容是将这三座城市最具代表性的建筑与场景进行拼贴组合。画面的前景是地标性建筑，但实际上它们的存在更像是分割画面的画框。画面真正的中心表现的三个城市最有代表性的日常空间：北京胡同，江南民居和深圳城中村。远处，长城、过江大桥、海上邮轮构成城市的边缘。明星建筑与草根建筑一起构成了一幅中国大都会的全景图。

▼装置画面的内容是将上海、北京、深圳这三座城市最具代表性的建筑与场景进行拼贴组合，the visual content of the installation is a collage in which the landmark architecture and urban scenes from Shanghai, Beijing, and Shenzhen are represented in one image ©绘造社

The exhibition is scheduled to tour in Shanghai, Beijing, and Shenzhen. So, the visual content of the installation is a collage in which the landmark architecture and urban scenes from those three cities are represented in one image. The landmark buildings occupy the foreground of the image, while they function more as the frame to divide the composition. The actual center of the image shows the most representative daily space in the cities: hutong in Beijing, vernacular residential housing in Shanghai, and urban village in Shenzhen. In the distance, the Great Wall, the giant river-crossing bridge, and cruise on the sea formalize the edges of the cities. The famous buildings and grass-root architecture altogether compose a panorama for a Chinese metropolis.

▼艺术装置全景鸟瞰，overall bird-eye’s view of the art installation ©绘造社

▼艺术装置近景鸟瞰图，close bird-eye’s view of the art installation ©绘造社

上海与深圳的地标建筑非摩天楼莫属。但摩天楼的比例与给定的横长墙面画幅矛盾。如果把整个摩天楼纳入画面，则比例过小，显得非常纤细；如果只选取头部，则无法体现摩天楼的高度。为了解决这个矛盾，我们引入了“折叠”这个概念。通过将摩天楼在地面上继续延伸，既可以保证合适的比例，又可以保留足够的高度。但作为两个相互垂直的平面（墙面和地面），折叠处也必然引起变化。摩天楼地面的部分尽管保留了立面的基本形式，但绘制的内容替换为城市空间的平面。平安大厦转化为机场跑道，环球金融中心转化为高铁站台，中国尊转化为高速公路。折叠带来了风马牛不相及的组合，但摩天楼的整体形象又将奇特的组合无缝衔接。

▼摩天楼地面的部分保留了立面的基本形式，但绘制的内容替换为城市空间的平面，the part of the skyscrapers on the floor maintains the basic form of their façades, while the content of the image is transformed to the plan of urban space ©绘造社

In terms of landmarks in Shanghai and Shenzhen, the skyscrapers are obviously the champions. But the scale of the skyscrapers contradicts the horizontal ratio of the wall on which the drawing will be installed. If the whole skyscraper is included in the image, it will look very tiny. If only the top of the building is portrayed, then it is not possible to present its height. In order to solve this problem, DAS introduced the concept of folding. The façades of the skyscrapers are continued to the floor, which is both able to keep the appropriate scale and also to remain the accurate height for the skyscrapers. But as two surfaces that are perpendicular to each other (wall and floor), there has to be some changes at the folds. Although the part of the skyscrapers on the floor maintains the basic form of their façades, the content of the image is transformed to the plan of urban space. Ping An Finance Centre in Shenzhen is turned into the runway of the airport, Shanghai World Financial Center becomes the station for high-speed train, and CITIC Tower in Beijing is converted into highway. The concept of folding brings totally unexpected combinations, but the intact form of the skyscrapers makes those combinations seamless.

▼艺术装置空间中的“折叠”概念，the concept of folding in the art installation ©绘造社

▼在墙面和地面的折叠处，平安大厦转化为机场跑道，Ping An Finance Centre in Shenzhen is turned into the runway of the airport at the folds of wall and floor ©绘造社

▼在墙面和地面的折叠处，环球金融中心转化为高铁站台，Shanghai World Financial Center becomes the station for high-speed train at the folds of wall and floor ©绘造社

▼在墙面和地面的折叠处，中国尊转化为高速公路，CITIC Tower in Beijing is converted into highway at the folds of wall and floor ©绘造社

二维图像和三维体块的结合是此次装置设计的另一个重点。立体的建筑从扁平的图画中“拔地而起”，作为陈列产品的展台。穿梭于整个装置中，仿佛置身于小人国。与摩天楼的折叠原则相同，每个展台建筑的每个立面都在折叠处（墙面和地面交界）继续延伸出一个城市场所的平面。立面图和平面图的相互关联是这个游戏要保持的原则。

Another highlight of the installation is the combination of 2D images and 3D blocks. The 3D buildings rise straight from the flat image on the floor, becoming the stand to showcase the products. Walking through the installation, one would feel like being in the Lilliput. Following the same principle of folding as that for the skyscrapers, each façade of every display architecture is extended into a plan of an urban space. The correlation between elevation and plan is the principle that the game shall keep.

▼立体的建筑从扁平的图画中“拔地而起”，作为陈列产品的展台，the 3D buildings rise straight from the flat image on the floor, becoming the stand to showcase the products ©绘造社

▼每个展台建筑的每个立面都在折叠处（墙面和地面交界）继续延伸出一个城市场所的平面，each façade of every display architecture is extended into a plan of an urban space ©绘造社

品牌展整体展场的设计采用了银色金属板的材质，作为呼应，装置部分图画的制作首次尝试了在镜面银色画布上打印彩色图像的工艺。现实中的建筑玻璃幕墙由镜面材料替代，看似无色中性的镜面银，在装置中柔和地反射出周边彩色画面丰富的颜色、光线和人影，形成了最为丰富的色块，也为静态的画面增添了有趣的动感。

The silver metallic board is used as the main material for the overall design of the exhibition space. In order to echo the design, DAS experimented, for the first time, with the technique of color printing on the silver mirror canvas for the production of the image of the installation. The actual glass curtains of the architecture are replaced with the mirror material. The seemingly colorless and neutral mirror silver in the installation gently reflects the abundant colors, lights, and silhouettes from the surroundings, becoming the richest color and bringing interesting dynamism to the still image.

▼现实中的建筑玻璃幕墙由镜面材料替代，在装置中柔和地反射出周边的彩色画面，the actual glass curtains of the architecture are replaced with the mirror material, gently reflecting the surroundings ©绘造社

▼艺术装置空间局部，在镜面银色画布上打印彩色图像，partial view of the art installation with the technique of color printing on the silver mirror canvas for the production of the image of the installation ©绘造社

设计团队：李涵 / 胡妍 / 张欣桐 / 张元博 / 章霍莹 / 袁楚阳 / 王启冉 设计/建成时间：2019 摄影：绘造社

Design Team: Li Han / Hu Yan / Zhang Xintong / Zhang Yuanbo / Zhang Huoying / Yuan Chuyang / Wang Qiran Year of Design / Completion: 2019 Photography: Drawing Architeture Studio