© Nam June Paik Art Center
南六月白克艺术中心
架构师提供的文本描述。南6月派克艺术中心翻修项目重新配置了大约12000 SF的现有博物馆(约占公众可访问区域的三分之一),并为公众提供了解释、逗留、交流和居住该机构的新方法。该项目尝试了“建筑中的建筑”和“图形中的人物”的概念,探索了适当的未充分利用的体制空间的类型学方法,以供更灵活和更具变革性的公众使用。
Text description provided by the architects. The Nam June Paik Art Center renovation project reconfigures approximately 12,000 sf of the existing museum (about one-third of the publicly accessible area) and provides the public with new ways to interpret, linger, exchange, and inhabit the institution. Experimenting with the idea of “building in a building” and a “figure in a figure,” the project explores the typological approach to appropriate underutilized institutional spaces for more flexible and transformative public use.
Text description provided by the architects. The Nam June Paik Art Center renovation project reconfigures approximately 12,000 sf of the existing museum (about one-third of the publicly accessible area) and provides the public with new ways to interpret, linger, exchange, and inhabit the institution. Experimenting with the idea of “building in a building” and a “figure in a figure,” the project explores the typological approach to appropriate underutilized institutional spaces for more flexible and transformative public use.
© Nam June Paik Art Center
南六月白克艺术中心
开放地,博物馆新入楼是围绕三个规模大的规划区域设计的,具有强大的形象和空间特征-新环境,用于Paik的“电视花园(1974)”,项目画廊(对于新兴的艺术家)“实验展览”和“车间圆”(用于新的公共项目),旨在推广公众与艺术及其故事互动的延伸持续时间和多种方式。与公众形成新的机构界面,三个独立的数字允许同时进行自主编程,而谨慎的开放组合物促进不可预测的交流和新的程序化潜力。与补充的移动元件组合,图中还提供了额外的用户便利设施。
Open Ground, the new entry floor of the museum is designed around three large-scale programmatic zones with strong figural and spatial characteristics - New Environment for Paik’s “TV GARDEN (1974)”, the Project Gallery (for emerging artists’ experimental exhibits), and the Workshop Circle (for new public programs) - and it aims to promote extended durations and multifarious ways that the public interacts with the art and its stories. Forming a new institutional interface with the public, three independent figures allow for simultaneous yet autonomous programming while the careful open composition fosters unpredictable exchanges and new curatorial potentials. Combined with supplementary mobile elements, the figures also frame additional user amenities.
Open Ground, the new entry floor of the museum is designed around three large-scale programmatic zones with strong figural and spatial characteristics - New Environment for Paik’s “TV GARDEN (1974)”, the Project Gallery (for emerging artists’ experimental exhibits), and the Workshop Circle (for new public programs) - and it aims to promote extended durations and multifarious ways that the public interacts with the art and its stories. Forming a new institutional interface with the public, three independent figures allow for simultaneous yet autonomous programming while the careful open composition fosters unpredictable exchanges and new curatorial potentials. Combined with supplementary mobile elements, the figures also frame additional user amenities.
© Nam June Paik Art Center
南六月白克艺术中心
Ground floor plan
© Nam June Paik Art Center
南六月白克艺术中心
位于二楼的Flux NJP游戏室是一个供用户指导学习和探索的空间,它使用媒体集成的定制家具以及移动图像投影和其他未来技术的基础设施设计。这个房间建在循环核心周围未得到充分利用的剩余空间中,占地面积最小且不寻常,它提供了一个独处的空间,以及与学习材料亲密的空间。这个宽敞的开放式画廊占据了整个楼层的大部分空间。墙的几何图形描绘了媒体投影的沉浸面,以及用于群体或个人使用的意想不到的空间,同时产生了一个新的尺度,模糊了对其范围的感知。
The Flux NJP Play Room, located on the second floor, is a space for user-guided learning and exploration designed with media integrated custom furnishings and the infrastructure for moving image projections and other future technologies. Built in the underutilized residual spaces around the circulation core in a minimum and unusual footprint, the room provides a space of solitude and of intimacy with the learning material amid the expansive open gallery that occupies most of the floor. The geometry of the wall delineates immersive surfaces for media projections and unexpected spaces for group or personal use while producing a new scale obscuring the perception of its confines.
The Flux NJP Play Room, located on the second floor, is a space for user-guided learning and exploration designed with media integrated custom furnishings and the infrastructure for moving image projections and other future technologies. Built in the underutilized residual spaces around the circulation core in a minimum and unusual footprint, the room provides a space of solitude and of intimacy with the learning material amid the expansive open gallery that occupies most of the floor. The geometry of the wall delineates immersive surfaces for media projections and unexpected spaces for group or personal use while producing a new scale obscuring the perception of its confines.
© Nam June Paik Art Center
南六月白克艺术中心
Architects N H D M Architects
Location 10 Baengnamjulro, Sanggal-dong, Giheung-gu, Yongin-si, Gyeonggi-do, South Korea
Local Architect of Record (for Ground Floor) aLab architects
Area 12000.0 ft2
Project Year 2017
Photographs Nam June Paik Art Center
Category Interpretation Center
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