Ultrathin，这一由马塞尔·杜尚创造的词汇，用于表明感知的复杂性，并暗示了艺术的作用可能只是为了澄清、清理、润色或揭示某种特定的情境。同时，它也关乎于我们如何从二维、三维一直走向四维的空间。
Ultrathin, the term was coined by Marcel Duchamp to point out perceptive complexity and suggest that art’s role might just be to clarify, clean, polish, or simply reveal certain situations. It also refers to how we move and navigate from two to three to four-dimensional spaces.
▼项目概览，Overview
Sines艺术中心是一个1:1的模型，一处受到保护的、与光线互动的场地，犹如建筑版的“爱丽丝梦游仙境”。游客随即步入失重的“兔子洞”去探索设计师努诺所塑造的世界，借助超视距不断放大与缩小镜头，以适应所遇见的不同场景，进一步帮助游客感受图像所呈现的内容。
▼项目概念，Concept
Sines Art Center is a model. A scaled 1:1 model where one enters an Alice in Architecture wonderland, a protected space for daydreaming with light. Ultrathining could be the act of possibly allowing and helping the visitor modify their scale of perception, entering the model and wandering through it. Going down the rabbit hole to find Nuno’s world and defy scalar “gravity”, adjusting perception to the very different situations that the work relates to, zooming in and out continuously, adjusting the lens to what the images have to offer and propose.
▼连接两处空间中的过渡空间，The transition between two rooms
▼空间内的第二处展厅内景，Arrangement of the second showroom
▼展厅局部，Arrangement of the project
▼被放置在两处墙体连接处的展品，The work placed in between two walls
努诺的作品打破了传统的展览结构，在墙面和地面之间利用展示台和漫步游客的身影塑造了一个充满想象力的世界。空间内部通过设置的长廊连接不同的展厅空间，同时试图弱化如雕塑、绘画、摄影、壁画、装置艺术、电影及影像等各类艺术领域的边界，为游客提供了一处多元化的展示空间。
The works imagine worlds – walls and floors converse in landscape mode with extruded plinths and strolling visitors. In a certain way, it is a very general and discrete promenade into the diversity of art formats and supports purposely confusing and blurring the limits of sculpture, painting, photography, frescos, installation art, film and video art.
▼被放置在两处墙体连接处的展品，The work in between two walls
▼展品近景，Detailed view of the work
努诺的作品侧重于框架与连接性，并且十分善于将他遇到故事串连并展示在大众面前。作为展览设计师，日常的工作是在临时设置的长廊里陪伴作品与参观者，通过摆放、连接、清理、展示、绘画、置换，精巧地呈现空间、人、事物、图像和故事之间的微妙关系，构成了每一次展览的体验，而所有这一切都可能在极其微小的干预中实现。
It could be that Nuno’s work is all about framing and connecting; bringing forward and sewing together particular situations he encounters. Our work as exhibition designers has been to accompany the work and visitors in the promenade of the bonding frames. Placing, linking, clearing, showing, painting, displacing and revealing discretely the subtle, sometimes random relations – spontaneous encounters between spaces, people, things, images and stories that compose the experience of the exhibition. All of it within the thinnest possible intervention: 0.1 mm.
▼不同色彩区域的长廊，View of the different color zone
Partnership: MAAT – Museum of Art, Architecture and Technology
Curators: de José Mouro and Julia Albani
Project: BUREAU (Daniel Zamarbide, Carine Pimenta, Galliane Zamarbide)
Concept design: Daniel Zamarbide, Carine Pimenta
Construction supervision: Carine Pimenta, Amir Halabi
Publication drawings: Amir Halabi
Images: Nuno Cera
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