葡萄牙阿米莉亚之家的有机扩建_家装空间_设计案例作品

发布时间：2016-06-04 21:48:00 {{ caseViews }} {{ caseCollects }}

设计亮点

巧妙利用既有建筑与周边环境，实现室内外一体化设计。

费尔南多·格拉

架构师提供的文本描述。这不仅仅是另一栋房子。我们都知道那些小巷。没那么多.我们总是没完没了地跑过去，总是等着有人邀请我们吃饭。结束这一天总是为时尚早。那是阿米莉亚阿姨的房子。只有一个人建造的，它曾经向我们展示了骄傲的微笑和一些仁慈，完美的刻板的石头覆层。对我们来说，建筑有很多东西要学，也有很多花哨的东西。这不仅仅是另一栋房子。

Text description provided by the architects. This is not just another house. Those alleys were well known to us. Not that much...we used to run endlessly over there, always waiting for someone to invite us to dinner. It was always too early to end the day. And that was the house of Aunt Amelia. Built by only one man, that used to show us a smile of pride and some benevolence, the perfect stereotomy of the stone cladding. To us, that has so much to learn and fancy about building. This was not just another house.

费尔南多·格拉

然而，发现在小巷的底部，有一片土地让人不由得感到惊讶。无花果树呢？那教堂呢？就在那儿，好近啊！第一次在小巷外偷看。这是个启示。

And yet, find out that at the bottom of the bottom of the alley, there was that land that did not fail to astonish. And the fig tree? And the church? Just there, so close! For the first time a peek beyond the alley. And that was a revelation.

就在那里，我们有了扩大房子的艰巨任务。那所房子是用时间和时间建造的。有露台，外楼，楼梯.，所有连接的.，工作间，混凝土水槽的房子。都在一个很小的空间里。这是巷子里的一条小巷，在外部空间的层次性之上。

And it was there, that we had the demanding task of enlarging the house. That house, built in time and with time. That house with terraces, outbuildings, stairs..., all connected..., workrooms, concrete sinks. All in a tiny space. It was an alley inside the alley, over the gradation of the exterior spaces.

费尔南多·格拉

每一个空间都有它自己的自主性，总是适应国内的规模，这无疑有助于，门廊屋顶的存在和零碎的体积组成。

And each one of the spaces had its own autonomy, always adjusting to a domestic scale, for which contributes, undoubtedly, the presence of gabled roofs and fragmentary volumetric composition.

费尔南多·格拉

继续往前走。一切看起来都很自然。多一间房子，一间房，两间房。面对教堂的顶点切开了它-我们想看看她；在房子的背面，一棵无花果树施加了限制，并邀请了游泳池。与既有建筑的连接，当然是通过梯田。这幅作品是自主的，采用一层平顶，通过一种更加有机的设计，也解决了房子与新车库区与覆盖的室外空间之间的联系，划定了地段。在南方，透过反射绿色花园的大镜子窗口，将它的存在非物质化。

Just keep going. Everything seems so natural. One more house, another volume, two more rooms. The vertex facing the church cut it - we want to look at her; on the backside of the house a fig tree imposes the limit and invites the pool. The connection to the pre-existing constructions it would be of course through terraces. This piece it is autonomous, with one floor and flat roof, witch trough a more organic design also resolve the connection between the house and the new garage area and the covered outdoor space, delimiting the lot. At South, dematerialized up its presence through the large mirror window in which the green garden is reflected.

费尔南多·格拉

室内很简单：几乎只有一个厨房，有一个不错的就餐区，控制天花板高度，房间的体积悬挂在屋顶上，可以通过露台或黑色熨斗的楼梯进入，是一处风景优美的地方，以抵消室内清澈的色调。屋外的暗色加上平面砖的使用，是房屋历史上的又一个篇章，由灰色和白色组成，同时也在体积上寻找一些抽象，平衡构图。

The interior is quite simple: almost only a kitchen with a nice dining area, controlling the ceiling height, the volume of the room is suspended on the roof pitch, wich is accessible via a terrace or a staircase in black iron, is a scenic presence to counteract the clear tones of the interior. The dark color of the outside complemented by the use of flat tile, is another chapter in the history of the house, made of grey and white volumes, that at the same is looking for some abstraction in volumetric addition, balancing the composition.

费尔南多·格拉