OASIZ绿洲，创意绿植工作室，致力于推广家居种植文化 ，提倡“与植物相伴的都市生活”。OASIZ的线下首店是一家为期一年的快闪店，位于深圳市深业上城小镇，连接著莲花山公园与笔架山公园，自带大自然的绿色气息。

OASIZ, a creative green plant studio, is committed to promoting home planting culture and advocating “urban life accompanied by plants”. OASIZ’s first offline store is a one-year pop-up store. It locates in UpperHills, Shenzhen, which connects Lianhua Mountain Park and Bijia Mountain Park. It is set in a green atmosphere of nature.

▼从街道望向项目，View from the street to the project

对于零售品牌来说，快闪店的意义需要超越“销售本身”。是推广绿植及创意、培养消费者的培养基，也是品牌传播的实体媒介。

For a retail brand, the significance of pop-up stores needs to go beyond “sales”. It is a cultural medium for promoting green plants and creativity and a physical medium for brand communication.

▼ 项目立面，Facade

永续设计

Sustainable Design

在消费社会中，零售行业为了占领心智，需要不断的进行场地更替及装修翻新，以获得话题性和注意力。三到五年的快速轮转，不仅是对社会资源的极大浪费，对于商户也是不小的经济的负担。OASIZ是一家有追求的绿植品牌，我们希望能同客户一起，建立起属于OASIZ的、符合“潮流生活”的新的设计语序。我们并不会一味的追求材料的纯天然，我们更关注深层意义上的环保——产品是否能够在更长的时间内去重复使用；材料是否可以回收并且进行低成本的再利用。所以，在设计初始阶段就充分考虑“永续设计”，以更便于施工及加工的方式去搭建空间和道具，以避免不必要的复杂工艺中带来的人力及材料的消耗和浪费。

▼ 轴测图，Axonometric

To occupy the mind, the retail industry needs to constantly replace and renovate venues to gain topicality and attention. The rapid change of three to five years is not only a great waste of social resources but also a considerable economic burden on merchants. OASIZ is a green plant brand with pursuit. We hope to work with customers to establish a new design language that belongs to OASIZ and conforms to the “trend life”.We don’t blindly pursue the pure nature of materials; we pay more attention to the deep sense of environmental protection-whether the product can be reused in a longer period of time; whether the material can be recycled and reused at low cost. Therefore, “sustainable design” is fully considered at the initial stage of design. The space and props are built in a way that is more convenient for construction and processing. Avoid the consumption and waste of manpower and materials brought about by unnecessarily complicated processes.

▼ 项目内景，Arrangement of the interior

场地利用

Site Utilization

完全保留商场原有的天地墙，通过简易的木架体系悬挂可拆卸的刷漆欧松板，完成对OASIZ绿洲的空间底色的搭建。同时保留了原有的基础电位及灯光点位，通过局部加设射灯及明装走线的方式，完成对空间和植物的照明优化。

We preserved the original ceiling, floor, and walls of the shopping mall and completed the construction of the space through a simple wooden frame system which is a suspended detachable painted Ozon board. At the same time, the original basic potential and lighting points are retained. The lighting optimization of the space and plants is completed by adding spotlights and exposed wiring.

▼ 收银台，The cashier

功能道具

Functional Props

针对品牌的特殊性，摒弃掉以往的固定收银，转化为可移动的道具，将吧台和块根展示集成在迎面的超大尺度台子上，形成空间的锚点。

According to the particularity of the brand, we discarded the fixed cashier and transformed it into a movable prop. Integrate the bar counter and root display on the facing super-scale table to form the anchor point of the space.

▼核心展陈装置，The core display device

核心展陈装置特意选取了再利用的电动餐桌配件与铝架组合，重新组装成一个低成本的电动装置，既实现了块根植物受光的稳定，也给消费者提供了新鲜的观看模式。配套的小道具通过加设滑轮及天花悬挂电线，实现了移动的便捷性和用电的安全性。

The core display device specially selects the combination of accessories of reused electric dining table and aluminum frame. Reassemble it into a low-cost electric device, which not only gives the root plants stable light but also provides consumers with a fresh viewing mode. The supporting small props achieved the convenience of movement and the safety of electricity use by adding pulleys and hanging wires from the ceiling.

▼展示架，Display area

关于游牧系列

About Nomad Series

游牧系列是如室为了应对消费主义破灭而开发的设计语言，是如室会持续推进的设计线之一。以先期推进研发，后与品牌共同落地的形式开展项目；通过调整设计程序，以保证设计时间和精度，取得设计质量与施工成本之间的平衡。

The nomadic series is a design language developed by Ruhaus Studio in response to the disintegration of consumerism, and it is one of the design paths that Ruhaus Studio will continue to promote. Carry out the project in the form of promoting research and development in advance and then cooperating with the brand. Ensuring the design time and accuracy, we adjusted the design procedure and achieved a balance between design quality and construction cost.

▼展示柜，Display cabinet

▼高柜及高柜放大镜近景， The high cabinet and detailed view of the magnifying glass on it

设计的最大作用并不是创造商业价值，也不是包装和风格方面的竞争，而是一种适当的社会变革过程中的元素。永续设计，它不一定是单就产品本身，也可能是一种新的消费模式，从各方面去尽力达到永续循环的目的，这也是我们持续学习和进步的方向。

The greatest role of design is not to create commercial value, nor is it a competition in trends, but an element in the process of social change. Sustainable design does not necessarily refer to the product itself, but may also be a new consumption pattern. Trying to achieve the goal of sustainable circulation from all aspects, which is also the direction of our continuous learning and progress.

▼材料细节， Detailed view of the material used

▼ 平面图，Plan

▼ 立面图，Elevation

▼ 剖面图1，Section 1

▼ 剖面图2，Section 2

▼ 矮柜构件示意，Component diagram-

low cabinet

▼中柜构件示意，Component diagram-medium cabinet

▼高柜构件示意，Component diagram-high cabinet

项目名称：绿洲

设计方：Ruhaus Studio

项目设计 & 完成年份：2023..1

主创及设计团队：王艺儒，林诗婷，左晨阳

项目地址：深业上城三楼小镇

建筑面积：60m²

摄影版权：夏同

客户：绿洲

Project name:OASIZ

Design:Ruhaus Studio

e-mail:

Design year & Completion Year:2023.1

Leader designer & Team:Yiru Wang. Shi’ting Lin, Chenyang Zuo.

Project location:UpperHills, Shenzhen

Gross Built Area (square meters):60

Photo credits:Tong Xia

Clients:OASIZ