瑞士阿尔卑斯山间的“活雕塑”住宅_家装空间_设计案例作品

发布时间：2017-10-17 10:12:00 {{ caseViews }} {{ caseCollects }}

设计亮点

原型的重新发明，动态空间与自然景观的完美融合。

亚历山大·兹维格

瑞士众议院罗萨代表了对尊重我们居住的地方的不断承诺，并尽一切努力帮助我们理解文明。这是一部介于艺术和建筑之间的歌剧，一个活生生的雕塑。除了它在保护人类不受元素影响方面的主要作用外，它也是一种需要艺术来完成它的建筑。

Swiss House Rossa represents the constant commitment to build with respect for the places we inhabit and to make every effort in helping our understanding of civilisation. This is an opera that lies on the cusp between art and architecture, a living sculpture. Alongside its primary role in protecting man from the elements, it is an architecture that needs art to complete it.

亚历山大·兹维格

卡兰卡谷，当你去那里的时候，你会忘记你所知道的事情。在现实中，那里的旅程是短暂的，但这是一次一生的旅程。一旦进入，山谷在你身后关闭，超越你的梦想之门。

The Calanca valley, when you go there, you forget the things that are known to you. In reality, the journey there is short, but it is a trip of a lifetime. Once inside, the valley closes behind you, and beyond opens the door to your dreams.

亚历山大·兹维格

岩石的墙，森林，起伏的柔软的田野；几个世纪以来男人和女人的不懈努力；它温暖了我们。岩石告诉我们地球诞生的故事，以及地球为了给我们这个有福的地方而移动了多少。

Rocky walls, forests, undulating soft fields; the ceaseless work of centuries of men and women; it warms us. The rocks tell us the story of the birth of the earth and how much it has had to move to give us this blessed place. © Alexandre Zveiger

亚历山大·兹维格

罗莎是一个记忆的地方，文明来源于简单。我们的任务是通过谦卑而持久的姿态，继续这种爱这片土地的艺术。这个位于瑞士阿尔卑斯山海拔 1100 米的村庄，几乎就在山谷的尽头，大自然的强大力量在那里表现出来，它的存在向我们揭示了我们在世界上的尺度。它的存在向我们揭示了我们在世界上的尺度。

Rossa is a place of memory where civilisation comes from simplicity. Our task is to continue this art of love for this land through humble but enduring gestures. This village in the Swiss Alps at an altitude of 1100 meters, lies almost at the end of the valley, where the powerful force of nature expresses itself, its presence revealing to us our measure in the world. Expresses itself, its presence revealing to us our measure in the world.

在这一背景下建造意味着从过去的迹象中汲取其本质的启示，遵循一个难以描述的能量催化的地方的和平。

Building in this context means taking cue from the signs of the past in their essence, following the peace of a place that catalyses energies difficult to describe. © Alexandre Zveiger

亚历山大·兹维格

这里没什么新鲜事。这个物质和精神的地方仍然抵制商品化，放置在其中的每一个物体都被消耗，并与历史和自然融合。

Nothing here is new. This physical and spiritual place still resists commoditisation and each object placed in it is consumed and amalgamated with history and nature.

亚历山大·兹维格

瑞士豪宅在空间上被放置在一系列的贵族住宅上，形成了乡村教堂周围的聚集地。新卷在物理和概念上都强调了这一轴。

Swiss House is placed spatially along a line of volumes of patrician houses that form an agglomeration around the village church. The new volume emphasises this axis both physically and conceptually.

Ground Floor Plan

Ground Floor Mezzanine

底层夹层

垂直投影中的交叉、边缘的四舍五入和屋顶的简单扭转使其具有动态性，并重新解释了房屋的原型。就像孩子们设计的那种典型的房子：两条垂直线，两条屋顶对角线，一条用来放光的洞。这是一回事，但完全不同。

The cross in vertical projection, the rounding of the edges and the simple torsion of the roof make it dynamic and reinterprets the archetype of the house. Just like the typical house as designed by children: two vertical lines, two diagonal line for the roof, holes for letting in light. This is the same thing, but completely different. © Alexandre Zveiger

亚历山大·兹维格

这是原型的重新发明，以表明建设的理由是创造性和取之不尽的，建筑是我们的公共艺术。正如我们周围的自然并不总是一样，但却是不断变化的，根据我们观察它的方式而改变和产生新的意义。

It is the archetype re-invented to show that the reasons for building are inventive and inexhaustible and that buildings are our public art. Just as our surrounding nature is not always the same, but is in constant flux, changing and taking on new meanings depending on how we observe it. © Alexandre Zveiger

亚历山大·兹维格

它是一个定义动态空间的封闭空间。视点和光线穿透对时间的感知起作用，特别是因为我们已经习惯的滑动图像没有瞬时速度。这是一条不间断的情感线。每个光圈都被校准，并面向周围景观的选定视图。每一个点是不同的，每一个呼吸的景观意味着不同的东西。

It is an enclosure that defines a dynamic space. The points of view and the light penetrations work on the perception of time, notably from the absence of the instantaneous speed of the sliding images we have grown used to. It is an unbroken line of emotions. Each aperture is calibrated and oriented towards selected views of the surrounding landscape. Each point is different and every breath of the landscape suggests different things.