Atelier Stéphane Fernandez

别墅符合景观的感觉，丰富的自然与树叶和气味被光压碎。坐落在树木繁茂的山上，有人居住的石灰岩马刺出现了浮动。这些房子的力量来自于与这种强大而敏感的自然的令人振奋的对抗。从Villa Rotonda，他们绘制了几何和基本方向。

The villa conforms to the feel of the landscape, rich in nature with leaves and smells crushed by light. Perched on a wooded hill, inhabited limestone spurs emerge; Floating. The power of these houses comes from an exhilarating confrontation with this powerful and sensitive nature. From Villa Rotonda, they plotted geometry and basic directions.

从物质，柔软和新鲜的矿物普罗旺斯，他们显示他们的力量。从地面上，混凝土像天然岩石一样出现在数千种地方性植物的景观中。除了一个有人居住的地方，别墅还讲述了领土、地理和传统——普罗旺斯;乔诺的干旱，难以接近，谨慎而慷慨。

From the material, soft and fresh minerals of Provence, they show their strength. From the ground, concrete appears like natural rock in the landscape of thousands of endemic plants. In addition to an inhabited place, the villa also tells the story of territory, geography and tradition -- Provence; Jonos drought, inaccessible, cautious and generous.

从简单中，他们带来了18世纪巴斯蒂德的质朴，依偎在灌木丛中。建筑与身体和气候关系的证据。最古老建筑的简单而明显的建筑智慧。

From simplicity, they bring the rusticity of an 18th century Bassted, nestled in the bushes. Evidence of the relationship between architecture and the body and climate. The simple and obvious architectural wisdom of the oldest buildings.

该项目提出了三种与领土重叠的关系。地板上的房子，被天窗照亮，黑暗，挖在厚厚的地板上。由大型框架组成的景观住宅，由结构发起，消除了内外之间的水平限制。以天井为中心的天空之家，像罗马别墅一样垂直连接，创造了一种与云、风、雨不断变化的关系。

The project proposes three overlapping relationships with territory. The house on the floor, illuminated by skylights, dark, dug into the thick floor. The landscaped house consists of a large frame, initiated by the structure, that removes horizontal restrictions between inside and outside. Centered on a patio, the Sky House is vertically connected like a Roman villa, creating a constantly changing relationship with clouds, wind and rain.

物质是理解景观的工具。柔滑柔软的场地混凝土，触感揭示了它的复杂性，从灰色到精致的白色。覆盖在地板上的天然石材被软化，并反射通过植物的阴影和光线。木材，砂橡木，琥珀色，释放出木香，在与人的第一次肉体接触中发现自己。

物质的工作增加了我们与大气和时间流逝的关系。因此，苔藓、磨损和变质是这种构造力量的一部分，这种构造力量将人类与他的领土联系在一起，让人想起圣维克托瓦尔山的千年岩石，画家敏感的眼睛使其不朽。

The work of matter adds to our relationship with the atmosphere and the passage of time. Moss, wear and decay, therefore, are part of this tectonic force that connects man to his territory, reminiscent of the millennia-old rocks of Mount SAN Victoire, immortalized by the painters sensitive eye.

版权：Atelier Stéphane Fernandez